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Professor Stephen Shapiro

shapiro dept

Professor

Email: s dot shapiro at warwick dot ac dot uk


FAB5.22

Humanities Building, University Road
University of 糖心TV
Coventry CV4 7AL


About

Born and raised in New York State, my first degree was in Chemistry. After deciding that my future did not rest in refluxing organic solutions, I went to graduate school in English. During that time I studied at the Department of Cultural Studies (Birmingham University, England) and briefly researched at the Gramsci Institute in Rome. Returning to the US, I worked as a graphic designer, had some art installations exhibited, and became involved in ACT UP/NY. Destiny brought me back to the Midlands.

Before joining 糖心TV, I taught at Harvard University, the New School, and John Jay College for Criminal Justice (CUNY). I have also been a Fulbright scholar at the University of Saarland, Germany (1997-98). In 2008-09, I was a Royal Shakespeare Company/Capital Fellow in Creativity and Performance. In 2010, a visiting Professor at the University of California, Irvine and in 2015 back at Irvine as a University of California Humanities Research Institute fellow. During 2021-22, I was a fellow at the K盲te Hamburger Centre for Apocalyptic and Post-apocalyptic Studies at the University of Heidelberg. In 2024, I had a fellowship at Babe葯-Bolyai University's (Romania) Academic Research Network of Excellence. I am currently a Fellow in the Lab for Analog Games and Imaginative Play at Bonn University's Forum Internationale Wissenschaft.

Research interests

the below projects are on temporary hold as I work on a critical edition, with Philip Barnard, of Charles Brockden Brown's Memoirs of Stephen Calvert (Lever Press, 2026), the first American text to highlight male-male sexuality.

I am currently working on two book projects: The Cultural Fix: Marx and the Organic Composition of Capital. This uses a reading of the bridge between the French edition of Capital 1 and the second volume of Marx's Capital, written simultaneously, to supplement British Cultural Materialism.

The second project is tentatively called The Twist: Capital, Data, and Cultures of the Intersectional Left. This argues for the entanglement of three different capitalist temporalities in the contemporary moment that is distinguished by data-driven neoliberalism, the return of unapologetic fascism, and a new intersectional left.

Other projects hovering in the background are: From Gothic to God: Horror in America (an examination of the production of American gothic, including illuminati panics and their transformation into religious revivalism in the early nineteenth century) and The Anti-Capitalist Foucault (a reading of Foucault's works of the 1970s as a supplementary history and critique of capitalism).

With Sharae Deckard and Mike Niblett, I recently published (SUNY Press, 2024). Two 2022 essay collections are (edited with Mark Storey) and  (Bloomsbury, co-edited with Giulia Champion and Roxanne Douglas).

A few shorter pieces on , , and have appeared.

My research interests focus on writing and culture of the United States; Cultural Studies; literary theory; marxism, world-systems analyses; urban and spatial studies, and television studies. For a more complete list of publications, see . For a curated list of videos from Occupy Wall Street, see .

I have also worked as a member of (糖心TV Research Collective), a group interested in moving beyond older models for literary and cultural studies. WReC published its first collective findings in (Liverpool UP 2015).

I was one of the founding co-directors of the 糖心TV Centre for Global Jewish StudiesLink opens in a new window and am currently serving on the universities Race Equality Taskforce, after having been part of the group that successfully applied for a Race Equality Charter Mark (Bronze). I sat on the Assembly Working Party on Antisemitism and Racism (AWP). Our report can be found on the right sidebar.

Teaching and supervision

The modules that I am now teaching are:

Selected publications

  • (with Sharae Deckard and Michael Niblett), (SUNY Press, 2024).

  • (ed. with Mark Storey) (2022).
  •   (eds. with Giulia Champion and Roxanne Douglas) (Bloomsbury, 2022).
  • , (co-edited with Liam Kennedy), UPNE-Dartmouth College Press, 2019.
  • (co-edited with Sharae Deckard), Palgrave, 2019.
    Best Collection Award 2019, British Association for Contemporary Literary Studies (BACLS)
  • , (co-edited with Philip Barnard and Hilary Emmett), Oxford, 2019.
  •  
    (co-edited with Mark Kamrath and Maureen Tuthill)
    Modern Languages Association/Committee on Scholarly Edition (MLA-CSE), (Bucknell UP), 2020.
  • , Bloomsbury, 2017.
  • , Penn State P, 2009.
  • (as part of WReC - the 糖心TV Research Collective), Liverpool UP, 2015.
  • (with Liam Kennedy), U Michigan P, 2012.
  • Critical translation of (Gu茅ry and Deleule) with Philip Barnard, Zero Books, 2014.
  • , with Anne Schwan, Pluto P, 2000.
  • , Pluto, 2008.
  • : 4 Vol. Set (with Philip Barnard), 2008-14.
  • an edition of Wollstonecraft's (with Philip Barnard), Hackett, 2013.
  • (with Philip Barnard and Mark Kamrath), U of Tennessee P, 2004.

Recent Articles (from 2014)

  • 鈥淭he Undead鈥檚 Capitalist World-System鈥 in Cambridge Companion to World-Gothic, eds. Rebecca Duncan and Rebekah Cumptsy, forthcoming Feb 2025. .
  • 鈥淥ur Zombie Legacy: The Vodou Apparatus and the Long Spiral of American ImperialismIn The Future of Zombie Studies, eds. Tim Lanzend枚rfer and Marlon Lieber.
  • Visualizing Revolution, Mediations forum on Philip Kaisary鈥檚 From Havanna to Hollywood: Slave Resistance in the Cinematic Imaginary (SUNY Press 2023). Forthcoming.
  • 鈥淩esponse to Alexandra Irimia: 鈥楤ureaucracies of Memory. Institutionalized History in Four Contemporary European Novels鈥欌 in European Centers and Peripheries in the Political Novel, Kyung-Ho Cha, Patrick Eiden-Offe, Ivana Perica, Aurore Peyroles, Johanna-Charlotte Horst, and Christoph Schaub, eds. (Caponeu Working Papers, 2025), https://www.caponeu.eu/cdp/materials/european-centers-and-peripheries-in-the-political-novel-caponeu-working-papers.
  • 鈥淣o 鈥淢onsters鈥: A Manifesto for Contemporary Gothic, Horror, and Weird (GoHoW)鈥 in The Gothic in Twenty-First-Century American Popular Culture, Michael Fuchs and Anna Marta Marini, eds. (Brill, 2024), 108-125.

  • 鈥淭he World-System of Global Gothic, Horror, and the Weird鈥 in Edinburgh Companion to Globalgothic, Rebecca Duncan, ed. (Edinburgh UP, 2023), 38-52.
  • 鈥淶emiperiphery Matters: Immigration, Culture, and the Capitalist World-System鈥 inWallerstein 2.0: Thinking and Applying World-Systems Theory in the 21st Century, Frank Jacob, ed (Transcript Press, 2023).

  • 鈥淟iterary Value, Cultural Fixes, and Commodity Chains鈥 in Der Wert der literarischen Zirkulation/The Value of Literary Circulation, Michael Gamper, Jutta M眉ller-Tamm, David Wachter, and Jasmin Wrobel, eds. (J. B.Metzler, 2023), 187-202.

  • 鈥淎lgorithmic Capitalism, Digital Machinofacture, and the Productive Body鈥 (with Philip Barnard) in The Body Productive: Rethinking Capitalism, Work and the Body, Steffan Blayney, Joey Hornsby and Savannah Whaley, eds. (Bloomsbury, 2023), 203-218.

  • 鈥淯n-Noveling Brown: Liberalism and its Literary Discontents鈥 (with Philip Barnard) in Early American Literature, 2022 (57:2), 549-554.

  • 鈥淚ntroduction to 鈥淪ymposium on Scholarly Editing and New Charles Brockden Brown Studies鈥 (with Elizabeth Hewitt and Karen Weyler) in Early American Literature, 2022 (57:2), 531-535.

  • 鈥淎merican Horror: Genre and History鈥 (with Mark Storey) in The Cambridge Companion to American Horror, edited by Stephen Shapiro and Mark Storey (Cambridge UP), 1-11.

  • 鈥溾 in 鈥淧eriodizing the Present: The 2020s, the Longue Dur茅e, & Contemporary Culture,鈥 Treasa De Loughry and Brittany Murray, Comparative Literature and Culture, 2022 (24:1),

  • 鈥淒ecolonizing the Zombie: I Walked with a Zombie鈥檚 Critique of Centrist Liberalism鈥 in An 鈥淥ther鈥 Zombie Project: Decolonizing the Undead, Giulia Champion, Roxanne Douglas, and Stephen Shapiro, eds. (Bloomsbury 2023), 40-57.

  • 鈥淒ecolonizing Zombie Cultural Practice: An Afterword鈥 in An 鈥淥ther鈥 Zombie Project: Decolonizing the Undead, Giulia Champion, Roxanne Douglas, and Stephen Shapiro, eds. (Bloomsbury 2023), 209-214.

  • 鈥淲orld-Systems and Literary Studies鈥 in The Cambridge Companion to Literature and Economics, Paul Crossthwaite, Peter Knight, and Nicky Marsh, eds. (Cambridge University Press, 2022), 196-211.

  • 鈥淎lgorithmic Neoliberalism鈥檚 Bonfire of Semiotics,鈥 American Studies/Amerikastudien, 67:1 (2022), 17-19.

  • 鈥淯苍-苍辞惫别濒颈苍驳 Lovecraft Country,鈥 November 2021, Post45 online cluster on 鈥淟iterary Television鈥 https://post45.org/2021/11/un-noveling-lovecraft-country/

  • 鈥淐ollectivity and Crisis in the Long Twentieth Century鈥 (co-authored as 糖心TV Research Collective)

    MLQ 81:4 (2020), 465-89.

  • 鈥淪peculative Nostalgia and Media of the New Intersectional Left: My Favorite Thing is Monsters鈥 in The Novel as Network: Literary Forms, Ideas, Commodities, Tim Lanzend枚rfer and Corinna Norrick-R眉hl, eds. (Palgrave, 2020), 119-136.

  • 鈥淲oke Weird and Cultural Politics of Camp Transformation鈥 in The American Weird: Ecologies and Geographies, Julian Greve and Florian Zappe, eds. (Bloomsbury, 2020), 55-71.

  • "Algorithmic Television in the Age of Large-Scale Customization,鈥 Television and New Media 21:6 (2020), 658-663.

  • "Caesarism Revisited: Cultural Studies and the Question of Trumpism鈥 in Trump鈥檚 America: Political Culture and National Identity, Liam Kennedy, ed. (Edinburgh UP, 2020), 53-71.

  • "The Cultural Fix: Capital, Genre, and the Times of American Studies鈥 in The Fictions of American Capitalism: Working Fictions and the Economic Novel, eds. Vincent Dussol and Jacques-Henri Coste (Palgrave, 2020), 89-108.

  • 鈥淐harles Brockden Brown and the Novel in the 1790s鈥 (with Mark Kamrath and Philip Barnard) in A Companion to American Literature, Vol. 1: Beginnings to 1820, ed. Theresa Strouth Gaul, (Blackwell, 2020), 445-461.
  • 鈥淔oucault, Neoliberalism, Algorithmic Governmentality, and the Loss of Liberal Culture鈥 in Neoliberalism and Contemporary American Literature, eds. Kennedy and Shapiro, 43-72.
  • 鈥淭ranslatability, Combined Unevenness and World Literature in Antonio Gramsci鈥 (with Neil Lazarus), Mediations (2018), 1-35.
  • 鈥淲orld-Culture and the Neoliberal World-System: An Introduction鈥 (with Sharae Deckard) for Deckard and Shapiro, World Literature, Neoliberalism, and the Culture of Discontent (Palgrave, 2019), 1-48.
  • 鈥淭he World-Literary System and the Atlantic: Combined and Uneven Development – an interview with Stephen Shapiro,鈥 Atlantic Studies 16:1 (2019), 7-20.

  • 鈥淟iberalism and the Early American Novel,鈥 American Literary History (2019), 777-787.
  • 鈥淭he Weird鈥檚 World-system: The Long Spiral and Literary-Cultural Studies,鈥 Paradoxa, 28 (2016), 256-277.
  • 鈥淩ealignment and Televisual Intellect: The Telepraxis of Class Alliances in Contemporary Subscription Television Drama鈥 In: Class Divisions in Serial Television, Sieglinde Lemke and Wibke Schniedermann, eds. (Palgrave, 2017), 175-203.
  • 鈥淭he Culture of Realignment: Enlightened and 鈥業 can鈥檛 breathe鈥欌 In: Navigating the Transnational in Modern American Literature and Culture: Axes of Influence, Doug Haynes and Tara Stubbs, eds. (Routledge, 2017), 144-161.
  • 鈥淲ReC reply to respondents,鈥 [David Damrosch (Harvard); Sarah Brouillette and DAvid Thomas (Carleton); Barbara Harlow (UT Austin); Joshua Clover (UC, Davis) and Maria Elisa Cevasco (Sao Paulo, Brazil)] forum on Combined and Uneven Development: Towards a New Theory of World-Literature, 2016 Comparative Literary Studies, 53:3 (2016), 535-50.
  • 鈥淗omeland鈥檚 Crisis of Middle Class Transformation,鈥 Cinema Journal, 54:4 (Summer 2015), 152-8.
  • 鈥淔rom Capitalist to Communist Abstraction: The Pale King鈥檚 Cultural Fix,鈥 Textual Practice, 28:7 (2014), 1249-71. Reprinted in How Abstract is It? Thinking Capital Now, Peter Nichols and Rebecca Colesworthy, eds. (Routledge, 2015).
  • 鈥淶ombie Health Care鈥 In: This Year鈥檚 Work from the Zombie Research Center, Aaron Jaffe and Ed Comentale, eds. (U of Illinois P, 2014), 193-226.

Office hours

2025-26,
Wednesday 1-2; Thursday 3-4

:

Report by the Assembly Working Party on Antisemitism and Racism (AWP)

On 28 February 2024, 糖心TV's Assembly voted 91% in favor of approving the AWP report.

The AWP report can be found here:
for downloadLink opens in a new window

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