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BEGIN:VEVENT
DTSTAMP:20260430T131913Z
DTSTART;VALUE=DATE-TIME:20240308T170000
DTEND;VALUE=DATE-TIME:20240308T183000
SUMMARY:Italian Research Seminar - Professor Stefano Cracolici (Durham Un
 iversity)
TZID:Europe/London
UID:20240308-8a17841b8e12f205018e1e8d72ca5715@warwick.ac.uk
CREATED:20240308T145250Z
DESCRIPTION:We are honoured to host Professor Stefano Cracolici from Durh
 am University who will present a paper entitled Every Scene a Poem: Figu
 re Staffage in 19th-Century Landscape Art. You can join our event remote
 ly using the following link: https://teams.microsoft.com/l/meetup-join/1
 9%3ameeting_OGY0YTA4ZjEtZjVjOS00YzlmLWJjYzYtY2U0Nzg2MmU2Yzg4%40thread.v2
 /0?context=%7b%22Tid%22%3a%2209bacfbd-47ef-4465-9265-3546f2eaf6bc%22%2c%
 22Oid%22%3a%22698000e7-6d2c-4b0a-b547-60659375d07a%22%7d The event is fu
 nded by the Doctoral College. Abstract: As Carl Ludwig Fernow\, the este
 emed biographer of Antonio Canova\, eloquently put it in 1803\, 'Every r
 epresentation of the landscape should be a poem\; for the painter is onl
 y a true artist insofar as he creates poetry.' This insight provides a s
 pringboard for an exploration into the poetic essence of landscape art d
 uring the pivotal shift from the eighteenth to the nineteenth century. T
 he theoretical debates in Rome regarding the genre brought to the forefr
 ont a critical question: How could the diverse geological and environmen
 tal aspects of nature be transcended to achieve an idealised form? At th
 e heart of these discussions was the issue of whether art could effectiv
 ely capture the essence of landscape scenery\, evolving from constrained
  imitation to creative freedom. An effective landscape depiction was not
  supposed to merely present a specific scene but rather engage the viewe
 r's imagination through its mode of representation. A compelling respons
 e was discovered in the strategic incorporation of human figures\, or st
 affage\, into natural settings\, transforming them from simple decorativ
 e elements to powerful poetic mechanisms that lend emotional depth and p
 hilosophical nuance to the landscapes. This lecture shall examine the hy
 pothesis that such thoughtfully integrated staffage was instrumental in 
 cultivating a poetic interpretation of natural scenery that might have l
 eft a mark on the works of Giacomo Leopardi. Bio: Stefano Cracolici is P
 rofessor of Italian art and literature at Durham University. He received
  a Medical Doctor degree from the Albert-Ludwig University in Freiburg\,
  Germany (1994)\, a laurea in Italian Literature from the Università deg
 li Studi di Trento (1995)\, an MA (1996) and PhD in Italian Studies from
  the University of Toronto (2000). Before joining Durham University in 2
 007\, he worked as Assistant Professor of Italian (tenure-track) at Dart
 mouth College (2000-02) and the University of Pennsylvania (2002-06). He
  has published on Leon Battista Alberti\, courtly poetry\, the medical a
 nd humanistic discourse on love\, the Roman Academy of Arcadia\, 19th-ce
 ntury art in Europe and the Americas\, and Italian cinema. His research 
 has been supported by the AHRC\, the British Academy and the Leverhulme 
 Trust. He has been Scholar in Residence at the Getty Research Institute\
 , visiting professor at the University of São Paulo\, UK-Mexico Visiting
  Chair at the UNAM\, director of the Zurbarán Centre for Spanish and Lat
 in American Art at Durham University\, and Francesco De Dombrowski Visit
 ing Professor at the Villa I Tatti\, the Harvard Center for Italian Rena
 issance Studies in Florence.
LOCATION:FAB 3.25 & Remote
URL:
ATTACH:
CATEGORIES:Arts Faculty,Research seminar,Faculty of Arts,Public lecture,P
 G,doctoral college,PGR
LAST-MODIFIED:20240308T145250Z
ORGANIZER;CN=Kim Bester:
END:VEVENT
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