Postgraduate "Work In Progress" Seminar
Postgraduate Work-In-Progress SeminarA weekly seminar for Philosophy postgraduates to present their in-progress work, followed by a well-spirited trip to the pub for food and drinks. Useful InfoThe WIP provides a risk-free and supportive space for postgraduates to present their work and receive feedback from other graduates and faculty.
Attendance optional but highly recommended. All postgraduates are welcome to present or attend -- whether MA, MPhil, PhD, Visitors, etc. 馃搮 Format
馃 Should I present? ("I have nothing to present; I hate public speaking; etc.")
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NEXT TALKIgnacio Pe帽a Caroca (PhD) Consent Thursday 07/05/2026 5pm - 6:15pm S1.50 ORGANISERS |
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Philosophy Department Colloquium
The Colloquium will be in-person, with an online option for those who can't be on campus. Please contact Andrew Cooper to receive the Link.
Speaker: (Oxford)
Talk: Dialectics in Chinese Philosophy As Seen From *M矛ng x霉n
Abstract: In this paper I shall look at the structure of dialectical argument in early China by reference to a recently obtained, fourth century manuscript text, titled *M矛ng x霉n. The text has a close counterpart in the received text Y矛 Zh艒ush奴 (Leftover Documents of Zhou). It is therefore generally understood as belonging the tradition of Sh奴 (Documents), one of the core foundational classics of early China. I analyse the strategies bysq which meaning is produced in *M矛ng x霉n and suggest that the text develops the argument in a dialectic manner. In it, the philosophical premise seeks to test itself continuously to avoid becoming doctrine, and thus philosophically void. My choice of a Sh奴 (Documents) text as an example of philosophically relevant meaning construction in early China challenges current methodology, which anachronistically considers 锄菒-type literature (the Masters) as a disciplinary equivalent to Philosophy in ancient Greece. I argue that since philosophically relevant activities are a non-disciplinary praxis in early China, the articulations of this praxis are also not genre specific but found across the foundational literary texts of China.