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BEGIN:VEVENT
DTSTAMP:20260428T102416Z
DTSTART;VALUE=DATE-TIME:20260204T130000
DTEND;VALUE=DATE-TIME:20260204T142000
SUMMARY:PLCRG event - "A Biography of Palestinian Cinema"\, featuring Sal
 eem Albeik (novelist & critic)
TZID:Europe/London
UID:20260204-8ac672c49bd67d6c019be0e5d8b01c08@warwick.ac.uk
CREATED:20260204T093541Z
DESCRIPTION:Come join us in what promises to be a convivial and engaging 
 talk and discussion about Palestinian cinema\, featuring the Palestinian
  novelist and film critic Saleem Albeik. Title of event: “A Biography of
  Palestinian Cinema: Limitations of Spaces and Characters” Date\, time a
 nd venue: 4 February\, 1pm\, in S0.10 (Social Sciences Building) Organis
 ed by: The ����TV ECLS Palestinian Literature and Culture Reading Group
  Abstract: This talk is based on the author’s recent book Biography of P
 alestinian Cinema: Limitations of Spaces and Characters\, published (in 
 Arabic) by the Institute of Palestine Studies (2025)\, which narrates th
 e story of feature films made by Palestinians between two axial events i
 n Palestinian history: The “Stones Intifada” (1987-1991) and the current
  genocidal war (2023- ). The book outlines the national context before c
 ommencing its story\, reading cinema as responding to the political cond
 itions of the Palestinian people and arguing that the Al-Aqsa [Second] I
 ntifada (2000-2005) generated a transformation in that cinema. The book 
 critically examines a principal aspect of Palestinian cinema: its impose
 d limitations regarding space and casting\, ascribing these limitations 
 to the conditions of colonial occupation\, settlement\, policies and ins
 titutions. Limited space led to limited casting opportunities\, and thes
 e in turn affected the chances of achieving the aims of a particular fil
 m. Such limitations constitute a structural condition of Palestinian cin
 ema in general\, though certain films became exceptions that proved the 
 rule. Those films in which cast members rebelled against imposed limitat
 ions of space were instrumental in helping to liberate their participant
 s\, who thus evolved as dramatic figures themselves. The book discusses 
 57 feature films and attempts to show how each one dealt with the presen
 ce of limitations and their five manifestations\, dubbed with - what the
  author calls - the five jims (referring to the Arabic letter "J"): Sold
 ier (jundi)\, Jeep\, Checkpoint (hajiz)\, Jail (sijn)\, and Wall (jidar)
 . Since the Nakba of 1948\, the history of the Palestinian people has be
 en truly tragic\, and catastrophes have elicited acts of heroism not lac
 king in tragedy. This history may be tracked through its various stages 
 and in various depictions of and by the population\, the cinema being on
 e such depiction. Saleem Albeik’s book offers a history of that cinema w
 ithin the historical context of the Palestine Question\, attempting to p
 resent that history through its films. The author: Saleem Albeik is a fi
 lm critic and novelist. He has published two works of film criticism\, R
 eflections on Palestinian Cinema (2023) and A Biography of Palestinian C
 inema: Limitations of Spaces and Characters (2025). He has also publishe
 d three novels: Two Tickets to Saffuriyya (2017)\, Scenario (2019)\, and
  The Eye of the Rooster (2022). Born to a refugee family\, he currently 
 lives in Paris\, where he writes a weekly column on cinema and culture i
 n the newspaper Al-Usbu` al-`Arabi. He founded the cultural magazine Rum
 man and acts as its editor. For more information\, contact Nadia.Backleh
 @warwick.ac.uk
LOCATION:S0.10 (Social Sciences Building)
CATEGORIES:
LAST-MODIFIED:20260204T093541Z
ORGANIZER;CN=Nadia Backleh:
END:VEVENT
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