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BEGIN:VEVENT
DTSTAMP:20260613T005424Z
DTSTART;VALUE=DATE:20180717
DURATION:P1D
SUMMARY:One Day Conference on the 21st Century Sublime
UID:20180717-8a17841a6411e8b401641cb8dc822f55@warwick.ac.uk
CREATED:20180620T102354Z
DESCRIPTION:This one day conference will focus on the ways in which the S
 ublime is re-emerging as a significant aesthetic and ethical category in
  the 21st century\, as profound planetary and social changes force us to
  re-imagine our relation to the non-human and also to the Earth itself. 
 Contributors will explore new genres of the Sublime by drawing on philos
 ophy\, Earth Sciences\, and the critical humanities (including decolonia
 l and feminist film theory)\, as well as cinema\, television and the vis
 ual arts. The Sublime emerged as a dominant category of aesthetic praise
  in the 18th century\, and was linked to an appreciation of the immense 
 power of nature\, especially in its most terrifying and infinite aspects
 . This conference will explore the intersections between the Sublime and
  the Anthropocene\, defined as the epoch during which human influence ha
 s become a key determinant in material changes on planet Earth and its a
 tmosphere\, as well as to the life systems and peoples that the Earth su
 pports. The event will look at ways in which the Sublime operates as an 
 aesthetic category across fine art\, film\, television and visual media\
 , finding its traces in the construction of place: from the specificity 
 of the Cornish Sublime to the presentation of Earth as a totality in vie
 ws from outer space. The day will explore the re-emergence of the Sublim
 e in contemporary science fiction\, from the construction of the radical
 ly unfamiliar in the form of UFOs\, to the filmic re-figuring of transce
 ndence\, infinity and materiality presented by female characters in cont
 emporary cinema. In the opening plenary\, 'The Sublime of the Sea: From 
 the Infinity of Surface to the Oceans of the Anthropocene'\, Dr Christin
 e Battersby will explore the origins of the notion of the Anthropocene i
 n the Earth Sciences and the dating of its onset to 1952\, alongside cla
 ssical (18th and 19th century) portrayals of the Sublime. Using examples
  taken from the visual arts\, alongside philosophical analyses of the Su
 blime\, Dr Battersby will outline changes in how we represent infinity\,
  the unbounded\, the'awful' and also the unimaginable\, especially in re
 lation to ocean depths and the surfaces of the Earth's lakes and seas. T
 he anti-Sublime of plastic detritus and dissolving life forms will also 
 feature in her account. The afternoon session pursues a different strand
  in debates around the Anthropocene\, following the work of critical hum
 anities scholars who argue that we need to connect anthropogenic climate
  change to the colonisation of the Americas. In 'Decolonising the Sublim
 e'\, Dr Rachel Jones will draw on excerpts from Daniel Maximin's essay\,
  'Les fruits du cyclone' (2006) to ask to what extent the Sublime is bou
 nd up with a colonising logic and whether and how it might be de-colonis
 ed. Like Dr Battersby\, Dr Jones will look back at the history of the Su
 blime in key 18th century texts as well as at 20th and 21st century re-w
 orkings that foreground race\, ethnicity and issues relating to the tran
 satlantic slave trade. The day will feature research conducted within Fi
 lm and Television Studies\, some of which engages directly with the Subl
 ime as a concept\, including Laurence Kent on Deleuze and the Sublime in
  Cinema\, and Professor Catherine Constable on the gendered presentation
  of the Sublime in 2001 and Gravity. Other papers will explore material 
 that resonates with key themes of the day\, including Dr Rachel Moseley 
 on 'The Cornish Sublime'\, Dr Tiago de Luca\, who will link the pictoria
 l presentation of the Earth as a totality to the Anthropocene\, and Jake
  Edwards\, whose work addresses the conceptual and aesthetic challenges 
 posed by UFOs. Structure 9.30-11.00 Welcome and opening plenary in room 
 A0.26: ‘The Sublime at Sea: From the Infinity of Surface to the Oceans o
 f the Anthropocene’ Christine Battersby. 11.00-11.30 Coffee break. 11.30
 -13.00 Panel session I in room A0.26: ‘The Cornish Sublime’ Rachel Mosel
 ey\, ‘Organs Become Metaphysical: Deleuze’s Sublime Cinema and the Conti
 ngency of Thinking’ Laurence Kent\, ‘Reading the Unidentifiable: The Cas
 e of Ufology’ Jake Edwards. 13.00-14.00 Lunch. 14.00-15.30 Workshop in r
 oom A1.27: ‘Decolonising the Sublime’ Rachel Jones. 15.30-16.00 Tea with
  cake. 16.00-17.15 Panel session II in room A1.27: ‘Totalities and Trans
 cendence in Contemporary Cinema’ Tiago del Luca and Catherine Constable.
  NB: Places for the day are limited to 25. Please contact Catherine Cons
 table (c.a.e.constable@warwick.ac.uk) for further information.This event
  is funded by The Centre for Research in Philosophy\, Literature and the
  Arts and The Centre for Exoplanets and Habitability.
LOCATION:Department of Film and Television Studies\, Millburn House\, The
  University of ÌÇÐÄTV
CATEGORIES:Home Page,CRPLA Event
LAST-MODIFIED:20180620T102354Z
ORGANIZER;CN=Clare Simpson:
END:VEVENT
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