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BEGIN:VEVENT
DTSTAMP:20260502T144936Z
DTSTART;VALUE=DATE-TIME:20220615T170000
DTEND;VALUE=DATE-TIME:20220615T183000
SUMMARY:SCAPVC Research Seminar - Dr Emma Cox (Royal Holloway)
TZID:Europe/London
UID:20220615-8a17841b8142903001815dca93eb72de@warwick.ac.uk
CREATED:20220613T155926Z
DESCRIPTION:School of Creative Arts Performances and Visual Cultures summ
 er term research seminar. - Dr Emma Cox (Royal Holloway\, University of 
 London). Interceptive Aesthetics: Performing #SolidarityAndResistance at
  Sea In January 2022\, approximately 70 forced migrants who had taken pr
 ecarious refuge on Shell’s Miskar oil platform\, situated off the coast 
 of Tunisia and within a European search and rescue (SAR) zone\, were han
 ded to Tunisian authorities and returned. As one more iteration of the E
 U’s biopolitical regime of Mediterranean interdiction and quasi-legalise
 d boat turn-back\, the incident was normative\, but on this occasion a s
 ubsidiary group of people who had been drifting in waters near the oil r
 ig were rescued by the MV Louise Michel\, owned by British street artist
  Banksy. The boat features a spray-paint motif and the word RESCUE in lu
 rid pink\, along with a repurposed image of Banksy’s ‘Girl with Balloon’
 . The Louise Michel’s performative\, publicised actions represent an exp
 licit aestheticisation of rescue in a region where migrant trauma is alr
 eady a mediatised spectacle. The Louise Michel’s first operation in 2020
  attracted wide media coverage\, but it had been held at port by authori
 ties until 2022. The vessel is part of a European network of non-state r
 escue boats\; despite the criminalisation of their work\, these operatio
 ns have increased substantially in recent years\, entering a space of di
 minished EU response. Deploying the hashtags #SolidarityAndResistance an
 d #AllBlackLivesMatter\, NGO operations situate maritime rescue as affil
 iative\, direct-action resistance to state power\, contextualised by glo
 bal anti-racism. This paper considers what kind of solidarity is enacted
  by NGOs like the Louise Michel and reflects on ways in which the interc
 eptive aesthetics of their work might revise ideas about refugee-respons
 ive performance as intervention. Biographical Note Emma Cox is Reader an
 d Head of Department of Drama\, Theatre and Dance at Royal Holloway\, Un
 iversity of London. She is the author of Performing Noncitizenship (2015
 )\, Theatre & Migration (2014)\, and editor of the play collection Stagi
 ng Asylum (2013). Cox’s writing has been published in journals such as T
 heatre Journal and Theatre Research International. She is co-editor of t
 he interdisciplinary volume\, Refugee Imaginaries: Research Across the H
 umanities (2020). All attendees are welcome at a drinks reception follow
 ing the lecture.
LOCATION:FAB 0.08 lecture hall
URL:
ATTACH:
CATEGORIES:SCAPVC
LAST-MODIFIED:20220613T155926Z
ORGANIZER;CN=Sue Rae:
END:VEVENT
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