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BEGIN:VEVENT
DTSTAMP:20260513T013012Z
DTSTART;VALUE=DATE-TIME:20190430T160000
DTEND;VALUE=DATE-TIME:20190430T180000
SUMMARY:seminar: Dr Angela Woods (Durham) Relating to Leah's Voices
TZID:Europe/London
UID:20190430-8a1785d76533e34d0165578a9cfe21b3@warwick.ac.uk
CREATED:20190423T125514Z
DESCRIPTION:Presentation\, discussion\, refreshments. All are welcome. AB
 STRACT Research into the experience of hearing voices (or “auditory verb
 al hallucination”) has recently moved away from a focus on auditory phen
 omenology to considering voices as social agents. At the same time\, the
 re has been an increase in the interest in and provision of psychologica
 l therapies for distressing voices which recognise an agent or entity be
 hind the voice\, encourage an interaction (of some kind) between the voi
 ce-hearer and that entity\, and seek to improve the voice-hearer’s relat
 ion with that entity. In scholarly as well as clinical contexts\, then\,
  interesting questions are being raised about the ways in which agency\,
  identity\, characterfulness and personification are intertwined\, or no
 t\, in the experience of hearing voices\, and about how and why people’s
  relation to their voices changes over time. The longitudinal Voices in 
 Psychosis (VIP) study is seeking to address some of these questions thro
 ugh in-depth phenomenological interviews with users of Early Interventio
 n in Psychosis services in the North East of England. This paper offers 
 a sustained close-reading of one of these interviews in order to explore
  the complexity of relationality in the context of hearing voices. Leah 
 describes the voice she hears through her heart as a speaker\, a washing
  machine picking up other people’s vibrations and thoughts\, a tornado\,
  a cyclone. Who\, or what\, is Leah relating (to) in these experiences? 
 By offering insights into the embodied\, affective and fragmentary inten
 sities of voices\, Leah’s testimony records or rather invites a further 
 relational challenge at the level of interpretation: how can or should “
 we” relate to the speaker in her heart? If one consequence of the schola
 rly and therapeutic focus on the personification of voices is the refram
 ing of agency as “the agent\,” the part/ial as “the person behind the vo
 ice\,” what concepts and theoretical tools could help us think different
 ly? Angela Woods is Associate Professor of Medical Humanities at Durham 
 University and Co-Director of Hearing the Voice. Her research in critica
 l medical humanities focuses on the interplay between theoretical and su
 bjective accounts of unusual experience.
LOCATION:R0.14 Ramphal building\, University of ����TV
CATEGORIES:seminar
LAST-MODIFIED:20190423T125514Z
ORGANIZER;CN=Sheilagh Holmes:
END:VEVENT
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