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Reece Goodall, 'Game Horror as a Reflection of America', Offscreen 27:6-7 (2023) -

___, 'What makes a major? Recent books on French studios', French Screen Studies 23:1 (2022): 36-41 -

___, 'John Kramer for President: the rise of authoritarian horror', Horror Studies 11:1 (2020): 123-140

Reece Goodall, 'Fact, fiction, and Conjuring a spin-off: narrative verisimilitude in Annabelle Comes Home (2019)' in Todd K. Platts (ed.), The "True" Case Files of the Warrens: Essays on The Conjuring Franchise (Edinburgh University Press, forthcoming)

___, 鈥樷�淚鈥檝e seen this movie before鈥�: marketing the horror legacy sequel鈥� in C. Mann and K. Foster (eds.), It鈥檚 Always Someone You Know: Legacy Sequels in the Horror Genre (Bethlehem, PA: Lehigh University Press: forthcoming)

___, 鈥楳ann and the Everyman: James Stewart, American Masculinity and Hollywood Stardom鈥� in R. Munro (ed.), ReFocus: The Films of Anthony Mann (Edinburgh: Edinburgh University Press, forthcoming)

___, 鈥楻eevaluating Carry On Screaming鈥檚 (1966) Role in the Horror Parody Canon鈥� in R. Dhillon (ed.), Carry On and/as History (London: Palgrave Macmillan, forthcoming)

___, 鈥樷�淪kip the drama, stay with mama鈥�: a close analysis of anti-motherhood in Tangled鈥檚 鈥淢other Knows Best鈥濃�� in B. Thomas (ed.), Representations of Parenting and Parenthood in Disney-Animated Films (forthcoming)

___, 鈥樷�榊our sudden death question鈥�: quiz show aesthetics as narrative in 鈥�3 By 3鈥� in B. Broadribb (ed.), Inside No. 9: Televisual Experiments in Form, Genre and Affect (Manchester: Manchester University Press, forthcoming 2027)

___, 'Maternal Horror in Leatherface' in S. H. Weathers (ed.), The Legacy of Leatherface: Essays on the Texas Chainsaw Massacre Series (Jefferson, NC: McFarland & Company, 2026), pp. 159-172

___, 鈥楻ace, class and the Goal of the Dead: marginalised identities in French zombie cinema鈥� in L. Flores Ohlson, E. Tonkin and C. Heffernan (eds.), Zombies in Contemporary Culture: Journeys, Bodies, Pandemics and Politics (Cardiff: University of Wales Press, 2025)

___, 鈥榁ampire Capitalism: Daybreakers and American Bloodsuckers鈥� in S. Bacon (ed.), The Vampire States of America (Abingdon: Routledge, 2025)

___, 'Zombie Westerns' in Simon Bacon (ed.), The Palgrave Handbook of the Zombie (London: Palgrave Macmillan, 2025)

___, 'Alexandre Aja: a post-national genre auteur' in Mary Harrod and Rapha毛lle Moine (eds.), Is it French? Popular Postnational Screen Fiction from France (Cham: Palgrave Macmillan, 2023), pp. 89-105

___, 'Folk Horror in Inside No. 9: 鈥楳r. King鈥� and Contending Eco-narratives' in Simon Bacon (ed.), Future Folk Horror: Contemporary Anxieties and Possible Futures (Lanham: Lexington Books, 2023), pp. 303-316

___, 'Teenage Alienation and Fractured Identities: Re-Evaluating Wes Craven鈥檚 My Soul to Take' in Fernando Gabriel Pagnoni Berns and John Darokwski (eds.), A Critical Companion to Wes Craven (Lanham: Lexington Books, 2023), pp. 91-104

___, 'Vampires and the Western' in Simon Bacon (ed.), The Palgrave Handbook of the Vampire (London: Palgrave Macmillan, 2023), 1-14 -

Sophie Aim茅e Ahlemeyer and Reece Goodall, 鈥楾he unholy fusion of reproductive futurism and toxic nostalgia in Immaculate and The First Omen鈥� in S. Bacon (ed.), Toxic Nostalgia: Undead Memory in the 21^stCentury (Lanham: Lexington Books, 2024), pp. 117-130

Reece Goodall and Mary Harrod, 'Netflix Original Films and European Auteur Cinema: 'Universal' 'Particularities in Alexandre Aja's Oxygen' in Christopher Meir and Roderik Smits (eds.), European Cinema in the Streaming Era: Policy, Platforms, and Production (Palgrave Macmillan, 2024), pp. 281-299

Alice Tremea and Reece Goodall, 鈥楽tephen Sommers: genre hybridity, popular auteurism and popcorn movies鈥� in M. Brittany and S. Woodward (eds.), No Harm Ever Came from Reading a Book: Critical Essays on The Mummy Franchise (University Press of Mississippi, forthcoming)

Reece Goodall, 'A Haunting in Alola - ghost narratives in the Pok茅mon franchise', Horror Homeroom (2025) -

___, 'Wallace and Gromit and the case for Claymation in a world of AI', Animation Studies 2.0 (2025) -

___, 鈥樷�淲atch carefully what is about to happen鈥�: Les Documents Interdits and the interrogation of France鈥檚 cultural memory鈥�, Horror Homeroom, Special Issue 7 (2023): 37-45 -

___, 'Opening the Cabinet: Composing a Score for Das Cabinet des Dr. Caligari', Weimar Film Network (2021) -link

___, Ralph Fiennes vocal stardom series, Animation Studies 2.0 (2021)

• 'Re-evaluating celebrity vocal stardom through the animated villains of Ralph Fiennes' -
• 'Contextualising Rameses in the stardom of Ralph Fiennes' -
• 'Accent, inflection, and Lord Victor Quartermaine' -
• 'How voice makes a villain: Fiennes and the Moon King' -