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BEGIN:VEVENT
DTSTAMP:20260428T025048Z
DTSTART;VALUE=DATE-TIME:20260202T170000
DTEND;VALUE=DATE-TIME:20260202T183000
SUMMARY:CRPLA Seminar: Murray Smith (Kent)
TZID:Europe/London
UID:20260202-8ac672c798795f3b01987a090413108a@warwick.ac.uk
CREATED:20260202T143750Z
DESCRIPTION:Murder Ballads: Nick Cave in Song\, Soundscape\, and Image Wi
 th a career stretching back to the late 70s\, Nick Cave stands as one of
  the most enduring - and perhaps unlikely - figures in the landscape of 
 popular culture\, with a continuously evolving profile as a songwriter a
 nd bandleader\, poet and novelist\, screenwriter\, composer\, and actor.
  At the heart of Cave’s artistic persona lies the drama of religious bel
 ief: the interplay between conviction and doubt\, sin\, retribution\, an
 d forgiveness\, vividly staged in the struggles of the characters popula
 ting his ‘Gothic Blues.’ But how are we to understand the image of fraug
 ht devotion presented in Cave’s work: as a straightforward expression of
  religious commitment\, or as something more indirect and complex - a ki
 nd of make-belief rather than belief? In tackling this question\, I’ll a
 lso consider some more general theoretical issues prompted by Cave’s car
 eer and oeuvre\, including the collaborative nature of songwriting and f
 ilmmaking\, and the intrinsically social character of the appreciation o
 f music\, film\, and art. Murray Smith is Professor of Philosophy\, Art\
 , and Film and Director of the Aesthetics Research Centre at the Univers
 ity of Kent. He was President of the Society for Cognitive Studies of th
 e Moving Image from 2014–17\, and a Laurance S. Rockefeller Fellow at Pr
 inceton University’s Center for Human Values for 2017–18. He has publish
 ed widely on film\, art\, and aesthetics. His publications include Film\
 , Art\, and the Third Culture: A Naturalized Aesthetics of Film (Oxford 
 University Press\, 2017\; revised paperback 2020)\, Trainspotting (BFI\,
  revised edition 2021)\, and Engaging Characters: Fiction\, Emotion\, an
 d the Cinema (Oxford University Press\, revised edition 2022). Currently
  he is working on two Templeton-funded projects – ‘Art Opening Minds’ (2
 022-3) and ‘Character Engagement and Moral Understanding’ (2022-5) – as 
 well as a new collection\, Observing Film Art\, devoted to the work of D
 avid Bordwell. Here is the link to join online: Microsoft Teams meeting:
  https://teams.microsoft.com/meet/33464156556890?p=uTpCTFsNZQ1pZoCN2c Me
 eting ID: 334 641 565 568 90 Passcode: SM2U2uU2
LOCATION:S0.18
CATEGORIES:Arts,CRPLA Seminar
LAST-MODIFIED:20260202T143750Z
ORGANIZER;CN=Eileen John:
END:VEVENT
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