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Postgraduate "Work In Progress" Seminar

Postgraduate Work-In-Progress Seminar

A weekly seminar for Philosophy postgraduates to present their in-progress work, followed by a well-spirited trip to the pub for food and drinks.


Useful Info

The WIP provides a risk-free and supportive space for postgraduates to present their work and receive feedback from other graduates and faculty.

  • When: Every Thursday (5pm to 6:15pm)
  • Where: Room S1.50 (Social Sciences Building, First Floor)
  • What: 30-minute presentation, followed by Q&A.

Attendance optional but highly recommended. All postgraduates are welcome to present or attend -- whether MA, MPhil, PhD, Visitors, etc.


馃搮 Format


  • Presentation: 30 minutes
  • Open Discussion / Q&A: 30 minutes
  • Material: Anything, really -- assessed essay (for MAs), a supervision essay (for MPhils), or a thesis section (for PhDs), ...
  • Style: Flexible -- slides, handouts, or simply talking.
  • Audience: No prior reading or background knowledge expected. Visiting PhDs should can present.

馃 Should I present? ("I have nothing to present; I hate public speaking; etc.")


  • Are you a postgraduate? Then yes, you should present.
  • In other words, all graduates are encouraged to present at least once.
  • The WIP is a unique opportunity for graduates to develop their public speaking / writing skills, take risks, test out theses, and get constructive feedback from peers.*
  • Presentations need not (in fact, should not) be watertight or polished pieces at all. You are encouraged to present work at all stages of the writing process -- first drafts, substantial sets of notes, etc.
  • Simply signing up for a date is a great way to give yourself a deadline to work towards. (This is what most people do.)
 
NEXT TALK

Ignacio Pe帽a Caroca

(PhD)

Consent


Thursday 07/05/2026

5pm - 6:15pm

S1.50


ORGANISERS

Tiago Rodrigues

Lucas Menezes 

   

 

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'Getting Acquainted With Art' by Matt Duncan and Hannah Nahas

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Location: By Zoom

Getting Acquainted with Art 

By Matt Duncan and Hannah Nahas 

We learn from art. By viewing, hearing, touching, creating, performing, and in yet other ways interacting with art, we gain new knowledge—knowledge that we wouldn鈥檛 have had, and perhaps couldn鈥檛 have had, without encountering that art. That鈥檚 obvious. But what is less obvious is the nature, or structure, of this knowledge—what constitutes it. A standard assumption in contemporary analytic philosophy is that all knowledge is and must be propositional—that is, constituted by beliefs in propositions. However, this assumption, despite being standard, has come under attack in recent years. One front in this attack comes from aesthetics and philosophy of art, where some philosophers have claimed that some knowledge gained from art is non-propositional. In this paper we will fortify and expand this front by giving new reasons to think that some knowledge from art is indeed non-propositional and is instead 鈥渒nowledge of things,鈥 which is constituted, not by beliefs in propositions, but by awareness of properties and objects. We will also fill a gap in the contemporary literature by giving an account of this knowledge—of its nature, structure, and relation to other knowledge.

 

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