ࡱ> #% !"  Nbjbjbb @ֺ_ֺ_"hhaaaaauuu8Q\uxHJ :  !!!GGGGGGGMxPlGa!!!!!Gaa 2H0(0(0(!a a G0(!G0(0(:,,i-@"6%B - kGHH0xH-RP&Pi-i-PaK0 0(!!!GG'!!!xH!!!!P!!!!!!!!!h ': Stephen Shapiro s.shapiro@warwick.ac.uk Dept. of English and Comparative Literary Studies University of TV, Coventry CV4 7AL, UK Education & Qualifications Fellow, The Higher Education Academy, 2016 Postgraduate Certificate in Post-Compulsory Education (Higher Education) University of TV, 2001 Ph.D. in English, 1995 Yale University (Supervisor: Michael Denning) Visiting Researcher, Dept. of Cultural Studies (Centre for Contemporary Cultural Studies), 198990 University of Birmingham, England B.A. cum laude in Chemistry and English with Honors, 1986 Williams College, Williamstown, MA Employment University of TV, Department of English and Comparative Literary Studies, 1999present Professor, 2010-present [first ever Professor of American literature at TV, highest title at TV] Associate Professor, 2006-10 Junior Lecturer B, 200006 Junior Lecturer A, 19992000 Harvard University, 199899 Preceptor, Expository Writing Program Fellowships and Visiting Appointments Fellow, IMPULSE (House for Intellectual Innovation and Creativity), University of Bonn, 2025-2027 International Advanced Fellowship, Babe-Bolyai University, Cluj, Romania, May 2024 Fellow, Kte Hamburger Centre for Apocalyptic and Postapocalyptic Studies at the University of Heidelberg (CAPAS), 2021-22 Fellow, University of California Humanities Research Institute, 2015 Visiting Professor, University of California, Irvine, Department of English, 2010 Nominated Fellow, Institute for Advanced Studies in the Humanities (IASH), University of Edinburgh, 2010 Royal Shakespeare Company/CAPITAL Fellow in Creativity and Learning, University of TV, 2008-9 Fulbright Senior Scholar, University of Saarland, Germany, 199798 Publications Book-length Publications Tracking Capital: World-Systems, World-Ecology, World-Culture (with Sharae Deckard and Michael Niblett), (SUNY Press, 2024). Pentecostal Modernism: Lovecraft, Los Angeles, and World-Systems Culture, (first author, with Philip Barnard), (Bloomsbury Academic, 2017). Long-listed for International Gothic Associations Allan Lloyd Smith Memorial Prize for Gothic Criticism 2019. Combined and Uneven Development: Towards a New Theory of World-Literature, WReC (TV Research Collective) co-authored (Liverpool UP, 2015). Desenvolvimento Combinado E Desigual: Por Uma Nova Teoria da Literatura Mundial Portuguese translation (Editora Unicamp, 2020). The Culture and Commerce of the Early American Novel: Reading the Atlantic World-System, (Penn State P, 2008). Paperback 2009. Honorary Mention, British Association of American Studies (BAAS) for best book in American Studies published during 2008. How to Read Foucaults Discipline and Punish (with Anne Schwan), (Pluto, 2011). Fredric Jameson, illuminating companion to Foucault s book [yg 0ĉN`Z 0. Chinese translation (Chongqing University Press, 2018). How to Read Marx s Capital, (Pluto, 2008). Book-Length Essay Collections and Journal Special Issues The Cambridge Companion to American Horror (ed. with Mark Storey), (Cambridge UP, 2022). Decolonizing the Undead: Rethinking the Zombie in World-Literature, Culture, and Media (ed. with Giulia Champion and Roxanne Douglas), (Bloomsbury, 2022). Symposium on Scholarly Editing and the New Charles Brockden Brown Studies (ed. with Elizabeth Hewitt and Karen Weyler), Early American Literature, 2022 (57:2), 531-569. Neoliberalism and Contemporary American Literature (ed. with Liam Kennedy), (Dartmouth College P, 2019). Open Access (2023): https://pub.dartmouth.edu/ncal/front-matter World Literature, Neoliberalism, and the Culture of Discontent (ed. with Sharae Deckard), (Palgrave, 2019). British Association for Contemporary Literary Studies (BACLS) Award for Best Collection 2019. Oxford Handbook on Charles Brockden Brown (ed. with Philip Barnard and Hilary Emmett), (Oxford, 2019). The Wire: Race, Class, and Genre (ed. with Liam Kennedy), (U of Michigan P, 2012). Material Gothic, guest edited issue of Gothic Studies 10:1 (May 2008). Revising Charles Brockden Brown: Culture, Politics, and Sexuality in the Early American Republic, (ed. with Philip Barnard and Mark Kamrath), (U of Tennessee P, 2004). Series Editor (with Ed White, Florida): How to Read Theory (Pluto), 2008-13. Critical Editions and Translations The Political Pamphlets, Charles Brockden Brown, Vol. 4 The Charles Brockden Brown Electronic Archive and Scholarly Edition, Modern Languages Association/Committee on Scholarly Editions, (Bucknell UP, 2020). (sole author of Historical Essay, 297-384). The Productive Body (ed. with Philip Barnard), (Zero, 2014). First complete translation and critical edition of Franois Gury and Didier Deleule, Le Corps Productif (1972). Introduction, 1-45. German translation of Introduction: Henning Schmidgen, Philip Barnard und Stephen Shapiro, Einfhrung zu Deleule und Guery, Der produktive Krper, https://www.academia.edu/126825225/Philip_Barnard_und_Stephen_Shapiro_Einfhrung_zu_Deleule_und_Guery_Der_produktive_Kper_ A Vindication of the Rights of Woman, with Related Texts, by Mary Wollstonecraft (ed. with Philip Barnard), (Hackett, 2013). Introduction, vii-xxvi. Critical editions of the major Charles Brockden Brown novels, with Philip Barnard: Ormond; or The Secret Witness, with Related Texts (2009). Introduction, ix-lii. Wieland; or the Transformation, with Related Texts (2009). Introduction, ix-xlvi. Arthur Mervyn: or, Memoirs of the Year 1793, with Related Texts (2008). Introduction, ix-xliv. Edgar Huntly; or, Memoirs of a Sleep-walker, with Related Texts (2006). Introduction, ix-xlii. 2nd edition (2010). Each has an introduction of 15,000-19,000 words, explanatory footnotes, approximately 100 pages of historical contextual matter (with their own explanatory introduction and footnotes), and literature and contextual bibliography. Hackett Publishing. Work in Progress Memoirs of Stephen Calvert, Charles Brockden Brown, critical edition with Philip Barnard (Lever Press 2026) The Twist: Capital, Data, and Cultures of the Intersectional Left (monograph) The Cultural Fix: Marx and the Organic Composition of Capital (monograph) From Gothic to God: American Horror and Terror (monograph) Articles Forthcoming The Undeads Capitalist World-System in Cambridge Companion to World-Gothic, eds. Rebecca Duncan and Rebekah Cumptsy, forthcoming 2025. Our Zombie Legacy: The Vodou Apparatus and the Long Spiral of American Imperialism In The Future of Zombie Studies, eds. Tim Lanzendrfer and Marlon Lieber. Visualizing Revolution, Mediations forum on Philip Kaisarys From Havanna to Hollywood: Slave Resistance in the Cinematic Imaginary (SUNY Press 2023). Werewolf Transmedia in Cambridge Companion to Monsters and the Monstrous, Anya Heise-von der Lippe and Fred Botting. Forthcoming 2027. Published Response to Alexandra Irimia: Bureaucracies of Memory. Institutionalized History in Four Contemporary European Novels in European Centers and Peripheries in the Political Novel, Kyung-Ho Cha, Patrick Eiden-Offe, Ivana Perica, Aurore Peyroles, Johanna-Charlotte Horst, and Christoph Schaub, eds. (Caponeu Working Papers, 2025), https://www.caponeu.eu/cdp/materials/european-centers-and-peripheries-in-the-political-novel-caponeu-working-papers. No Monsters: A Manifesto for Contemporary Gothic, Horror, and Weird (GoHoW) in The Gothic and Twenty-First Century American Culture, Anna Marta Marini and Michael Fuchs, eds. (Brill, 2024), 108-125. Zemiperiphery Matters: Immigration, Culture, and the Capitalist World-System Wallerstein 2.0: Thinking and Applying World-Systems Theory in the 21st Century, Frank Jacob, ed (Transcript Press, 2023), 49-71. The World-System of Global Gothic, Horror, and the Weird in Edinburgh Companion to Globalgothic, Rebecca Duncan, ed. (Edinburgh UP, 2023), 38-52. Collection awarded 2024 Justin D. Edwards Prize (International Gothic Association). Literary Value, Cultural Fixes, and Commodity Chains in Der Wert der literarischen Zirkulation/The Value of Literary Circulation, Michael Gamper, Jutta Mller-Tamm, David Wachter, and Jasmin Wrobel, eds. (J. B.Metzler, 2023), 187-202. Algorithmic Capitalism, Digital Machinofacture, and the Productive Body (with Philip Barnard) in The Body Productive: Rethinking Capitalism, Work and the Body, Steffan Blayney, Joey Hornsby and Savannah Whaley, eds. (Bloomsbury, 2023), 203-218. Decolonizing the Zombie: I Walked with a Zombies Critique of Centrist Liberalism in Decolonizing the Undead: Rethinking the Zombie in World-Literature, Culture, and Media, Giulia Champion, Roxanne Douglas, and Stephen Shapiro, eds. (Bloomsbury 2023), 40-57. Decolonizing Zombie Cultural Practice: An Afterword in Decolonizing the Undead: Rethinking the Zombie in World-Literature, Culture, and Media, Giulia Champion, Roxanne Douglas, and Stephen Shapiro, eds. (Bloomsbury 2023), 209-214. Un-Noveling Brown: Liberalism and its Literary Discontents (with Philip Barnard) in Early American Literature, 2022 (57:2), 549-554. Introduction to Symposium on Scholarly Editing and New Charles Brockden Brown Studies (with Elizabeth Hewitt and Karen Weyler) in Early American Literature, 2022 (57:2), 531-535. American Horror: Genre and History (with Mark Storey) in The Cambridge Companion to American Horror, edited by Stephen Shapiro and Mark Storey (2022, Cambridge UP), 1-11. Conjunctures, Commodities, and Social State Marxism in Periodizing the Present: The 2020s, the Longue Dure, & Contemporary Culture, Treasa De Loughry and Brittany Murray, Comparative Literature and Culture, 2022 (24:1), https://docs.lib.purdue.edu/cgi/viewcontent.cgi?article=4283&context=clcweb World-Systems and Literary Studies in The Cambridge Companion to Literature and Economics, Paul Crossthwaite, Peter Knight, and Nicky Marsh, eds. (Cambridge University Press, 2022), 196-211. Algorithmic Neoliberalisms Bonfire of Semiotics, American Studies/Amerikastudien, 67:1 (2022), 17-19. Un-noveling Lovecraft Country, November 2021, Post45 online cluster on Literary Television https://post45.org/2021/11/un-noveling-lovecraft-country/ Collectivity and Crisis in the Long Twentieth Century (co-authored as TV Research Collective) MLQ 81:4 (2020), 465-89. Speculative Nostalgia and Media of the New Intersectional Left: My Favorite Thing is Monsters in The Novel as Network: Literary Forms, Ideas, Commodities, Tim Lanzendrfer and Corinna Norrick-Rhl, eds. (Palgrave, 2020), 119-136. Translated as: Spekulative Nostalgie und Medien der neuen intersektionalen Linken: My Favorite Thing is Monsters in Der Roman als Netzwerk: Formen, Ideen, Waren, Tim Lanzendrfer and Corinna Norrick-Rhl, eds. (Springer, 2023), 135-155. Woke Weird and Cultural Politics of Camp Transformation in The American Weird: Ecologies and Geographies, Julian Greve and Florian Zappe, eds. (Bloomsbury, 2020), 55-71. Algorithmic Television in the Age of Large-Scale Customization, Television and New Media 21:6 (2020), 658-663. Caesarism Revisited: Cultural Studies and the Question of Trumpism in Trumps America: Political Culture and National Identity, Liam Kennedy, ed. (Edinburgh UP, 2020), 53-71. Charles Brockden Brown and the Novel in the 1790s (with Mark Kamrath and Philip Barnard) in A Companion to American Literature, Vol. 1: Beginnings to 1820, Theresa Strouth Gaul, ed. (Blackwell, 2020), 445-461. The Cultural Fix: Capital, Genre, and the Times of American Studies in The Fictions of American Capitalism: Working Fictions and the Economic Novel, Vincent Dussol and Jacques-Henri Coste, eds. (Palgrave, 2020), 89-108. Translated as: O arranjo cultural: capital, gnero e os tempos de estudos Americanos in Via Atlntica,1(40), 73-115. World-Culture and the Neoliberal World-System: An Introduction, (with Sharae Deckard) in Deckard and Shapiro, World Literature, Neoliberalism, and the Culture of Discontent, 1-48. Introduction to Neoliberalism and Contemporary American Literature (with Liam Kennedy), 1-21. Foucault, Neoliberalism, Algorithmic Governmentality, and the Loss of Liberal Culture in Kennedy and Shapiro, Neoliberalism and Contemporary American Literature (UPNE-Dartmouth College Press, 2019), 43-72. Jane Talbot: A Novel in Oxford Handbook on Charles Brockden Brown (with Philip Barnard and Hilary Emmett), (Oxford UP, 2019), 139-152. Political Pamphlets in Oxford Handbook on Charles Brockden Brown (with Philip Barnard and Hilary Emmett), (Oxford UP, 2019), 188-203. Translatability, Combined Unevenness and World Literature in Antonio Gramsci (with Neil Lazarus). Mediations 32:1 (2019), 1-35. The World-Literary System and the Atlantic: Combined and Uneven Development an interview with Stephen Shapiro, Atlantic Studies 16:1 (2019), 7-20. Republished in The World-System and the Atlantic, Sorcha Gunne and Neil Lazarus, eds. (Routledge, 2021), 7-20. Liberalism and the Early American Novel, American Literary History 30:4 (2018), 777-787. The Weirds World-system: The Long Spiral and Literary-Cultural Studies, Paradoxa, 28 (2016), 256-277. Realignment and Televisual Intellect: The Telepraxis of Class Alliances in Contemporary Subscription Television Drama in Class Divisions in Serial Television, Sieglinde Lemke and Wibke Schniedermann, eds. (Palgrave, 2017), 175-203. The Culture of Realignment: Enlightened and I cant breathe in Navigating the Transnational in Modern American Literature and Culture: Axes of Influence, Doug Haynes and Tara Stubbs, eds. (Routledge, 2017), 144-161. WReC reply to respondents [David Damrosch (Harvard); Sarah Brouillette (Carleton); Barbara Harlow (UT Austin); Joshua Clover (UC, Davis) and Maria Elisa Cevasco (Sao Paulo, Brazil)] forum on Combined and Uneven Development: Towards a New Theory of World-Literature, 2016 Comparative Literary Studies, 53:3 (2016), 535-50. Homelands Crisis of Middle Class Transformation, Cinema Journal, 54:4 (Summer 2015), 152-8. From Capitalist to Communist Abstraction: The Pale Kings Cultural Fix, Textual Practice, 28:7 (2014), 1249-71. Reprinted in How Abstract is It? Thinking Capital Now, Peter Nichols and Rebecca Colesworthy, eds. (Routledge, 2015). Zombie Health Care [original title, changed by press without authorization: Do Not Resuscitate: The Zombie Classs End-Of-Life Crisis] in This Years Work from the Zombie Research Center, Aaron Jaffe and Ed Comentale, eds. (U of Illinois P, 2014), 193-226. Marxism and Cultural Materialism, The Years Work in Critical and Cultural Theory (Oxford) 2014, 22:1, 165-179. 2013, 21:1, 127-143. 2012, 20:1, 82-98. 2011, 19:1, 29-45. 2010, 18:1, 36-52. Politics and Emotion in Early American Studies: Reply to Schweighauser, Amerikastudien/American Studies, 58:1 (2013), 493-6. Crackling Ice: The Shield and the Middle-class Crisis of Social Reproduction in Interrogating The Shield, Nick Ray, ed. (Syracuse UP, 2012), 186-206. Tales of the Neoliberal City: The Wires Boundary Lines, 147-169, and Introduction: All the Pieces Matter, 1-11, (both with Liam Kennedy) in The Wire: Race, Class, and Genre (ed. with Liam Kennedy), (U of Michigan P, 2012). Inscription | Enclosure | Insubordination: Graffiti and Publicness of Space in Italian Social Conflict  ( HYPERLINK "http://gordonbrentingram.ca/oscurita/wp-content/uploads/2011/03/Stephen-Shapiro-on-da-oscurit%C3%A0-ad-oscurit%C3%A0.pdf"http://gordonbrentingram.ca/oscurita/wp-content/uploads/2011/03/Stephen-Shapiro-on-da-oscurit-ad-oscurit.pdf [written 1997, online publication 2012]. The Motivation of Literary Theory: From National Culture to World Literature in Teaching Theory, Richard Bradford, ed. (Palgrave, 2011), 78-94. Wielands Political Romance and the History of Subjectivity [reprint from The Culture and Commerce of the Early American Novel], Wieland and Memoirs of Carwin the Biloquist, Bryan Waterman, ed. (Norton Critical Edition, 2011), 548-573. Karl Marx. Capital, The Literary Encyclopedia, 15 February 2010. Intellectual Labor Power, Cultural Capital, and the Value of Prestige, SAQ, 108:2 (2009), 249-64. Transvaal, Transylvania: Draculas World-system and Gothic Periodicity, Gothic Studies, 10:1 (May 2008), 24-47. Gothic Politics: An Interview with China Miville, Gothic Studies, 10:1 (May 2008), 61-70. In a French Position: Radical Pornography and Homoerotic Society in Charles Brockden Browns Ormond or the Secret Witness (1798), Long Before Stonewall: Histories of Same-Sex Sexuality in Early America, Thomas Foster, ed. (New York: NYU, 2007), 357-83. Choice Outstanding Academic Title. Stock in Dead People: Huckleberry Finn and the Value of Black Mortality, Representations of Death and Mortality in Nineteenth-century US Writing and Culture, Lucy Frank, ed. (London: Ashgate, 2007), 61-75. Charles Brockden Brown, The Literary Encyclopedia. 12 Apr. 2006. The Literary Dictionary Company. 6 May 2006. World-Systeming American Studies, Review of International American Studies, 1:1 (2006), 29-33.  HYPERLINK "http://www.iasa-rias.org/index.php?k=179&art=89" http://www.iasa-rias.org/index.php?k=179&art=89 Republished in Editors Picks Five Year anniversary issue 5:3-4 (2011-12), 23-29. 1000 Key Moments: Books, Lucy Daniels, ed. (London: Cassel, 2007). Entries for Steinbeck, The Grapes of Wrath; Capote, In Cold Blood; Sinclair, The Jungle; Salinger, The Glass family fictions; Mailer, Armies of the Night; Wurtzel, Prozac Nation. The Technology of Publicity in the Atlantic Semi-Peripheries: Benjamin Franklin, Modernity, and the Nigerian Slave Trade, Beyond the Black Atlantic: Relocating Modernization and Technology, Walter Gbel and Saskia Schabio, eds. (London: Routledge, 2006), 115-134. Sources and Resources: Beyond Postcolonial Literary and Cultural Studies, Third Text, 20:1 (2006), 1-7. Charles Brockden Brown. The Literary Encyclopedia. 12 Apr. 2006. The Literary Dictionary Company. 6 May 2006. Transatlantic Ventures: Popular Experiences, Blackwell Companion to American Fiction, 1780-1865, Shirley Samuels, ed. (London: Blackwell, 2004), 124-130. Man to Man I Needed Not to Dread His Encounter: Edgar Huntlys End of Erotic Pessimism, Revising Charles Brockden Brown: Culture, Politics, and Sexuality in the Early American Republic, Philip Barnard, Mark Kamrath, and Stephen Shapiro, eds. (Knoxville: U Tennessee P, 2004), 216-51. Globalization and Power: The Hidden Injuries of Consumerism, Globalization with a Human Face, Jung Min Choi, John Murphy, and Manuel Caro, eds. (New York: Praeger, 2004), 47-64. Marx to the Rescue!: Queer Theory and the Crisis of Prestige, New Formations, 53 (2004), 77-90. Beyond Postmarxism: Capitalist Space and Left Institutionality, Reflexive Representations: Politics, Hegemony, and Discourse in Global Capitalism, Johannes Angermueller, Dirk Wiemann, Raj Kollmorgen, and Joerg Meyer, eds. (Muenster: LIT, 2004), 21-34. Thinking of England: Slavery and Sexuality, New Formations, 52 (2004): 122-127. Sexuality: An Early American Mystery, William and Mary Quarterly, 60.1 (2003), 189-92. Sentimental Economies: The World-System of Eighteenth Century Aesthetics and the Reflexive Body, sthetische Erfindung der Moderne?: Perspektiven und Modelle, 1750-1850, Britta Hermann and Barbara Thums, eds. (Wrzburg: Verlag Knigshausen & Neumann, 2003), 231-50. Charles Brockden Brown, Encyclopedia of the Romantic-Era, 1760-1850, Christopher John Murray, ed. (London: Routledge: 2003), 126-128. Of Mollies: Class and Same-Sex Sexualities in the Eighteenth Century, In a Queer Place: Sexuality and Belonging in British and European Contexts, Kate Chedgzoy, Emma Francis and Murray Pratt, eds. (London: Ashgate, 2002), 155-176. Gramsci, Edinburgh Encyclopedia of Literary Criticism and Theory Since 1940, Julian Wolfreys, ed. (Edinburgh: Edinburgh, 2002), 137-143. Republished as Modern European Criticism and Theory (2006), 135-141. Fictions of Circulation, Memories of Violence: New Historicism and Gramscis Prison Notebooks, Gedchtnis und Zirkulation, Marcus Sandl, ed. (Gttingen: Vandenhoeck & Ruprecht, 2002), 237-260. I Could Kiss Him One Minute and Kill Him the Next!: The Limits Of Radical Male Friendship in Holcroft, CB Brown, and Wollstonecraft Shelley, Engendering Images of Man in the Long Eighteenth Century, Walter Gbel, Saskia Schabio, and Martin Windisch, eds. (Trier: Wissenschaftlicher Verlag, 2001), 111-132. No Logo: Globalization and the New Anti-capitalism, PostModern Productions, Martin Nonhoff, Katharina Bunzmann, and Johannes Angermueler, eds. (Hamburg: LIT, 2001), 13-26. Reconfiguring American Studies?: The Paradoxes of Postnationalism, 49th Parallel (online journal, University of Birmingham, England)  HYPERLINK "http://artsweb.bham.ac.uk/49thparallel/backissues/issue8/coll_shapiro.htm" http://artsweb.bham.ac.uk/49thparallel/backissues/issue8/coll_shapiro.htm Whose Fucking Park? Our Fucking Park!: Bohemian Brumaires (Paris 1848/the East Village 1988), Gentrification, and the Representation of AIDS, Urban Space and Representation, Maria Balshaw and Liam Kennedy, eds. (London: Pluto, 2000), 146-161. Periodizing Postmodernism: Betamodernism and Geoculture, Hybrid Spaces: Theory, Culture, Economy, Johannes Angermller, Katharina Bunzmann, and Christina Rauch, eds. (New York: Transaction/Hamburg: LIT, 2000), 13-24. The Moment of the Condom: De Saint-Mry and Early American Print Sexuality, Pioneering North America, Klaus Martens, ed. (Wrzburg: Knigshausen & Neumann, 2000), 122-135. A Tennis Court Oath for Independent Scholars, The Independent Scholar, 14:1 (2000), 44-48. Mass African Suicide and the Rise of Euro-American Sentimentalism: Stevensons and Equianos Tales of the Semi-Periphery, Revolutions and Watersheds: Transatlantic Dialogues, 1775-1815 Wil Verhoeven and Beth Dolan Kurtz, eds. (Amsterdam: Rodopi, 1999), 123-144. Exhibiting Whitman, LGSN, 26:1 (1999), 10-11. Social Historians Study the Vagaries of Womens Fashions: Gramsci, Drag, and the Wars of (Subject) Position, Over Here: The European Journal of American Studies 18:2 (1998), 18-35. Postmodernism in the 80s, Postmodernism Out of the 90s, Over Here: The English Journal of American Studies 11:1 (1991), 74 - 82. Reviews and Review Essays Reviews Marcelo Hoffman, Foucault in Brazil: Dictatorship, Resistance, and Solidarity (University of Pittsburg Press), Foucault Studies (37), 2025. Mark Seltzer, The Official World (Duke), Journal of American Studies, 52 (Feb 2018), 265-66. Mark J. Miller, Cast Down: Abjection in America, 1700-1850 (UPenn), American Historical Review, (December 2017), 1206-8. Lawrence Buell, The Dream of the Great American Novel (Harvard), Nineteenth-Century Studies, 69:4 (March 2015), 539-43. Gavin Jones, Failure and the American Writer: A Literary History (Cambridge), The Review of English Studies doi:10.1093/res/hgu103. Sara Wasson and Emily Alder, eds., Gothic Science Fiction, 1980-2010 (Liverpool), Science Fiction Film and Television, 7:1 (2014), 145-48. Edward Cahill, Liberty of the Imagination: Aesthetic Theory, Literary Form, and Politics in the Early American Republic (Penn), American Historical Review, (June 2013), 847-8. Paul Giles, The Global Remapping of American Literature (Princeton), The Review of English Studies 62:257 (2011), 836-838. Red Planets: Marxism and Science Fiction, Mark Bould and China Miville, eds. (Pluto), Science Fiction Film and Television, 4:1 (2011), 117-121. Frank Ninkovich, Global Dawn: The Cultural Foundation of American Internationalism, 1865-1890 (Harvard), New Books Online http://test.nbol-19.org/view_doc.php?index=68 Michelle Burnham, Folded Selves: Colonial New England Writing in the World System (UP of New England), Early American Literature, 43:3 (2008), 738-45. Richard Godden, William Faulkner: An Economy of Complex Words (Princeton), Textual Practice, 22:2 (2008), 379-83. Didier Eribon, Insult and the Making of a Gay Self (Duke 2004) and Alan Sinfield, On Sexuality and Power (Columbia 2004), Textual Practice, 19:4 (2005), 529-535. Messy Beginnings: Postcoloniality and Early American Studies. Malini Johar Schueller and Edward Watts, eds. (Rutgers, 2003), Journal of Colonialism and Colonial History, 5:3 (2004). Romancing the Shadow: Poe and Race (Oxford), J. Gerald Kennedy and Liliane Weissberg, eds. Notes & Queries, 50.1 (2003), 141-42. City Sites: Multimedia Essays on New York and Chicago, 1870s-1930s (University of Birmingham Press) Maria Balshaw, Anna Notaro, Liam Kennedy and Douglas Tallack, eds. http://www2.h-net.msu.edu/~urban/weblinks/3wreviews/shapiro18052001rev.htm Terence Whalen, Poe and the Masses (Princeton) Pennsylvania Magazine of History and Biography, January/April (2001), 140-142. Julie Ellison, Catos Tears and the Making of Anglo-American Emotion (Chicago) European Journal of American Culture, 2:2 (2000), 113-114. Dana Nelson, National Manhood: Capitalist Citizenship and the Imagined Fraternity of White Men (Duke) European Journal of American Culture, 1:1 (1999), 58-59. Honors and Awards International Advanced Fellowship, Babe-Bolyai University, Cluj, Romania, May 2024. Fellowship, Kte Hamburger Centre for Apocalyptic and Postapocalyptic Studies (CAPAS), University of Heidelberg, 2021-22. British Association for Contemporary Literary Studies (BACLS) Award for Best Collection 2019 World-Literature, Neoliberalism, and the Culture of Discontent Short-listed: TV University Staff Awards: Best Research Contribution (Team: American Studies). Library Company of Philadelphia (Program in Early American Economy and Society Fellowship), one month Fellowship, 2019. Outstanding Journal Reviewer Award, Liverpool University Press for services to Science Fiction Texts and Studies, 2019. Long listed, Alan Lloyd Smith Monograph Prize 2019, International Gothic Association (for Pentecostal Modernism). Long listed for TV University Awards 2019 - Research Team Contribution: American Studies. Selected for Obama Institute (Mainz) and Society for Early Americanists Transatlantic Conversations: New and Emerging Approaches to Early American Studies, 2018. Fellow, University of California Humanities Research Institute, Culture, Industry, Finance, 2015. Salzburg Seminar for American Studies/Salzburg Global Fellowship, Defining American: New Writing, New Directions, New Voices, 2014. Best Arts Module (2012): States of Damage: Twenty-first Century American Writing and Culture First Stars of TV awards (student union organized award). Principal Investigator, Strategic Partnership Fund, TV. Symposium on World Literature with Vanderbilt University, English Department, June 2011. Nominated Fellow, Institute for Advanced Studies in the Humanities (IASH), University of Edinburgh, 2010. Honorary Mention for best book in American Studies published during 2008: The Culture and Commerce of the Early American Novel: Reading the Atlantic World-system (Penn State). British Association of American Studies (BAAS). Royal Shakespeare Company/CAPITAL Fellow in Creativity and Learning, 2008-9. Choice Outstanding Academic Title for Long Before Stonewall: Histories of Same-Sex Sexuality in Early America, Thomas Foster, ed. (New York: NYU P, 2007), which includes my essay In a French Position: Radical Pornography and Homoerotic Society in Charles Brockden Browns Ormond or the Secret Witness (1798), 357-83. British Academy Conference Travel Grant, 2007. University of TV Undergraduate Research Scheme, 2007. Transatlantic Studies Association Bursary, July 2004. British Academy Conference Travel Grant, April 2003. University of TV Undergraduate Research Scheme, SeptemberDecember 2002. University of TV Research and Teaching Development Fund, June 2000. Fulbright Senior Scholar Award, University of Saarland, Germany, 199798. Visiting Researcher, Gramsci Institute, Rome, April 1990. Yale University Dissertation Fellowship, 19931994. Leopold Schepp Foundation Scholar, 19871989. Yale University Fellowship, 19861992. Gaius Bolin Award for best essay in African-American studies at Williams College, 1986. Grant Income 3500 International Partnership Fund: University of Bonn Literary and Cultural Studies of Alternative Lifeworld Learning Games/Table-top Role-Playing Games 2000. Institute for Advanced Studies Award, Warwick, PI for Lecture series at the Centre for Global Jewish Studies, 2022-23. 33,186. Fellowship, Kte Hamburger Centre for Apocalyptic and Postapocalyptic Studies at the University ofHeidelberg(CAPAS), 2021-22. $2000. Library Company of Philadelphia (Program in Early American Economy and Society Fellowship), one month Fellowship, 2019. 7,000 Fellow, University of California Humanities Research Institute, Culture, Industry, Finance, 2015. Institutional Service Founding co-director TV Centre for Global Jewish Studies (CGJS), 2022-23. Member (by election) TV Assembly Working Group on Antisemitism and Racism, 2022-24. Member (by appointment) Race Equality Task Force, 2021- present Faculty of Arts representative for Race Equality Charter Group, 2020-21. Successful award for TVs Bronze Race Equality Mark. Senate (representing the Dept. of English & Comparative Literary Studies), University of TV, 2013-15. English and American Writing Pathway Convener, 2015, 2020. Director of Undergraduate Studies (Finalists), 2019- Member REF planning (at Arts Faculty and departmental level), 2019- Director of Postgraduate Taught MA degrees, 2016-17. MA in World Literature Convener and Admissions Officer (founding), 2013-16. Chair of search committee for Assistant Professor in American Studies, 2013. Chair of search committee for Research Fellow in American Studies, 2013. Chair of search committee for Assistant Professor in American Studies, 2012. Faculty of Arts representative to the Faculty of Science, 2011-12. Faculty of Arts Working Group, Liberal Arts degree, TV, 2011present. Realising Opportunities (TV Arts representative), 2011present. Chair, Faculty of Arts IT committee, TV 2011-12. Information Policy and Strategy Committee, TV, 2011-12. E-Learning Steering Group, TV, 2011-12. International Officer (US exchanges), Dept. of English, TV, 201112. Exams Secretary, Dept. of English, TV, 20052008 and 2015. Visiting Students Tutor (SOCRATES/JYA) for English Department, TV 200004. Information Technology Committee, University of TV, English Department, 20012013. Courses Taught at TV Undergraduate American Horror Story: US Gothic Cultures, 1790-present (founder) Cultures of Abolition: Slavery, Prison, Debt, and Data (founder) Alternative Lifeworlds: Introduction to Science Fiction, Fantasy, and Weird Literature (founder) States of Damage: Twenty-first Century American Writing and Culture (founder) Representing Depression: Aesthetics, Insight, Activism (founder) US Writing and Culture, 1790-1920 Explorations in Critical Theory and Cultural Studies (founder) Issues in American Studies (founder) Literary and Cultural Theory (founder) Twentieth-Century North American Literature Gothic Fiction Modes of Reading Postgraduate MA in World Literature, convener, 2013-15 (founder) Introduction to Foucault and Literary Studies (founder) World-Literature and World-Systems (founder) Ph.D. Dissertations Supervised Simone Blandford, M4C fellowship, begun 2022. Will Berrington, Wolfson fellowship, begun 2022. Jae-Won Yoon (on Asian modernization and world literature), awarded 2022. Lara Choksey (on epigenesis and British literature), Wolfson fellowship, Degree awarded 2017. Published as Narrative in the Age of the Genome: Genetic Worlds (Bloomsbury, 2021). Kieran Gallagher (on 1980s British fiction), Awarded. Sian Mitchell (AHRC award). Awarded. Yamen Rahmoun Rahwan (on world-systems and modernism). Awarded 2010. Catalina Neculai (on urbanism, capital flows, and New York novels). Awarded 2009. Published as Urban Space and Late Twentieth-Century New York Literature: Reformed Geographies (Palgrave, 2014). James Sedgwick (on gothic and Dickinsons poetics), TV [co-supervisor], awarded 2001. Collegial Activity Professional Boards, Examining and Consultancy Reference support for MacArthur Fellowship Award, 2020. Carnegie Trust for the Universities of Scotland, Research Assessor, 2018- Nominated by British Association for American Studies (BAAS) for REF 2021 Assessor Panel. Arts & Humanities Research Council (AHRC) Peer Review College, 2014-17. External Degree Examiner: Clinton Institute of American Studies, University College Dublin, MA in American Studies and MA in Media and International Conflict, 2015-18. University of East London, BA in Cultural Studies, 2013-16. Birkbeck College, MA in Critical Theory, 2012-15. Institute for Arts, Design, and Technology, Dun Laoghaire (Ireland), BA and MA in Media and Culture Studies, 2011-13. PhD external examiner: University of New South Wales, 2012; Sussex University, 2012; Dublin City University, 2013. Professorial and other Promotion reviews for Macau, Cardiff (x3), Edinburgh, East Tennessee, UC, Irvine, and U Illinois, Chicago. Occasional Proposal and Manuscript reader for Oxford UP, Cambridge UP, U Penn P, Blackwell, Routledge, Palgrave, Pluto Press, Edinburgh UP, and Omohundro Institute/U of North Carolina P. Consultant for successful Mellon grant for research network involving Cornell, Syracuse, and Rochester universities, 2012. Wise-Sussman Prize Committee, American Studies Association, 2007-8. Editorial and Advisory Boards Editorial Board, Science Fiction Film and Television, 2020- Editorial Board, Radical Americas, 2018- Editorial Board, UNITAS, International Journal of Advanced Research in Literature, Culture, and Society, 2018- Advisory Board, New Formations, 2015- Editorial Board, New Comparisons in World Literature series, Pablo Mukherjee and Neil Lazarus, eds. (Palgrave). Reader (advisory board), Amerikastudien American Studies, 2016-20. Editorial Board Member, Comparative American Studies (Sage), 2002present. Editorial Board Member, Literature Compass (Blackwell), 2002present. Advisory Board Member (elected), Charles Brockden Brown Society, 200002. Editorial Board, U.S. Studies On-line 2000present. Conference & Research Seminar Organization Co-organizer, Neoliberalism and Contemporary American Writing, Dublin, UCD, 2015. Co-organizer, States of Damage: New Paradigms for 21st Century American Writing and Culture Conference, University of TV, March 2008. Co-convener, (with Sarah Wood, UCL) Starbursts: Seminar in Early American Writing and Culture Research Seminar at the Institute for United States Studies, Senate House, London, 2001-2002. Co-convener (with Prof. Janet Todd, Glasgow) TV-Glasgow Eighteenth Century Research Seminar Series, 2001-2002. Organizing Committee, Atlantic Crossings, Visionary Schemes, and Postnational Contexts: Charles Brockden Brown and his Contemporaries Conference, Groningen, Netherlands, October 2002. Organizing Committee, Frontiers of Charles Brockden Brown Conference, Las Vegas, November 2000. Organizing Committee, Revising Charles Brockden Brown Conference, University of Pennsylvania, October 1998. Public Media Engagement and Interviews Foucault: The History of Sexuality, Volume 4, Free Thinking, BBC Radio 3, February 28, 2021. https://www.bbc.co.uk/programmes/m000sjjw Happy Birthday, H.P. Lovecraft: August 20, 2018. http://bloomsburyliterarystudiesblog.com/continuum-literary-studie/2018/08/happy-birthday-h-p-lovecraft.html Pose, Paris is Burning, and the Creation of Community: July 31, 2018. https://medium.com/@dr.sshapiro/pose-paris-is-burning-and-the-creation-of-community-1f1fdd69634d Frontline, panel discussion after screening of 120BPM, Tyneside Cinema, 24 April 2018. Foucault, Thinking Allowed, BBC Radio 4, August 21, 2013. http://www.bbc.co.uk/programmes/b038hg73 Commonware: General Intellect in Formazione Original Italian: Materialismo culturale a forza lavoro fissa http://www.commonware.org/index.php/neetwork/187-materialismo-culturale-a-forza-lavoro-fissa English: http://www.commonware.org/index.php/neetwork/186-cultural-materialism-and-fixed-labor-power Open Democracy: Dandelions Against Neoliberalism http://www.opendemocracy.net/stephen-shapiro/dandelions-against-neoliberalism Deutsche Tolkien Gesellschaft: Rassismusvorwurf eines britischen Literaturwissenschaftlers http://www.tolkiengesellschaft.de/v4/alleszutolkien/news/news20030103.shtml Today, BBC Radio 4, 2003 on Tolkien and Race. Public Film Series Curated Bring a Tent (and a Camera): Videos from Occupy Wall Street (Winter, 2012) http://www2.warwick.ac.uk/fac/arts/english/about/people/permanentacademicstaffstaff3/shapirodrstephen/owsvideos/ Glimmer Glamour: Documentaries of Civil Rights and Social Activism (Winter, 2012) Youth in Revolt: Documentaries of 1960s Student Rebellion (Winter, 2011) Tracers: American Documentaries of the 21st Century (Fall and Winter term, 2008-09) Plenary Addresses and Invited Lectures Gramscis Anthropocene; or, Planning for the Post-Apocalypse British School at Rome, 2023. Correlational Power and the Bayesian Conjuncture University of Naples, 2023 Pentecostal Modernism: Notes on Decolonizing American Studies Heidelberg Centre for American Studies, January, 2022. Neoliberalism Now, British Association of Contemporary Literary Studies Workshop, 2021. Lecture and seminar: Mellon Sawyer Seminar on Neoliberalism at the Neopopulist Crossroads, University of Arizona, February, 2021 Plenary Lecture: British Association of Nineteenth-Century America (BrANCA), Nottingham 2019. Plenary Lecture: Reconsidering Materialism: Recent Trends in Theory conference, Mainz, 2018. Moderator for Transatlantic Conversations/Joint Workshop with the Society for Early American Studies and Obama Institute for American Studies, Mainz, 2018. Plenary Lecture: Lit-TV, Edinburgh Napier University, May, 2018. Invited Lectures (2017-18): Exeter University; Leeds University. Plenary: Ecology, Economy, and Cultures of Resistance: Oikoi of the North American World, Institute of Advanced Studies in the Humanities, Edinburgh University, June 2017. Invited Lecture: On World-Literature and World-Systems Milan University, 2017. Plenary: Speculative Histories and Post-Capitalist Realism: The New Narratives Search for a Usable Past Mainz University, 2016. Distinguished Professor 3-Lecture series St. Andrews University, 2016. Invited Symposium: The Pressure of Bodies: NeoMalthusianism and the Literature of Alternatives Uppsala University, 2015. Invited Symposium: The Culture of Realignment: Enlightened, I Cant Breathe, and the Work of Prestige Television Mainz University, 2015. Plenary: World-Systems Perspectives and World-Literature World Literature: Theories, Practice, Pedagogies, TV University, September, 2014. Plenary: The World-System of Science Fiction Science Fiction/Fantasy Now, TV University Summer School, August, 2014. Plenary: New Models for American Studies University of Montpelier, 2014. Invited Lecture: Realignments from The Wire Through Occupy to Hemlock Grove Kent University, December, 2013. York University, November, 2013. Plenary: World-Ecology, World-Economy, World Literature University College Dublin, October 2013. Plenary: Realignments from The Wire Through Occupy to Hemlock Grove for Screening Class: Precarious Visions and American Studies University of Freiburg, July 2013. Invited Lecture: Neoliberalisms Absent Cultural Fix: Credit, World systemics, and the Circuit of Capital for Neoliberalism, Crisis and the World System York University, July 2013. Invited Lecture:  Enlightenment, Evangelism, Capitalism: The Cane-Ridge Revival for Rethinking Enlightenment UCLA, December 2012. Invited Lecture: Pentecostal Modernism: Lovecraft, Los Angeles, and the New World-systems Literary Analysis Cambridge University, February 2015. Nottingham University, October 2012. University of Rochester (New York), September 2012. Glasgow University, February 2012. UCLA, Americanist Research Colloquium, December 2010. UC, Irvine Humanities Center, December 2010. Invited Lecture: Do Not Resuscitate: Zombies and the Crisis of Senior Health Care/Student Debt Nazareth College (Rochester, New York), September 2012. Invited Lecture: Cultural World-Systems Periodization and Periodicity: Methodologies for Comparative Catastrophe for Literary, Lens Media, and Cultural Studies for After Katrina and 3.11, Institute of American and Canadian Studies, Sophia University, Tokyo, June 2012. Plenary Address: The Illuminati for The Atlantic World After 1789 (Boston University and TV), May 2012. Invited Lecture: Bring a Tent (and a Camera): Videos from Occupy Wall Street University College Dublin Clinton Institute of American Studies, March 2012. Plenary Address: Re-reading Discipline and Punish for Radical Foucault University of East London, September 2011. Invited Lecture: Are Americans Paranoid?: Fear of New Elites in the Illuminati Panic of 1797-98 Kings College London, March 2011. University of Edinburgh, December 2009. Plenary Address: Memoir of the Northern Kingdom: USonian Torques in the Gravity of History Idea of Influence in American Literature, Oxford University, March 2010. Invited Lecture: Baby, Its Cold Outside: The Humanities in the Post-Credit Crash Economy Dun Laoghaire Institute of Art, Design and Technology, December 2010. Invited Lecture: Reconstructing English, Scottish, and American Studies (a case study): Brockden Browns Wieland as World Literature University of Glasgow, January 2009. 1997-2009: 2 Plenaries and 10 Invited Lectures not listed above. Conference Papers 2011-24 Intersectional Gothic and My Favorite Thing is Monsters PopMec, 50+ Shades of Gray conference, 2021. The Historic and Critical Failure of Abolition Democracy, British Association of American Studies, 2021. Roundtable on Trump, British Association of American Studies, 2021. Combined and Uneven Subjection (Subsumption): Marx on Seizure Capitalism and the Surplus-Reserve of Labour, Uneven and Combined Development for the 21st Century, Glasgow University, September, 2019. Woke Weird: Combined and Uneven Subjection, Accumulating Capital: Strategies of Profit and Dispossessive Policies: Paris Dauphine University, June 2019. Statuary Douglass: Commemoration and the Thwarted Aspiration of Late 19C Black Working-Class Activism, Frederick Douglass Across Time, Places, and Disciplines, Paris, 2018. Woke Weird: The Decolonial Critique of Capital in Taboo, The Red Road, and Frontier, American Weird: Ecologies and Geographies, Gttingen, 2018. Resisting Liberalism: The Paradigm Problem of Early National US-based Writing, British Association for American Studies, 2018. ()\ 8 9 Q ` a     @ c d ŶŇxhYh ThhCJOJQJaJh Th6CJOJQJaJh Th kCJOJQJaJh Th$CJOJQJaJh ThIA5CJOJQJaJh Th5CJOJQJaJh Th||CJOJQJaJh ThCJOJQJaJhxwCJOJQJaJh ThSnaCJOJQJaJh ThSna5CJOJQJaJ)\ 8 9 Q    @ c d e p q gdB `gdgd|| p$a$gdd e o p q # = ? \ w շիuhuXKh&5CJOJQJaJh&h&CJOJQJ\aJh5F!CJOJQJ\aJh&CJOJQJ\aJh%75CJOJQJaJh Th%75CJOJQJaJh-ECJOJQJaJh%7CJOJQJaJh Thd0CJOJQJaJh ThCJOJQJaJh ThB CJOJQJaJh ThB 5CJOJQJaJh\uCJOJQJaJq ? \ w n p 34yz6gd%7gd%7`gd%7`gdB gdB  " l n p !"+234yz67ŸŤlŸ`Ph Th5CJOJQJaJhCCJOJQJaJ(h Th%7CJOJQJ^JaJmH sH h%7CJOJQJaJmH sH $h Th%7CJOJQJaJmH sH 'h Th%7CJOJQJ\aJmH sH h%75CJOJQJaJh Th%7CJOJQJaJ'h%7CJOJQJaJfHq -hRh%7CJOJQJaJfHq 67^gdO!9Dgd2 # ` P@1$7$8$H$gdg & 0` P@1$7$8$H$gdgdB gd%7En}ξui]iuN>h Th>*CJOJQJaJhhCJOJQJaJhMm!CJOJQJaJhCJOJQJaJh ThCJOJQJaJh Th6CJOJQJaJh%6CJOJQJaJhw>*CJOJQJaJh Th5CJOJQJaJh ThR5CJOJQJaJh Th'5CJOJQJaJh ThJ;OJQJhOJQJhChCJOJQJaJ Ji|pdp[pK;h Th_p6CJOJQJaJh Th'8>*CJOJQJaJhnD6OJQJh Th'6OJQJh Th26OJQJh Th2OJQJh ThJ;CJOJQJaJh'8CJOJQJaJh ThK9CJOJQJaJh ThBmCJOJQJaJh Th'8CJOJQJaJh Th;q6CJOJQJaJh Th'86CJOJQJaJh ThK96CJOJQJaJ ijĸ{{k[L=LLh ThaUCJOJQJaJh ThRCJOJQJaJh ThR6CJOJQJaJh Th_p>*CJOJQJaJh ThO!CJOJQJaJh Th?CJOJQJaJh Th?6CJOJQJaJh ThJ;CJOJQJaJh_pCJOJQJaJh Th aCJOJQJaJh ThcCJOJQJaJh Th -GCJOJQJaJh Th_pCJOJQJaJN2468^gd gdFy 71$7$8$H$gd?qN gdg% # 7 P@71$7$8$H$^7`gd # ` P@1$7$8$H$gdg %LNPTZ^`dfótiYIYIY7#h ThFy0J 6OJPJQJ^Jh Th?qN0JOJPJQJ]h Th?qN0JOJPJQJ]h Th?qNOJQJh Th?qNCJOJQJaJh Th MCJOJQJaJh ThLCJOJQJaJ"h ThL6CJOJQJ]aJh ThL6CJOJQJaJh Th'6CJOJQJaJh ThRCJOJQJaJh Th`^CJOJQJaJh ThCJOJQJaJfj2468PóóævfYII=1h*;%CJOJQJaJh CJOJQJaJh Th*;%6CJOJQJaJh>b6CJOJQJaJh ThR5CJOJQJaJh Th&5CJOJQJaJh Th'6CJOJQJaJh Th*6CJOJQJaJh#H6CJOJQJaJh ThL6CJOJQJaJh ThLCJOJQJaJ h Th?qNCJ*OJQJ^JaJ*h Th?qN0J6OJQJh Th?qN0JOJQJ]8/0wx$%gdrF & 0` P@1$7$8$H$gdre & 0` P@1$7$8$H$gdg & 0` P@1$7$8$H$gdR&(*,./0HI"BF_ṿ̿sggg[gNght6CJOJQJaJhOCJOJQJaJhtCJOJQJaJh^CJOJQJaJhtCJOJQJaJhv.CJOJQJaJhnDCJOJQJaJh Th{KCJOJQJaJh{K6CJOJQJaJhQ7r6CJOJQJaJh Th{K6CJOJQJaJhECJOJQJaJh*;%CJOJQJaJh{KCJOJQJaJvwx#$%cd³¤˜}}n\J?0h Th[CJOJQJaJh ThrFOJQJ"h ThrF6CJOJQJ]aJ"h Th5>*CJOJQJaJh Th [KCJOJQJaJh [Kh [KCJOJQJaJh [KCJOJQJaJhS0CJOJQJaJh Th CJOJQJaJh ThQwCJOJQJaJh ThCJOJQJaJh Th6CJOJQJaJh Th*;%6CJOJQJaJhthtCJOJQJaJ ȹtetYJ:+h ThCJOJQJaJh Th6CJOJQJaJh Th:yCJOJQJaJh CJOJQJaJh~h7CJOJQJaJh~hb`SCJOJQJaJhfCJOJQJaJh Th ,fCJOJQJaJhXCJOJQJaJh Th CJOJQJaJh Thr]CJOJQJaJh Th=gCJOJQJaJh Th[CJOJQJaJh ThQwCJOJQJaJh Th[OJQJ\]{{Z ) ` P@1$7$8$H$gd & ` P@1$7$8$H$gd & 0` P@1$7$8$H$gd & 0` P@1$7$8$H$gdg' & 0` P@1$7$8$H$^`gdf $\]}Z\`sssgZhs>*CJOJQJaJhCJOJQJaJh ThcNCJOJQJaJh Th>*CJOJQJaJh ThR>*CJOJQJaJh Th -GCJOJQJaJh ThCJOJQJaJh Th6CJOJQJaJ"h Th ,f5>*CJOJQJaJh ThCJOJQJaJh Th[CJOJQJaJRt 77^7gduV 7gdregdregd[ & 0` P@1$7$8$H$gdg & ` P@1$7$8$H$gd-N(RҲuiZJ;h ThRCJOJQJaJh ThR6CJOJQJaJh ThCJOJQJaJhUcCJOJQJaJh Th]CJOJQJaJh Th.{CJOJQJaJh ThUcCJOJQJaJh ThUc6CJOJQJaJh ThR>*CJOJQJaJh Thi`5CJOJQJaJh ThR5CJOJQJaJh Th$j>*CJOJQJaJh:y>*CJOJQJaJRS stκΧvj^^O<,huVB*CJOJQJaJph%huVhuVB*CJOJQJaJphhuVhuVCJOJQJaJhuVCJOJQJaJhCJOJQJaJh Thv1CJOJQJaJh ThCJOJQJaJ$h ThCJOJQJaJmH sH $h ThRCJOJQJaJmH sH 'h Thre6CJOJQJaJmH sH 'h ThR6CJOJQJaJmH sH h ThRCJOJQJaJh ThreCJOJQJaJt)ABGH\]mϿsdsUsFsh ThUTCJOJQJaJh ThTCJOJQJaJh ThtCJOJQJaJh ThCJOJQJaJh ThqLCJOJQJaJh ThwCJOJQJaJh ThDaCJOJQJaJh Thw6CJOJQJaJh Thv6CJOJQJaJh Thjr6CJOJQJaJ"h ThR5>*CJOJQJaJhuVhuVCJOJQJaJ01||VV% # 8 P@1$7$8$H$]`gdJ; # ` P@1$7$8$H$gdz# & 0` P@1$7$8$H$^gdg & 0` P@1$7$8$H$gdre# & 0` P@1$7$8$H$`gdre/01dkl   ' 0 H I J M a b g i ƷsƷƷdUh Th/CJOJQJaJh Th$xCJOJQJaJh ThJ;CJOJQJh ThrCJOJQJaJh ThrCJOJQJh ThzCJOJQJh Thz6CJOJQJh ThJ;CJOJQJaJhzCJOJQJaJh ThVcCJOJQJaJh Thz6CJOJQJaJh ThzCJOJQJaJ1I J a b [!\!]!bb% # 8 P@1$7$8$H$]^gdU~ ` P@71$7$8$H$^7gdz # ` P@1$7$8$H$gdz% # 8 P@1$7$8$H$]`gdJ;1$7$8$H$]`gdJ; i l } ![!\!]!^!n!o!p!q!!!ĵĦxh[N?0h&;CJOJQJ\]aJh&;6CJOJQJ\aJh&;5CJOJQJaJh,)5CJOJQJaJh Th,)5CJOJQJaJh ThX5CJOJQJaJh Th@CJOJQJaJh Th#HCJOJQJaJh Th{CJOJQJaJh Th"CJOJQJaJh ThCJOJQJaJh Th$xCJOJQJaJh Th]CJOJQJaJh ThzZCJOJQJaJ]!^!p!q!!!,"-"w"x""""""" & 0` P@1$7$8$H$gd & 0` P@1$7$8$H$gd!p & 0` P@1$7$8$H$gd,) & 0` P@1$7$8$H$gd!!!" "+","-"?"j"k"v"w"x"""""""ѱ}pcSD4h Th*>*CJOJQJaJh Th+5CJOJQJaJh ThVq(6CJOJQJaJh!p6CJOJQJaJhVq(6CJOJQJaJh!pCJOJQJaJhVq(CJOJQJaJh Th!pCJOJQJaJh 6CJOJQJaJh Th!p6CJOJQJaJh.Ph.PCJOJQJ]aJh.P6CJOJQJaJh Th.6CJOJQJaJ"h&;h&;CJOJQJ\]aJ"""""""" ###"#W#X#Y#Z###########ŹwwhYwYwMwMwhh|(CJOJQJaJh6R6CJOJQJ]aJh6Rh6RCJOJQJaJh6RCJOJQJaJh9CJOJQJaJh [CJOJQJaJh [6CJOJQJ]aJh5|6CJOJQJ]aJh5|CJOJQJaJh5|5CJOJQJaJh) +5CJOJQJaJh Th 5CJOJQJaJh Thc5CJOJQJaJ"""X#Y###$$%%%%&%&&''(($a$gdmMgd8H & 0` P@1$7$8$H$gd5|dgd5|gd [ & 0` P@1$7$8$H$gd##$$$$5$s$|$$$$$$$$$%%%ֻʬcN??h9h9CJOJQJaJ(h9B*OJQJfHphq 6h9h9B*CJOJQJaJfHphq "h9h96CJOJQJ]aJh96CJOJQJ]aJh9CJOJQJaJhhg`CJOJQJaJhGA6CJOJQJ]aJhCJOJQJaJh6CJOJQJ]aJhn]6CJOJQJ]aJhg`CJOJQJaJ%%%%&%%%%&R&Y&Z&h&q&&&&:'n''''Ծ{n^QAQ4Qh#%CJOJQJ\aJh`FZ6CJOJQJ\]aJh`FZCJOJQJ\aJh`FZh`FZCJOJQJ\aJh8HCJOJQJ\aJ"h8Hh8H5CJOJQJ\aJh8Hh8HCJOJQJ\aJh8Hh8HCJOJQJaJ"h8Hh8H6CJOJQJ]aJ+h8Hh8HCJOJPJQJ\aJmH sH hx/i5CJOJQJaJh5|5CJOJQJaJ"h5|h5|6CJOJQJ]aJ'''((G(I(Q(^(b(d(z({(((((((())p)q))ƴӨӨӨӕuii]]MhmMCJOJQJaJmH sH h.BB*CJaJphhmMB*CJaJph heUhmM6B*CJaJphh ThmMB*CJaJph$h ThmMCJOJQJaJmH sH hmMCJOJQJaJ"h= hmM6CJH*OJQJaJhmM6CJOJQJaJhfNhmMCJOJQJaJhmM>*CJOJQJaJh`FZh`FZCJOJQJ\aJ(())p)q)^*_*V+W+\,],F-G--gd\ & 0` P@1$7$8$H$gd, 1$7$8$H$gd{ & 0` P@1$7$8$H$gdgd\{t & 0` P@1$7$8$H$gdmM#gdmMgdmM))*]*^*_***:+V+W+q++++,,, ,,&,R,S,\,],,,,,,,-:-;-E-˾zjzz[[[jz[[[h Th,CJOJQJaJh Th,6CJOJQJaJh,6CJOJQJaJh,CJOJQJaJh{CJOJQJaJh Th{6CJOJQJaJh Th{CJOJQJaJhMx>*CJOJQJaJ$h\{thmMCJOJQJaJmH sH hmMCJOJQJaJmH sH !hmM6CJOJQJaJmH sH "E-F-G-H--------.(.Q.T.m.o.q.u.|......//2/3/4/5/h/m/ʹ~ocohvCJOJQJaJh!Jh\CJOJQJaJh Rgh\CJOJQJaJh[ h\CJOJQJaJh /#CJOJQJaJhU=CJOJQJaJh\CJOJQJaJh\6CJOJQJaJh!XWh\CJOJQJh\CJOJQJh{>*CJOJQJaJh{h,CJOJQJaJ --..3/4/0a0b0#1$111 1$7$8$H$gdHOgdHO & 0` P@1$7$8$H$gd b & 0` P@1$7$8$H$gdgd\ & 0` P@1$7$8$H$gd\ m//000 0000`0a0b0000ñßuhYE2$hhHOCJOJQJaJmH sH 'hhHO6CJOJQJaJmH sH h ThHOCJOJQJaJha<>*䴳ϴ(Z<CJOJQJ^JaJmH sH (ha<ha<CJOJQJ^JaJmH sH "hJHCJOJQJ^JaJmH sH "h\CJOJQJ^JaJmH sH "ha<CJOJQJ^JaJmH sH +h!Jh\6CJOJQJ^JaJmH sH (h!Jh\CJOJQJ^JaJmH sH 00000001"1#1$1X1w11111112'2(2)2ʻyly]]yMh Thk`l>*CJOJQJaJhk`lhk`lCJOJQJaJhk`l6CJOJQJaJhk`lCJOJQJaJh6{>*CJOJQJaJhLsZh6{6CJOJQJaJh6{CJOJQJaJhHO>*CJOJQJaJh ThHOCJOJQJaJhHOCJOJQJaJmH sH $hhHOCJOJQJaJmH sH $h ThHOCJOJQJaJmH sH 1(2)22223344/50555S6T6gd0t & 0` P@1$7$8$H$gd6 h^h`gd\{tgd6gd!h & 0` P@1$7$8$H$gd & 0` P@1$7$8$H$gdk`l)2222223 3C3E3333344 4045474h4p4u4ɼxxddxdMx9x9'h ThS$CJOJQJaJmHnHu-hS$hS$6CJOJQJ]aJmHnHu'hS$6CJOJQJ]aJmHnHu!hS$CJOJQJaJmHnHu!h6CJOJQJaJmHnHu'h Th6CJOJQJaJmHnHuh Th66CJOJQJh Th6CJOJQJh Th!h>*CJOJQJaJ'h Th!h6CJOJQJaJnH tH $h Th!hCJOJQJaJnH tH u4v4w4y4444444/505r555556"6xhxXE11'h Th0t6CJOJQJaJnH tH $h Th0tCJOJQJaJnH tH h Th0t>*CJOJQJaJh ThMx6CJOJQJaJh ThMxCJOJQJaJh Th6>*CJOJQJaJh Th66CJOJQJaJh Th6CJOJQJaJhS$hS$6CJOJQJ]'hS$hS$CJOJQJaJmHnHu'h ThS$CJOJQJaJmHnHu!hS$CJOJQJaJmHnHu"6S6T66666'7(7)7r77888_8`8a8d8q8s8ξξξthhtR?$hhCJOJQJaJmH sH *hh6CJOJQJ]aJmH sH hpCJOJQJaJhhCJOJQJaJhjOCJOJQJaJh ThjO6CJOJQJaJh ThjOCJOJQJaJh ThY@CJOJQJ]aJh ThY@6CJOJQJaJh ThY@CJOJQJaJh ThFpCJOJQJ]aJ$h Th0tCJOJQJaJnH tH T6(7)78`88899:999k:l:::~; & 0` P@1$7$8$H$gdagFgd$ & 0` P@1$7$8$H$gd.gd\JgdgdjO & 0` P@1$7$8$H$gdgdY@s8t888881999:9L9~9999999: :ȸwewUF7777h ThagFCJOJQJaJh Th$CJOJQJaJh Th.CJOJQJ]aJ"h ThFp6CJOJQJ]aJh ThFpCJOJQJ]aJh Th\JCJOJQJaJ"h Th\J6CJOJQJ]aJh Th\JCJOJQJ]aJh ThjOCJOJQJ]aJ$hhCJOJQJaJmH sH hCJOJQJaJmH sH 'hhCJOJQJ]aJmH sH  :=:k:l:m:::::::::;8;b;u;~;;;;<<<u<<<<<<= = =Ŷ{oboSh6h6CJOJQJaJh66CJOJQJaJh6CJOJQJaJhMxCJOJQJaJh ThF6CJOJQJaJh ThFCJOJQJaJh ThX76CJOJQJaJh ThX7CJOJQJaJh Th>gCJOJQJaJhCJOJQJaJh ThagFCJOJQJaJh ThagF6CJOJQJaJ ~;;<<< = =e=f===>>??@@ & 0` P@1$7$8$H$gdG 1$7$8$H$gdGgdGgd & 0` P@1$7$8$H$gdF & 0` P@1$7$8$H$gd =2=4=5=N=e=f=q===========>H>J>K>ôwhXII:Ih Th"7CJOJQJaJh ThGCJOJQJaJh Th:>*CJOJQJaJh Th2CJOJQJaJh Th>e6CJOJQJaJh ThCJOJQJaJh ThE0jCJOJQJaJh ThjCJOJQJaJh Th>eCJOJQJaJh Th`CJOJQJaJh Th6CJOJQJaJh ThMxCJOJQJaJh ThCJOJQJaJK>o>y>>>>>>>>>>>W?t?u?v?{????????@0@߲ߢrbSDh Th{SCJOJQJaJh ThhCJOJQJaJh Th5CJOJQJ]aJh Thg?CJOJQJ]aJh Th CJOJQJ]aJh ThGCJOJQJ]aJh ThG6CJOJQJaJh Th%CJOJQJaJh ThCCJOJQJaJh Th CJOJQJaJh ThGCJOJQJaJ"h ThG6CJOJQJ]aJ0@P@Z@@@@@@@@@AA A!A;AAⳣwj]P@h ThVE>*CJOJQJaJh ThVECJOJQJh ThCJOJQJh Th<CJOJQJh ThVE6CJOJQJh Thk CJOJQJaJh ThVECJOJQJaJh ThVE6CJOJQJaJh Th"7>*CJOJQJaJh Th=ACJOJQJaJh ThG6CJOJQJaJh ThGCJOJQJaJh Th{SCJOJQJaJ@=A>AA(B)B.C/CCCCzz[[[ & 0` P@1$7$8$H$gdZ & 0` P@1$7$8$H$gd a# & 0` P@1$7$8$H$^gd & 0` P@1$7$8$H$gd,m & 0` P@1$7$8$H$gdgd >AiAyAAAAAAAAAAAAABBB%B'B(B)B³񤕆vgXI9h Th,m>*CJOJQJaJh Th aCJOJQJaJh Th%3KCJOJQJaJh Th%b"CJOJQJaJh ThG6CJOJQJaJh ThGCJOJQJaJh ThYCJOJQJaJh ThVECJOJQJaJh Th!CJOJQJaJh Th%b"6CJOJQJaJh ThuCJOJQJaJh Th,m6CJOJQJaJh Th,mCJOJQJaJ)BMBNBBBBBBC C%C-C.C/CSCCCCCCCCCC|m]mmmmmmM>h Th_CJOJQJaJh Th>*CJOJQJaJh ThZ6CJOJQJaJh ThZCJOJQJaJhZCJOJQJaJh aCJOJQJaJh ThCJOJQJaJh Th%b"CJOJQJaJh Th6CJOJQJaJ h Th0JCJOJQJaJh Th:!{CJOJQJaJh Th\CJOJQJaJh ThCJOJQJaJCCCCCtDuD EEEE~~__ & 0` P@1$7$8$H$gdagda & 0` P@1$7$8$H$gd_ & 0` P@1$7$8$H$gd & 0` P@1$7$8$H$gd a & 0` P@1$7$8$H$gdZ C&D/DD?D^D`DdDeDkDtDuDvDDDDDDDDDDؽ吁tftVVGh ThI-aCJOJQJaJh Tha6CJOJQJaJh Tha6CJOJQJh ThaCJOJQJh ThaCJOJQJaJh Th_>*CJOJQJaJh Th&&YCJOJQJaJh Th&&Y6CJOJQJh Th_6CJOJQJh Th eCJOJQJh Th_CJOJQJh Th_CJOJQJaJhy+"CJOJQJaJD E EE-E5EGEQEeElE{EEEEEEEEEEEEEEEELF`FFFGGGH0HQHåå▖mZZZ%h Th,>*CJOJQJaJwh/H+jh Th,CJOJQJUaJ%jh Th,CJOJQJUaJh Th,CJOJQJaJh Th1{LCJOJQJaJh Th2gCJOJQJaJh ThYCJOJQJaJh Tha6CJOJQJaJh ThaCJOJQJaJh ThyCJOJQJaJ#QHRH{H|H}HHHHHIIII.INI\IIIIIIIJοrerr[L=h ThrCJOJQJaJh Th1MCJOJQJaJhrCJOJQJh Th@eCJOJQJh Thr6CJOJQJh ThrCJOJQJh Th6}6CJOJQJh Th6}OJQJh Th6}6OJQJh Th6}CJOJQJh ThY0CJOJQJaJh ThrFCJOJQJaJh Th,CJOJQJaJ%jh Th,CJOJQJUaJE}HIIIIDJEJJJKK{K|KL|LLLLtMuMgd/$a$gdgdU~gdgd/2 & 0` P@1$7$8$H$gd$a$gd6} 1$7$8$H$gd,JJ0J1JAJCJDJEJJJJJJJJJJJJJKKKKKQKRKSKaKbKcK{K|KKK³vgvXh ThHCJOJQJaJh ThU~CJOJQJaJh Th`CJOJQJaJh ThwCJOJQJaJh Th/26CJOJQJaJh ThCJOJQJaJh ThP?P@PAPQPRP^PdPPPPPKQᲣuuiZZuh Th*CJOJQJaJh Th2}CJOJQJaJ]^^^^^0^^^^^^^^^__ _B_C_D_m___ȹȪȚȋ|l\MȚ>h Th5CJOJQJaJh Th(w:CJOJQJaJh ThH5CJOJQJaJh Th5CJOJQJaJh ThPpCJOJQJaJh ThPCJOJQJaJh Th6CJOJQJaJh Th2}CJOJQJaJh ThxCJOJQJaJh ThCJOJQJaJ%jh ThCJOJQJUaJ)h Th0JB*CJOJQJaJph_____0`1`2`3`K```````````1a4alamanaaaabbb⤅vk\MMh ThPpCJOJQJaJh Th^CJOJQJaJh ThOJQJh Th5CJOJQJaJh Tht .CJOJQJaJh Th5CJOJQJaJh Th6CJOJQJaJh Th(w:CJOJQJaJh Th3y5CJOJQJaJh Th8kTCJOJQJaJh ThCJOJQJaJh ThaCJOJQJaJaab,b-bbbb"clcccccccdd|d}dddoepee & 0` P@1$7$8$H$gd;tgdc]gdPpbbb#b$b,b-b.b0bbbbbbb c!c"cTclccccccвtdXLLhZCJOJQJaJh CJOJQJaJh Thi5CJOJQJaJh Thc]5CJOJQJaJh Th6CJOJQJaJh Th(w:CJOJQJaJh ThxCJOJQJaJh ThCJOJQJaJh Tht .CJOJQJaJh ThPpCJOJQJaJh Tht .6CJOJQJaJh ThPp6CJOJQJaJcccddddd-d0d?dHdcd|d}ddddddddeӵӦwgXIh ThaCJOJQJaJh ThaCJOJQJaJh The-6CJOJQJaJh ThKbW6CJOJQJaJh ThKbWCJOJQJaJh Th(6CJOJQJaJh Th(CJOJQJaJh1h1CJOJQJaJh16CJOJQJ]aJh1CJOJQJaJh ThZCJOJQJaJ"hZhZ5CJOJQJ\aJe,e6e7e8eRe[eneoepe}eeeeeef.f0f9fGfKfjffffffೣteVFh Tha:6CJOJQJaJh Tha:CJOJQJaJh Tht8kCJOJQJaJh ThT 6CJOJQJaJh Th;t6CJOJQJaJh Th;tCJOJQJaJh Th*6CJOJQJaJh Th*CJOJQJaJh ThACJOJQJaJh ThKbWCJOJQJaJh ThaCJOJQJaJh Tha6CJOJQJaJeeff1g2ggg?h@hhhhiiiij & 0` P@1$7$8$H$gdc]gdc] & 0` P@1$7$8$H$gda:gdc] & 0` P@1$7$8$H$gd;tfgggg(g)g0g1g2g>gigwggggggggggggh³񕅕v•k\M\h Th2gCJOJQJaJh Th CJOJQJaJh Thc]OJQJh Th>CJOJQJaJh Thc]6CJOJQJaJh Thc]CJOJQJaJh Th;tCJOJQJaJh Th<CJOJQJaJh Thg\+CJOJQJaJh Th<6CJOJQJaJh Tha:6CJOJQJaJh Tha:CJOJQJaJh h(h)h0h?h@hQh~hhhhhhhhhhhh;i=i?iOijikiiiiiiiߢߒvg߲X߲h Th CJOJQJaJh ThOgCJOJQJaJh~hc]CJOJQJaJh~6CJOJQJaJh Th 46CJOJQJaJh Th:"6CJOJQJaJh Th:"CJOJQJaJh Thc]CJOJQJaJh Thg\+CJOJQJaJh Thc]6CJOJQJaJh ThT6CJOJQJaJiiiiiiij(j0j;jGjHj^jpjjjjjjkAkPkQkskkkkkkkl0lzlll⥕wl]h ThQCJOJQJaJh Th:"OJQJh ThcCJOJQJaJh ThnCJOJQJaJh Th:"6CJOJQJaJh Th:"CJOJQJaJh ThRCJOJQJaJh Thg\+CJOJQJaJh Thc]6CJOJQJaJh Thc]CJOJQJaJh Th`CJOJQJaJ#jjPkQkkkzllllDmEmmmmnnnno oooUpVpgd>]>gdU~gd:"gd:"gdc]lllll#m$mDmEmTmmmmmmmmmm^n`nlnnnnnnnҤᔂrbSh ThCJOJQJaJh ThxOCJOJQJ]aJh ThU~CJOJQJ]aJ"h ThN6CJOJQJ]aJh ThN6CJOJQJaJh ThewCJOJQJaJh ThcCJOJQJaJh Th:">*CJOJQJaJh Th:"CJOJQJaJh Th:"6CJOJQJaJh Th CJOJQJaJnnno oPofoooooooopp!p)pĸyjVC00C0$h ThCJOJQJaJmH sH $h Th3CJOJQJaJmH sH 'h ThCJOJQJ\aJmH sH h ThCJOJQJaJ'h1,8CJOJQJaJfHq 'hRCJOJQJaJfHq -hRhRCJOJQJaJfHq hRCJOJQJaJh Th 35CJOJQJaJh Th5CJOJQJaJhW5CJOJQJaJh ThEnCJOJQJaJ)p0p@pJpSpTpUpVppppWqXqwqyqqqqq̼}m^N?0?0^?h Th4+CJOJQJaJh ThC0CJOJQJaJh Th4q5CJOJQJaJh Th4qCJOJQJaJh Ths)5CJOJQJaJh Th 36CJOJQJaJh Th 3CJOJQJaJh ThxW5CJOJQJaJhxWCJOJQJaJmH sH hCJOJQJaJmH sH $h ThCJOJQJaJmH sH !h,gCJOJQJ\aJmH sH h,gCJOJQJaJmH sH VppppWqXqqqIrJrrrssss$t%tttHuIuu 1$7$8$H$gd$ Fgds)gd$gd.gd & 0` P@1$7$8$H$gd 3qq r0rArIrJrNrOrSrUrWrrrrrrrrrrrrrsxi]iNi?h ThaCJOJQJaJh ThiCJOJQJaJhDhCJOJQJaJh ThJ?CJOJQJaJh Th.CJOJQJaJh Th.CJOJQJaJh ThW 6CJOJQJaJh Th1CJOJQJaJh CJOJQJaJh ThW CJOJQJaJh ThH6CJOJQJaJh ThHCJOJQJaJh ThC05CJOJQJaJssssFsMsesssstt"t#t$t%t+t0t1tQttttŸŪҚ|m^OO^@h Th/CJOJQJaJh Th@}CJOJQJaJh ThyCJOJQJaJh ThpDCJOJQJaJh ThfCJOJQJaJh Th$CJOJQJaJh ThH5CJOJQJaJh Th.CJOJQJ\h Th}|CJOJQJh Th.CJOJQJh Th.6CJOJQJaJh Th.CJOJQJaJh Th, CJOJQJaJt uuu(u0u6uEuGuHuIuauuuuuuuuuuuuu0vHvIvJvKvSvôxhYh Th :CJOJQJaJh Th5CJOJQJaJh ThTCJOJQJaJh Th3CJOJQJaJh ThCJOJQJaJh Th`CJOJQJaJh Tht\CJOJQJaJh Ths)5CJOJQJaJh ThX$CJOJQJaJh Th/CJOJQJaJh Ths)CJOJQJaJuuJvKv+w,wywzwxxxx&y'y]y^y_yyyyy-z.zxzyzzzzzgdrgdSv\vvvvv*w+w,wEwwwxwywzwwww x x0xxxxxxxxx$y%y&y'y[y\y]yôwgwgwXwwgwh Th oCJOJQJaJh Th 6CJOJQJaJh Th CJOJQJaJh ThSCJOJQJaJh Th{`RCJOJQJaJh Th5CJOJQJaJh ThICJOJQJaJh ThTCJOJQJaJh Th6CJOJQJaJh ThCJOJQJaJh ThO<)CJOJQJaJ"]y^y_yyyyyyyyy+z,z-z.z0zvzwzxzyzzzzzzz{{{{={>{?{@{{{{{{{{{ָ֬th 5CJOJQJaJhh 5CJOJQJaJh Th CJOJQJaJhh/CJOJQJaJh RCJOJQJaJh ThrCJOJQJaJh ThTCJOJQJaJh ThCJOJQJaJh ThWCJOJQJaJhCJOJQJaJ)z{{?{@{{{{{{{{{|||}}}Q~R~Y~~~~=>gd gdeegd gd{{{{{{`||||||}}}}}}}}}ȹo\M9'h Th CJOJQJ\aJmH sH hh CJOJQJaJ$hh CJOJQJaJmH sH $hh CJOJQJaJmH sH h Th CJOJQJaJh CJOJQJaJmH sH h CJOJQJaJheeCJOJQJaJheeheeCJOJQJaJheeCJOJQJ\aJh lCJOJQJ\aJheeheeCJOJQJ\aJh l5CJOJQJaJ}~0~4~>~O~P~Q~R~Y~~~~=>?TUVɺreYMAYYYh vCJOJQJaJhUCJOJQJaJh8CJOJQJaJh85CJOJQJaJhejh85CJOJQJaJh Th85CJOJQJaJhFoxCJOJQJaJh CJOJQJaJh Th 5CJOJQJaJh Th CJOJQJaJh CJOJQJaJmH sH 'h Th CJOJQJ\aJmH sH $h Th CJOJQJaJmH sH >UV@Aŀƀ12mnklQ`gd2gd807?@AdĀŀƀ12mn0klQR'(0^_ʄ˄VW+0n eʇ 0̱̱̱h Th8CJOJQJaJhqsCJOJQJaJh Th85CJOJQJaJh vCJOJQJaJh8CJOJQJaJhlCJOJQJaJFQR'(^_ʄ˄VW+n Fgd8 h^h`gd8gd8 eʇ 0X#QRSTstԉՉ gd8 Fgd80X߈#QRSTrstԉՉ 0ӊԊՊ֊ (23Tkwxy񼼰񡔂"h Th86CJOJQJ]aJh8CJOJQJ]aJh86CJOJQJ]aJhTCJOJQJaJh8CJOJQJaJh Th85CJOJQJaJhM75CJOJQJaJh~5CJOJQJaJh Th8CJOJQJaJ3Պ֊ 23xyˋ>?gdTc^gd & 0` P@1$7$8$H$gd8gd8ŋˋً,0=>?Œʌӌö婩yiyYyyJh ThTc^CJOJQJaJh Th.6.>*CJOJQJaJh ThV>*CJOJQJaJh Th[5>*CJOJQJaJh Th[55CJOJQJaJh Th5CJOJQJaJh85CJOJQJaJh8CJOJQJ]aJh Th8CJOJQJ]aJ"h Th86CJOJQJ]aJh Th8CJOJQJaJh8CJOJQJaJhiÍč '0j׎ɶɣteVVGG8GVeh ThhgCJOJQJaJh ThrUCJOJQJaJh ThQCJOJQJaJh Th[5CJOJQJaJh Thc>*CJOJQJaJh ThcCJOJQJaJh ThS/>*CJOJQJaJ$h Th1CJOJQJaJmH sH $h ThHCJOJQJaJmH sH $h Th1CJOJQJaJmH sH $h ThS/CJOJQJaJmH sH h ThTc^>*CJOJQJaJhiÍč '+STϑБ ^`gd[5`gd|!k`gd[5gd[5gdgdS/׎+Տ0=BIPUVp|ѐ⥥xiZJh Th&.5CJOJQJaJh ThL#CJOJQJaJh Th^fTCJOJQJaJh ThKCJOJQJaJh Th]CPCJOJQJaJh ThTc^CJOJQJaJh Th*FCJOJQJaJh ThTc^>*CJOJQJaJh ThenCJOJQJaJh Th|!kCJOJQJaJh Th[5CJOJQJaJh ThPCJOJQJaJѐԐՐߐ  !"(=PQRSTcnȑΑϑБĵӦӵӇxixZKx<h ThCJOJQJaJh ThCJOJQJaJh ThenCJOJQJaJh Th+`CJOJQJaJh ThnQCJOJQJaJh Th[55CJOJQJaJh ThMKOCJOJQJaJh Th,CJOJQJaJh Th*FCJOJQJaJh ThSCJOJQJaJh Th[5CJOJQJaJh Th[$CJOJQJaJh Th,GCJOJQJaJБ!.0456GjqrsǸyiZyJ;h ThGhCJOJQJaJh ThL2>*CJOJQJaJh ThzCJOJQJaJh Thz6CJOJQJaJh ThL2CJOJQJaJh ThGh>*CJOJQJaJh ThTG>*CJOJQJaJh ThlM>*CJOJQJaJh ThQCJOJQJaJh ThFoxCJOJQJaJhjq-CJOJQJaJh ThCJOJQJaJh ThCJOJQJaJ56rs 3467}~Ȕɔ*+}~ gd,cgdgdGhϒ +234EhౡsdUFUh Th';CJOJQJaJh Th`]CJOJQJaJh ThH CJOJQJaJh ThH 6CJOJQJaJh Thv=CJOJQJaJh Th5CJOJQJaJh ThTG6CJOJQJaJh ThTGCJOJQJaJh Th ;6CJOJQJaJh ThGh>*CJOJQJaJh ThGhCJOJQJaJh ThGh6CJOJQJaJߓ04567Oa{|}~ƔǔȔɔڔ teUh ThlM>*CJOJQJaJh Th.6.CJOJQJaJh ThCJOJQJaJh ThT<CJOJQJaJh ThCJOJQJaJh Th6CJOJQJaJh ThCJOJQJaJh Th5CJOJQJaJh ThTGCJOJQJaJh Th\CJOJQJ]aJ"h Th`]6CJOJQJ]aJ *+9h}~ڕە .0gƖǖ9:;<teVVFFVVVeVVh Th6CJOJQJaJh ThCJOJQJaJh ThCJOJQJaJh Th1CJOJQJaJh ThCJOJQJaJh Th,6CJOJQJaJh Th,CJOJQJaJh Thn6CJOJQJaJh ThnCJOJQJaJh ThlMCJOJQJaJh ThlM>*CJOJQJaJh Th *>*CJOJQJaJ Ɩǖ;<YZȘɘʘR|}fǚȚ!"gdMgdgdk h^h`gdgdgd<0WXYZƘǘȘɘʘ˘ט#0R|}0fǚʺ{k\\\\\\h ThMCJOJQJaJh Th[$5CJOJQJaJh Th[$6CJOJQJaJh Th[$CJOJQJaJh Th>5CJOJQJaJh Th=)5CJOJQJaJh Th5CJOJQJaJhFoxCJOJQJaJhsCJOJQJaJh ThCJOJQJaJh ThCJOJQJaJǚȚ !",./78?EKN_tetUE6h Th/CJOJQJaJh Th/6CJOJQJaJh Th5CJOJQJaJh Th?CJOJQJaJh ThnCJOJQJaJh Th6CJOJQJaJh ThMJ+CJOJQJaJh ThCJOJQJaJh Th`r5CJOJQJaJh Thd.CJOJQJaJh Th`r6CJOJQJaJh Th`rCJOJQJaJh ThM5CJOJQJaJ"_R\:;Z0| FgdFoxgd/^gd/ ;^`;gd/  ^` gd/gd0R\ǜ:;KOXYZ[ѓ񄲄teVGh ThfCJOJQJaJh ThhrCJOJQJaJh ThETCJOJQJaJh ThET6CJOJQJaJh Thkl"CJOJQJaJh ThK6CJOJQJaJh ThmSCJOJQJaJh ThKCJOJQJaJh ThmS6CJOJQJaJh Th>6CJOJQJaJh Th5CJOJQJaJh Th/CJOJQJaJ01LNm|@APߟ 0GIghi.ͽͽͽͽͽͭܡvggvvvvgvvvhM7hM7CJOJQJaJhM7CJOJQJaJhJhcCJOJQJaJh Thc5CJOJQJaJhcCJOJQJaJh ThFoxCJH*OJQJaJh ThFox6CJOJQJaJh ThFoxCJOJQJaJhFoxCJOJQJaJh wCJOJQJaJhkl"CJOJQJaJ(|@ߟ Igh./ hiƢǢgdcgdM7gdc FgdFox  Fp^pgdFox./ 0hiƢǢcd0Τ"Skl/0`k,STЧѧ0BJ]kmh Thc5CJOJQJaJ"h Thc6CJOJQJ]aJh Thc6CJOJQJaJh.CJOJQJaJh Th.CJOJQJaJh ThcCJOJQJaJhcCJOJQJaJ<ǢcdΤSkl/0STЧѧgdcѧmīf Bp`gdcgdc`gdcgdc08KY^ͩX«īf Bpqҭ Ȯʮడuuh ThcCJOJQJh Thc6CJOJQJ h ThcCJOJQJ^JaJh ThcCJOJQJaJh Thc6CJOJQJaJh Thc6CJOJQJaJh ThcCJOJQJ\aJh ThcCJOJQJaJh Thc5CJOJQJaJ.pqҭ ʮaݯ*+t%MNֱR`gdc`gdcgdcgdcB_aݯ*+H]cst%MNӱֱR EFG|h>*CJOJQJaJhc>*CJOJQJaJh Thc>*CJOJQJaJhL hcCJOJQJaJhL CJOJQJaJh ThcCJOJQJaJh Thc6CJOJQJaJh ThcCJOJQJaJh Thc5CJOJQJaJ/ EFG yz$%Զնhi@`gdcgdc yzWYcj$%Զն !)hi@Gػyy!h ThcB*OJQJ^JphUh Thc6CJOJQJaJh ThcCJH*OJQJaJh ThcCJOJQJaJh Thc>*CJOJQJaJhc>*CJOJQJaJhDhcCJOJQJaJhc6CJOJQJaJhcCJOJQJaJ*Algorithmic Governmentality and Contemporary American Writing British Association of American Studies/Irish Association of American Studies Belfast, 2016. Los Angeles 1906 Scottish American Studies Association conference, March 2016. Beyond Capitalist Realism: Long Waves, Cultural Realignment, and Middle-class Crisis Scottish American Studies Association Conference, Edinburgh, 2015. Marxism and American Studies panel, American Studies Association, Los Angeles, 2014. The Culture of Capital Volume 2 and 3 American Comparative Literature Association, NYU, 2014. Low Self Esteem: Bourgeois Social Self-hatred and the Sentimental Class Paradox Speculations: Aesthetic, Risk, and Capital in the Circumatlantic World, 1790-1830, CUNY, 2012. Do Not Resuscitate: Zombies and the Crisis of Senior Health Care Professors vs. Zombies, University of Louisville, 2012. States of Damage: Modeling Cultures of Neoliberalism in USonian Writing and Culture P45 conference, Cleveland, 2011. Pre-2011 More than 40 other conference papers not listed above.     shapiro/ PAGE 4 G BC8pqdz+-gdcgdcgdc BC۲8Npqdz*+,-./01234567?@GHIJKLMN̼̼̬̤۬{{hX0hcCJaJmHnHujhX0CJUaJhX0CJaJh4jh4Uh Thc5CJOJQJaJh Thc6CJOJQJaJh ThcCJOJQJaJh Thc>*CJOJQJaJ'h Thc6B*OJQJ]^Jph/-.013467KLMNgdc > 0 0P:p Sv|. A!"#$X%` DpcDyK yK http://gordonbrentingram.ca/oscurita/wp-content/uploads/2011/03/Stephen-Shapiro-on-da-oscurit%C3%A0-ad-oscurit%C3%A0.pdfDyK Jhttp://artsweb.bham.ac.uk/49thparallel/backissues/issue8/coll_shapiro.htmyK http://artsweb.bham.ac.uk/49thparallel/backissues/issue8/coll_shapiro.htm%x666666666vvvvvvvvv666666>666666666666666666666666666666666666666666666666hH6666666666666666666666666666666666666666666666666666666666666666666866666662 0@P`p2( 0@P`p 0@P`p 0@P`p 0@P`p 0@P`p(8HX`~8XV~ 0@ 0@ 0@ 0@ 0@ 0@ 0@ 0@ 0@ 0@ 0@ 0@ 0@ 0@66666OJQJ_HmH nH sH tH H`H Normal CJOJ QJ _HaJmH sH tH @@@  Heading 1$@& 6CJaJ@@  Heading 2$@& 5CJaJ88  Heading 3$@&6DA D Default Paragraph FontRiR  Table Normal4 l4a (k (No List 4 4 Footer  !0-0  Macro Text<+<  Endnote TextCJaJLo"L Standard CJOJ QJ _HaJmH sH tH Ro2R zeile  o# CJOJ QJ _HaJmH sH tH :!B: kopfzeile  p#6U`Q6 Hyperlink >*B*phBBbB Body Text1$7$8$H$CJaJJJ Double Space dOJ QJ 44 Header  !FV F FollowedHyperlink >*B* ph>*`> E0Endnote ReferenceH*Z^Z W0 Normal (Web)dd[$\$OJPJ QJmH sH tH o iBodyh$d%d&d'd(d)fNOPQRSBB*CJOJ PJ QJ ^J _HaJehmH phrsH tH HH j0 Balloon TextCJOJQJ^JaJV/V j0Balloon Text CharCJOJQJ^JaJmH sH 0o0 ?qN a-size-large<o< Fya-size-extra-largeB/B b]<apple-converted-space.X !. b]<@Emphasis6]`o2` TDefault#1$7$8$H$)B*CJOJQJ_HaJmH phsH tH Rv!AR uV0Unresolved MentionB*ph`^\q PK![Content_Types].xmlN0EH-J@%ǎǢ|ș$زULTB l,3;rØJB+$G]7O٭Vzt7.??Źڨd/L+[梃 _¯UjyA_/֖j-A %4\/%ި+K|h(Kmgk):b| H$Y 9DZ.6)A2&`RV!*_[`dI+^DL-)>qfoΟ~_'ҨrQrW_ƿw!pƦ7/_zqԵbp@m ?ItDl,(CjLQc׎O9!N@Iw{Xe3b|`:2˭A9Tn$ءy@Q&Q3,;sg8v%= CN4I ~> zHzw0u $J}*;(wL|$C޳q-!1,hEX>ZN yݾKt l&;HPm%6sq !&}] ~@Lw?%q d98@7C̜mia_Y㩓b8F vB{cNQqsu;6~@VƾzXU+f:OllD,E|=mVePاcGxe_+gj=HSԳ;{yи½|mHmA`0D_cU\+w/ 9MOJK:WnǯIUsffn`<"K*2:&w4]3۸cB/br;}̸uF̘G}ҙ3>-=k&ڂE%睸 |Te6pp1GZ&L~AdNPjĢP gFFz٫[ euRTVxC'c*ibQTz:"dC%1!4ZŲR?rՔ)Zf\5GμMO20V4'|:xt&Ԯiv +nD?TWq]_7.u)S 4?⦾@3;S,8;^K=7>̌cC ^$77&%Bn"cy@I K?L'CWc%WSc#^w}ܓ߭ei)$ Z`%v]:Blqwae&De*2JǐYG4OPQRlnຠtSi832IQ QrZ.afٽ\HYʚU6iaT&ly*o]M̹Qh2/woQoPSJŪ[lDY&`Riڊ0z۶ܫ/PK! ѐ'theme/theme/_rels/themeManager.xml.relsM 0wooӺ&݈Э5 6?$Q ,.aic21h:qm@RN;d`o7gK(M&$R(.1r'JЊT8V"AȻHu}|$b{P8g/]QAsم(#L[PK-![Content_Types].xmlPK-!֧6 0_rels/.relsPK-!kytheme/theme/themeManager.xmlPK-!wG theme/theme/theme1.xmlPK-! ѐ'Q theme/theme/_rels/themeManager.xml.relsPK]L :J !!!$d fv Rti !"#%')E-m/0)2u4"6s8 : =K>0@>A)BCDQHJKNKQTwVgY[]_bcefhiln)pqstSv]y{}0׎ѐБ <ǚ.N\^`bcdfgijkmopqsuwxz{|~q 681]!"(-1T6~;@CEuM"T:ZaejVpuz>Q "|Ǣѧp-N]_aehlnrtvy}\<<Q=CCCkRRS:XXX$!8@0(  B S  ? ) * 3 W a    :DEGHOTY_i=D,5RY/4C L K#S#$$%%&&i'w'''--.!.5.;.>......333444558889/:<:?:M:JJQQR&R7TATvvyy%},}̆ȎԎՎގ[klqr|}˔֔NTߥ#) "#8;6:C L 679s:::IIL'LfLoL@PBPQR#&'BLšɚ~ɢv "#8;33333333333333333333ccbos|9&:PP)P*PXYcc;ccbo9&:PP)P*PXYcc;@orNwYP^`.^`.pLp^p`L.@ @ ^@ `.^`.L^`L.^`.^`.PLP^P`L.^`OJQJo(hH^`OJQJo(hHop^p`OJQJo(hH@ ^@ `OJQJo(hH^`OJQJo(hHo^`OJQJo(hH^`OJQJo(hH^`OJQJo(hHoP^P`OJQJo(hH@oNwY                  *53UJ>S6 Jf + 6 UJAk#g^S7\kf "cb(u )&J:)=1+v+ s(267 :xPaddoq<2vW@@6@ :-LJ"XO53KsGPoq<z7QPW=UjW2vWFv`xPag,LSuVgXv x79U v~^n)2F>HTDahby7Uav);;NV|.+,-k>C>m QT|A ~Ffh X 1 lL \ =h O!!~&!#3!5F!EX!_!o`!Mm!o!" "y+":"%b"e"kl""# /#L#`#$$"$//$zK$M$S$X$Y$x\$y$~$$%%% %%#%*;%N%V%t%!K&&O&_Y&r&f'\ 'T''+'4'@'J'( (9(F(W(qe(Vq()O<)=)|C)D)V)Z)s)9})T*K*6 *)9*+) +J$+4+MJ+V+Y+%Z+g\+ ,,i,&,$:,r?,>w,q4-e-l-o-jq-t .c..&..6.pU.d.*/e,/~G/e/h/L|/Y0+0C0X0d01g1s1v122?J2a2t3$3l3-&3QR3M]3u3`84%O4(5)5+5P5[5e55 6/)6^Z6[#>,>70>7>JU>?? ?@?N@|AAS!A=AGAIAGKA,PA[Aq`AB.B9BqGB_yCDJD8D=D]D E-E/E$GEFT F*FagFrFrFuFGGG"G -G;GEGXHGTG#H5H8HvOHRHeH I*I-IXIaIzIJH6J\JK%3KBKVK [K{K,_L8`L1{L M7M1MSMlM|M'4N5MNfN?qNHxN|NvO=OMKOUOjOjOxOP0P]CPSPePQQ#QQ/QdQfQnQ6R\R{`RnR\S]St_Sb`SbSdSmS{StT T3TETUT^fT8kTjUIUUUeUrUG3VqVVxWWW'W(3WFWoWW!XWKbW#XXgAXOX(`X1Y$Y&&Y& Z/Z2Z6Z`FZ^ZLsZzZ[ ['[;B[M[_[t\s\y\]]]`]n]uZ]c]r]1^c5^:^ >^`^Tc^_+_a/_/_Nw_C`)*`+`+`T`F_`g`g`i`p`a a a*aI-aSna&bS,b>bGCbODbjNb cc,c-chQ@hMnh"iMih$ix/i=iOi]idijE0jejpj kRk|!k 8kt8k:kEk VkTyk\l_lk`lXmn`nenEn oeew{#7 (0)15y9XU7Ot%<cjAT`euxIhoqMv%{I*J?%N\^p06<M b[$&289|A ln0t&;/09;ZOay+.ApXrItfv>r}" o%56@DR^QQGhThS/6g>WJ s eHxW 6CJ4tLr/:E&UbOgWq'rJg=ktvY&.>13BSort!#cFRYT-7s;U&V^k4,GcN|A7'86U^RuDw   +D?hAxP| $M7T\u1]_b cwR rv['i|)ju *0C`>1FOZ, = $tF &J `Oggg7m'+//_p||2}i56KEEzJerFyH +.K@QZmm`rvJ (wey{% (5Cz$|(0@V\y{-C&29WhR(@YJ .P^b5hsL %cE\J],`xzXy<OR]<^@ RYYcFT4G]hq6{~/g?` *-;t{~eB )ApD\(^MVkDryn/?Be#I_prwMv:rei/23zU,lQw'.4foMx$ / 3<S,m}0 ^8a:?p,:IV$x=. :FT r  ::`GHoQaUW1~Z@ .57&MmMn#}6?!phpVJ)pUcf'EJ Sx~55sAIvH#n(,1%7k8=Hc2{hFpa sY@qsv > )';HvJVYt #oTUmWRe@l7,:F/epit /4@qLr lE3 4"7P%am)xOep!xz!'<K\x *<[innp$/0ABQ^Zg v_A&H\013[q`+oxw3!JVhLo 6CPMil27gGk'6(O[acfB6jWAWv E;!TH\lwTLtJy.0:MLa\cov UnD\t$S/vvW$nUf#o$r (66G M^.3<G$M:Q v.5ABJTUVZWYt* "'Q+,/%B;I\aiW y"#~6d=GNQU`g!ac~c .gs/WZz>Bkt~p2DtNfOR]g CZbw@ <=cdpq:@ @,@F@n@|@X@`@UnknownG.[x Times New Roman5^Symbol3. .[x Arialg. zPingFang SC RegularPingFang SCS \ZXfg Pr6N MYu GothicMNMicrosoft Yi Baiti3.  AptosYMonsters Attack!CalibriY  New YorkTimes New RomanSTimesTimes New Roman9MZ x`PalatinoG=  jMS Mincho-3 fg;[xPHelveticaI. ??Arial Unicode MSC.  PLucida GrandeC.  Aptos Display?= .Cx Courier New;^MWingdingsA$BCambria Math AzrևGLBX;X;;xx2 K#q;?? b2 ,Stephen Shapiro .Shapiro, Stephen  Oh+'0  0 < H T`hpx'Stephen Shapiro . Normal.dotmShapiro, Stephen76Microsoft Office Word@ X8 @0T{@GJ1@ ՜.+,D՜.+,P  hp  'University of Kansas;X Stephen Shapiro TitleH _PID_HLINKS_AdHocReviewCycleID_EmailSubject _AuthorEmail_AuthorEmailDisplayName_PreviousAdHocReviewCycleID'AVaJhttp://artsweb.bham.ac.uk/49thparallel/backissues/issue8/coll_shapiro.htm!50http://www.iasa-rias.org/index.php?k=179&art=89HLyhttp://gordonbrentingram.ca/oscurita/wp-content/uploads/2011/03/Stephen-Shapiro-on-da-oscurit%C3%A0-ad-oscurit%C3%A0.pdf@(Files of LCP prospectus and Shapiro CVphilipb@ku.eduBarnard, PhilipJ#  !"#$%&'()*+,-./0123456789:;<=>?@ABCDEFGHIJKLMNOPQRSTUVWXYZ[\]^_`abcdefghijklmnopqrstuvwxyz{|}~     $Root Entry Fp"6&Data 1TablePWordDocument@SummaryInformation(DocumentSummaryInformation8CompObjr  F Microsoft Word 97-2003 Document MSWordDocWord.Document.89q