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DTSTART:19960101T000000 END:STANDARD BEGIN:STANDARD TZNAME:GMT TZOFFSETFROM:+0100 TZOFFSETTO:+0000 DTSTART:19961027T020000 RRULE:FREQ=YEARLY;BYMONTH=10;BYDAY=-1SU END:STANDARD END:VTIMEZONE BEGIN:VEVENT DTSTAMP:20260502T221650Z DTSTART;VALUE=DATE-TIME:20211020T180000 DTEND;VALUE=DATE-TIME:20211020T193000 SUMMARY:Interdisciplinary French Studies Seminar - Colin Davis TZID:Europe/London UID:20211020-8a1785d77b77d622017c374172ab00dc@warwick.ac.uk CREATED:20210930T151047Z DESCRIPTION:All seminars will take place on Microsoft Teams\, 6pm-7.30pm UK time. All are welcome. To access the events please click on the Teams link for the relevant seminar\, displayed below. We recommend you downl oad the (free) Teams app for ease of access. Please email the convenor\, Oliver Davis\, at O.Davis@warwick.ac.uk\, with any questions. Recording s of papers from 2020-21 can be accessed here. Colin Davis (RHUL) Interp retation and Overinterpretation: Camus’s ‘Jonas ou l’artiste au travail’ This paper has three parts. The first revisits issues in hermeneutic th eory concerning interpretation and overinterpretation\, with reference t o Gadamer\, Eco and other theorists. How do we acknowledge the fluidity of meaning whilst retaining a sense that some interpretations are better than others? How do we distinguish between creative overreading and mer e error or nonsense? The second part attempts a reading of Albert Camus’ s short story ‘Jonas ou l’artiste au travail’\, from the collection L’Ex il et le royaume\, giving particular weight to its epigraph from the Bib lical Book of Jonah. My suggestion is that\, whilst foregrounding a self -ironising portrait of the artist as flawed and all-too-human\, the epig raph and its resonance through the story suggest a much more Romantic vi sion of the artist as the unacknowledged saviour of humankind. The third part of the paper attempts to look back\, self-reflexively\, on the int erpretive moves involved in this reading\, to assess its plausibility an d value. Colin Davis is Emeritus Professor of French and Comparative Lit erature at Royal Holloway\, University of London\, having previously hel d posts at Cambridge\, Oxford and ÌÇÐÄTV. His work focuses mainly on th e connections between literature\, film and philosophy. His most recent publications include Traces of War: Interpreting Ethics and Trauma in Tw entieth-Century French Writing (Liverpool: Liverpool University Press\, 2018)\, Freedom and the Subject of Theory: Essays in Honour of Christina Howells\, co-edited with Oliver Davis (Oxford: Legenda\, 2019)\, The Ro utledge Companion to Literature and Trauma\, co-edited with Hanna Mereto ja (London and New York: Routledge\, 2020)\, and Silent Renoir: Philosop hy and the Interpretation of Early Film (Palgrave Macmillan\, 2021). To join the seminar on Teams click here. LOCATION:Online via Teams URL:/fac/arts/modernlanguages/research/seminars/fren chcurrent/ ATTACH:/fac/arts/modernlanguages/research/seminars/f renchcurrent/ CATEGORIES:French Research Seminar LAST-MODIFIED:20210930T151047Z ORGANIZER;CN=Sue Rae: END:VEVENT END:VCALENDAR