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BEGIN:VEVENT
DTSTAMP:20260429T061307Z
DTSTART;VALUE=DATE-TIME:20250307T160000
DTEND;VALUE=DATE-TIME:20250307T200000
SUMMARY:Film Screening of The Devil's Bath (2024) and Panel Discussion on
  Early Modern Suicide by Proxy
TZID:Europe/London
UID:20250307-8ac672c693aba0a30193b01632960f46@warwick.ac.uk
CREATED:20250213T105154Z
DESCRIPTION:The Devil's Bath (2024)\, starring anja Plaschg in the role o
 f Agnes and produced by Ulrich Seidl Filmproduktion in co-production wit
 h Hematfilm and Coop99\, was selected for the Competition at the 74th Be
 rlin International Film Festival\, and won a Silver Bear for 'outstandin
 g artistic ah The film has its world premier on February 20\, 2024 at th
 e Berlinale. Kathy Stuart is Professor of History at University Californ
 ia Davis. She is a historian of early modern Germany with research inter
 ests in the history of criminal justice\, deviance and gender. The resea
 rch underpinning her recent book Suicide by proxy in Early Modern German
 y: Crime\, Sin and Salvation (Palgrave Macmillan\, 2023) inspired The De
 vil's Bath\, where Kathy worked as a consultant to filmmakers Verokika F
 ranz and Severin Fiala. Free film screening of The Devil's Bath (2024)\,
  16.00–18.00 in FAB Cinema room (mezzanine floor). Pizza and Panel discu
 ssion: Suicide by Proxy in the Eighteenth Century 18.00 in FAB 5.03 (Fac
 ulty of Arts Building) The characters in The Devil's Bath are based on h
 istorical trial records of two real-life child-killers\, Ewa Lizlfellner
 in\, beheaded in Upper Austria in 1762\, and Agnes Catherina Schickin\, 
 tried in Württemberg in 1704. Both women feature in Kathy Stuart’s recen
 t book\, Suicide by Proxy in Early Modern Germany: Crime\, Sin and Salva
 tion (Palgrave Macmillan\, 2023). In conversation with Dr Claudia Stein 
 and Dr Imogen Knox\, Prof. Stuart will explore how historians approach i
 nterior mental states in the past and ask whether we can truly understan
 d historical actors feelings or motives for suicide or murder? What sour
 ces and material might we be able to use to try and capture past emotion
 s? They will also reflect on the challenges and opportunities that the g
 enre of period film might provide for opening up foreign mental worlds o
 f the past to present-day audiences? How does the cinematic approach off
 er a different perspective from academic history writing? Does the combi
 nation of historical film and history writing provide an ideal pairing t
 o communicate the complex historicity of human emotions? The panel discu
 ssion will be chaired by Naomi Pullin and followed by an audience Q&A. C
 laudia Stein is Reader in History of Medicine and Science at ÌÇÐÄTV. He
 r main interests are in early modern medicine and science in German\, Br
 itish and other European contexts. Her current research focuses on the f
 ormation of the modern and postmodern subject since the seventeenth cent
 ury at the intersection of science and medicine\, politics and economy\,
  and is interested in how historians access and historicize experience. 
 Imogen Knox is an Early Career Researcher at ÌÇÐÄTV and a John Rylands 
 Early Career Fellow. Her PhD thesis\, 'Self-Destructive Desires and the 
 Supernatural in Early Modern Britain'\, explored the lived experience of
  everyday life in the early modern period\, focusing on emotions\, menta
 l health\, and religion\, as well as the intersection of these categorie
 s with gender.
LOCATION:Cinema room (4-6pm)\, FAB5.03 (6pm)
CATEGORIES:
LAST-MODIFIED:20250213T105154Z
ORGANIZER;CN=Amy Evans:
END:VEVENT
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