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BEGIN:VEVENT
DTSTAMP:20260427T061550Z
DTSTART;VALUE=DATE-TIME:20260317T170000
DTEND;VALUE=DATE-TIME:20260317T190000
SUMMARY:Italian Studies Research Seminar - Dr Eleanor Dobson
TZID:Europe/London
UID:20260317-8ac672c79ce70de4019ce7c0671304d8@warwick.ac.uk
CREATED:20260313T151112Z
DESCRIPTION:Please join us for the final Italian Studies research seminar
  of this term\, with Dr Eleanor Dobson\, Associate Professor in the Depa
 rtment of English Literature\, University of Birmingham\, whose talk is 
 entitled\, ‘Seeing Double: Pompeii\, the Gothic Imagination and Anglopho
 ne Archaeological Fantasy’. Dr Dobson’s talk crosses disciplines and wil
 l speak to research across the Faculty (see below). The seminar is in FA
 B5.03 from 5-7pm on Tuesday 17th March. All welcome! Abstract This talk 
 begins by examining the formative role of Italy – its ruins\, excavation
 s\, and mythicised landscapes – in shaping the early Anglophone Gothic i
 magination\, inspiring texts by British authors responding to Italy from
  afar or through travel. Beginning with Horace Walpole\, whose The Castl
 e of Otranto (1764) – often pinpointed as the first Gothic novel – not o
 nly situates itself in an Italian setting but also frames its narrative 
 through the faux rediscovery of a supposedly Neapolitan incunabulum\, th
 e talk opens by establishing how Italy’s material past became a catalyst
  for eighteenth‑century Gothic sensibilities. Walpole’s own encounters w
 ith the excavations at Herculaneum and\, after his death\, the transfer 
 of Pompeiian artefacts from his collection to that of William Beckford (
 author of the Gothic-Orientalist fever-dream Vathek [1798])\, further il
 luminate how the nascent discipline of archaeology informed the concerns
  of the Gothic as the genre emerged and crystallised. Pompeii provides t
 he most striking early example of this convergence. Systematically excav
 ated from 1748\, the site offered not only classical architecture and ar
 tworks but the profoundly uncanny traces of the dead themselves. The imp
 ression of a woman’s breast found in 1772 and\, later\, Giuseppe Fiorell
 i’s plaster casts of victims frozen in the moment of death (pioneered fr
 om 1863) themselves inspired countless poetic and artistic engagements t
 hat reveal a persistent cultural impulse to animate\, aestheticise and e
 ven romanticise the dead. Such bodily ‘doubles’ (and counterparts immort
 alised in text) embody the Freudian uncanny: simultaneously human and no
 t‑human\, corpse and artefact\, subject and object. In later literature 
 and travel writing to which the talk then turns – from Felicia Hemans to
  Mark Twain\, and subsequently in cinema – Pompeii (re)emerges as a site
  where archaeology performs a kind of Gothic resurrection\, collapsing t
 emporal strata and confronting audiences with the persistence of a perpe
 tually haunting past. By situating these Anglophone responses within Ita
 ly’s central role as both physical site and cultural imaginary\, I argue
  that archaeology in Italy did not merely influence Gothic literature: i
 t offered the quintessential terrain through which British and American 
 writers – even when geographically distant – conceived of their own unca
 nny encounters with history\, materiality and the dead. Subsequently\, e
 ven in diverse genres\, we see Pompeii retain a singular Gothic gravity\
 , a place where ancient and modern bodies repeatedly surface as uncanny 
 doubles of one another.
LOCATION:FAB5.03
URL:
ATTACH:
CATEGORIES:Italian Seminar
LAST-MODIFIED:20260313T151112Z
ORGANIZER;CN=Sue Rae:
END:VEVENT
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