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BEGIN:VEVENT
DTSTAMP:20260506T064545Z
DTSTART;VALUE=DATE-TIME:20200227T170000
DTEND;VALUE=DATE-TIME:20200227T180000
SUMMARY:Iraqi Women Uprising: Through Visual Arts on Murals and Creative 
 Language on Signs - Zeena Faulke\, ÌÇÐÄTV University PhD
TZID:Europe/London
UID:20200227-8a1785d76ef04032016f142cb1653dd6@warwick.ac.uk
CREATED:20200218T091353Z
DESCRIPTION:Thursday 27th February 2020 17.00-18.00\, Social Sciences S0.
 09 On October 1\, 2019\, peaceful protests broke out in most Iraqi citie
 s. The reasons for the protest include the dissatisfaction with the gove
 rnment’s performance\, lack of jobs\, extensive foreign meddling in Iraq
 \, and oppression as well as lack of civil liberties. University student
 s\, professors and workers led the first wave of protests\, signalling f
 or the first time no allegiance to any political and/or religious groups
 . However\, the Iraqi government’s unexpected crackdown on the protester
 s led to the Tishreen (October) uprising\, which swiftly gained traction
  throughout Iraq\, which forced the Iraqi Prime Minister Abdul Mahdi to 
 resign. Since then\, Iraqi women have been taking to the streets to part
 icipate in the uprising\, organize groups\, treat the injured\, provide 
 food\, write graffiti and chant alongside defiant men. This involvement 
 of women in Iraq’s current political quagmire is unprecedented\, particu
 larly in Baghdad where women express themselves through graffiti and cre
 ative language on the signs. In this seminar\, we will be looking at how
  texts and images are used to represent women in the currently troubled 
 Iraq\, and what that means with respect to women’s involvement in Iraq’s
  future politics. Zeena's postgraduate-level work with Dr Chantal Wright
  challenges the notion of cultural nontransferability of satire by focus
 ing on the political satire of post-2003 Iraq. Iraq experienced an explo
 sion of political satire following the 2003 invasion and occupation by w
 estern powers\, a flowering that presents particular challenges for tran
 slation due to its heavy reliance on cultural background and fleeting po
 litical context. Using reader response theory\, Zeena's work intends to 
 show that it is possible to go around such limitations in creative ways\
 , rendering this satirical and critical response to war understandable t
 o those with limited knowledge of Arabic and Middle Eastern culture and 
 history.
LOCATION:Social Studies S0.09
CATEGORIES:
LAST-MODIFIED:20200218T091353Z
ORGANIZER;CN=Michelle Leeming:
END:VEVENT
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