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Postgraduate "Work In Progress" Seminar

Postgraduate Work-In-Progress Seminar

A weekly seminar for Philosophy postgraduates to present their in-progress work, followed by a well-spirited trip to the pub for food and drinks.


Useful Info

The WIP provides a risk-free and supportive space for postgraduates to present their work and receive feedback from other graduates and faculty.

  • When: Every Thursday (5pm to 6:15pm)
  • Where: Room S1.50 (Social Sciences Building, First Floor)
  • What: 30-minute presentation, followed by Q&A.

Attendance optional but highly recommended. All postgraduates are welcome to present or attend -- whether MA, MPhil, PhD, Visitors, etc.


馃搮 Format


  • Presentation: 30 minutes
  • Open Discussion / Q&A: 30 minutes
  • Material: Anything, really -- assessed essay (for MAs), a supervision essay (for MPhils), or a thesis section (for PhDs), ...
  • Style: Flexible -- slides, handouts, or simply talking.
  • Audience: No prior reading or background knowledge expected. Visiting PhDs should can present.

馃 Should I present? ("I have nothing to present; I hate public speaking; etc.")


  • Are you a postgraduate? Then yes, you should present.
  • In other words, all graduates are encouraged to present at least once.
  • The WIP is a unique opportunity for graduates to develop their public speaking / writing skills, take risks, test out theses, and get constructive feedback from peers.*
  • Presentations need not (in fact, should not) be watertight or polished pieces at all. You are encouraged to present work at all stages of the writing process -- first drafts, substantial sets of notes, etc.
  • Simply signing up for a date is a great way to give yourself a deadline to work towards. (This is what most people do.)
 
NEXT TALK

Ignacio Pe帽a Caroca

(PhD)

Consent


Thursday 07/05/2026

5pm - 6:15pm

S1.50


ORGANISERS

Tiago Rodrigues

Lucas Menezes 

   

 

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CRPLA Seminar: Amy De'Ath (KCL), 'Hidden Abodes and Inner Bonds: Literary Study and Marxist-Feminism'

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This talk presents an argument that Marxism can provide much more capacious and flexible tools for feminist analysis than has previously been allowed for, and that the concepts and methods developed in value-theoretical readings of Marx that first emerged in Germany in the 1960s are particularly well suited to reading gendered literary texts. My approach draws in particular on the idea of 鈥渞eal abstraction,鈥 a Marxian concept germane to thinking from the perspective of the whole. Far from helping us to diagnose a case of interpellation by capital鈥檚 narratives, value theory and Marxist-feminism can work in the service of a feminist literary criticism attuned to the highly ambivalent and dialectical ways in which capitalist subjects might 鈥渋dentify.鈥 I offer a brief reading of a poem by Kay Gabriel to suggest that feminist poetry gives us ways to think capitalist abstraction not as sublime other, but as the social synthesis of an exchange in toto that gathers, institutes, and deploys difference wherever it goes.

Link to "You Say Wife" by Kay Gabriel:

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