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BEGIN:VEVENT
DTSTAMP:20260507T013826Z
DTSTART;VALUE=DATE-TIME:20211020T180000
DTEND;VALUE=DATE-TIME:20211020T193000
SUMMARY:Research seminar: Colin Davis (RHUL)\, Interpretation and Overint
 erpretation: Camus’s ‘Jonas ou l’artiste au travail’
TZID:Europe/London
UID:20211020-8a17841a7b77d8a1017c263036d840db@warwick.ac.uk
CREATED:20210927T073934Z
DESCRIPTION:This paper has three parts. The first revisits issues in herm
 eneutic theory concerning interpretation and overinterpretation\, with r
 eference to Gadamer\, Eco and other theorists. How do we acknowledge the
  fluidity of meaning whilst retaining a sense that some interpretations 
 are better than others? How do we distinguish between creative overreadi
 ng and mere error or nonsense? The second part attempts a reading of Alb
 ert Camus’s short story ‘Jonas ou l’artiste au travail’\, from the colle
 ction L’Exil et le royaume\, giving particular weight to its epigraph fr
 om the Biblical Book of Jonah. My suggestion is that\, whilst foreground
 ing a self-ironising portrait of the artist as flawed and all-too-human\
 , the epigraph and its resonance through the story suggest a much more R
 omantic vision of the artist as the unacknowledged saviour of humankind.
  The third part of the paper attempts to look back\, self-reflexively\, 
 on the interpretive moves involved in this reading\, to assess its plaus
 ibility and value. Colin Davis is Emeritus Professor of French and Compa
 rative Literature at Royal Holloway\, University of London\, having prev
 iously held posts at Cambridge\, Oxford and ÌÇÐÄTV. His work focuses ma
 inly on the connections between literature\, film and philosophy. His mo
 st recent publications include Traces of War: Interpreting Ethics and Tr
 auma in Twentieth-Century French Writing (Liverpool: Liverpool Universit
 y Press\, 2018)\, Freedom and the Subject of Theory: Essays in Honour of
  Christina Howells\, co-edited with Oliver Davis (Oxford: Legenda\, 2019
 )\, The Routledge Companion to Literature and Trauma\, co-edited with Ha
 nna Meretoja (London and New York: Routledge\, 2020)\, and Silent Renoir
 : Philosophy and the Interpretation of Early Film (Palgrave Macmillan\, 
 2021).
LOCATION:Teams
URL:/fac/arts/modernlanguages/research/seminars/fren
 chcurrent/
ATTACH:/fac/arts/modernlanguages/research/seminars/f
 renchcurrent/
CATEGORIES:School of Modern Languages and Cultures,French Studies,Philoso
 phy,Literature,French Events,SMLC Research Events,French Research
LAST-MODIFIED:20210927T073934Z
ORGANIZER;CN=Oliver Davis:
END:VEVENT
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