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BEGIN:VEVENT
DTSTAMP:20260505T113744Z
DTSTART;VALUE=DATE-TIME:20230112T170000
DTEND;VALUE=DATE-TIME:20230112T181500
SUMMARY:PG WiP Seminar
TZID:Europe/London
UID:20230112-8a1785d8859679cd018596f26a250211@warwick.ac.uk
CREATED:20230111T123546Z
DESCRIPTION:This week's PG WiP seminar will be led by Giulia Lorenzi (PhD
 ). Title: "Understanding Musical Virtuosity to Understand the Perception
  of Music" Everyone welcome! Abstract: In the realm of auditory percepti
 on\, philosophers have considered the perception of music as a distincti
 ve case\, differentiating it from the perception of noises and everyday 
 life sounds. In order to explain the uniqueness of perceiving music\, Sc
 ruton (1997) has proposed what he called the acousmatic view\, namely th
 e idea that when we experience sounds in the musical context we do so di
 vorcing them from their sources and circumstances of production. This cl
 early contrasts with the standard view of perception as the source of in
 formation about the external world which should characterise\, in Scruto
 n’s account\, the perception of ordinary sounds. Hamilton (2007\, 2009)\
 , however\, has proposed that both the acousmatic and the non-acousmatic
  experience of music are aesthetically relevant\, constructing as a cons
 equence a two-fold theory which embraces both. In order to argue for an 
 account that could combine both acousmatic and non-acousmatic experience
  tough\, Hamilton has the burden of proving how the non-acousmatic exper
 ience (the one implying thoughts and awareness of the origins of sounds)
  can be relevant in the musical context. In order to do that\, he presen
 ts four objects to Scruton’s account which consider the acousmatic exper
 ience as the only essential way to engage with musical sounds. In this t
 alk\, I am going to focus on Hamilton’s objection on the perception of v
 irtuosity with the intention to support and strength is idea that a non-
 acousmatic experience of music is both possible and relevant for aesthet
 ic appreciation. In order to do so\, I am going to look to accounts of v
 irtuosity present in the literature\, sketch a new possible way to go an
 d show how the nature of this aesthetic phenomenon in itself\, however u
 nderstood\, requires a non-acousmatic experience in order to be perceive
 d as this phenomenon.
LOCATION:S2.77/online
CATEGORIES:Home Page,Graduate WIP Seminar
LAST-MODIFIED:20230111T123546Z
ORGANIZER;CN=Clare Simpson:
END:VEVENT
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