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BEGIN:VEVENT
DTSTAMP:20260501T011050Z
DTSTART;VALUE=DATE-TIME:20220217T170000
DTEND;VALUE=DATE-TIME:20220217T180000
SUMMARY:Postgraduate Work in Progress Seminar
TZID:Europe/London
UID:20220217-8a1785d77e96b3b6017e9b4833e9089b@warwick.ac.uk
CREATED:20220216T101857Z
DESCRIPTION:Jonny Clarke-West\, ‘Memory and Imagination: The Production o
 f the Absolute in Proust's A La Recherche du Temps Perdu’ This week we w
 ill host the talk with a hybrid format. As usual\, the room is S0.08 and
  on MS Teams. Abstract: In this paper I interrogate the roles of imagina
 tion and memory at what I take to be the culmination of Proust’s project
  in the Recherche – where he develops a moment of pure literature. Prous
 t writes the Recherche in order to bring into being a truth that he firs
 t discovers (but cannot articulate) in the prologue to Contre Sainte Beu
 ve. In and through the production of the Recherche\, Proust is able to r
 ealise what previously eludes him. The truth that Proust seeks is resist
 ant to philosophy and the powers of the intellect – it requires the powe
 rs of the imagination and the production of literature. The root of lite
 rature – the production of truth – is therefore connected to the formati
 on (or Bildung) of Marcel in whom\, over the course of the novel\, Prous
 t develops the requisite sort of imaginative being. The deep connection 
 between these projects of the novel crystallises at what I take to be it
 s zenith when\, in Le Temps Retrouvé\, Marcel receives an ultimate revel
 ation following a series of involuntary memories. It is at this juncture
  that the Absolute of the Recherche can be understood to be brought into
  being. I examine the deep connection that Proust develops between invol
 untary memory and imagination in the production of the Absolute of his n
 ovel. Critical to this connection are two intertwined sets of conditions
  by which the unlived side of life – that time which always accompanies 
 us but that we have not lived as such – can be brought to life in litera
 ture: firstly\, a chance encounter hosted by the present\; secondly\, th
 e production of an imaginary space into which the unlived can form as me
 mory. What emerges from this is that the present as we know it is shown 
 by Proust to be only a region of time. There is more that can be discove
 red\, and this is what Proust accesses for literature. For literature to
  obtain a purchase upon this excess\, Proust has to expand the field of 
 the imagination. At the zenith of the novel\, imagination becomes the si
 te of certainty. The experience of literature – the production of truth 
 – is the experience of the unfolding of the imaginary. The common distin
 ction between truth and creatures of the imagination is dissolved. As Pr
 oust develops a moment of pure literature\, the unimaginable – that whic
 h in the prologue to Contre Sainte-Beuve he could not articulate – trans
 forms into the product of imagination. Please contact Raffaele Grandoni 
 for further information.
LOCATION:S0.08/online
CATEGORIES:Home Page,Graduate WIP Seminar
LAST-MODIFIED:20220216T101857Z
ORGANIZER;CN=Clare Simpson:
END:VEVENT
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