Publications
Books
Performances of Authorial Presence and Absence: The Author Dies Hard (Palgrave 2020)
Performance, Space, Utopia: Cities of War, Cities of Exile (Palgrave Macmillan, 2012)
Theatre of Estrangement: Theory, Practice, Ideology (University of Toronto Press, 2006)
Edited monographs
(with Bishnupriya Dutt) Theatre, Activism, Subjectivity: Searching for the Left in a Fragmented World. Manchester UP (July 2024)
(with Shirin Rai, Milija Glihovic and Michael Saward) The Oxford Handbook of Politics and Performance. (OUP 2020)
(with Y. Meerzon) Performance, Exile, and 鈥楢merica鈥�. Palgrave Macmillan (2009)
Chapters in books
鈥楳urderous Maids: Reading Contemporary Migrant Domestic Labour Through Genet鈥檚 鈥楳aids鈥�, Gendered Citizenship: Manifestation and Performance. Eds. B. Dutt et al. Palgrave (2017) 181-96
(with Milena Dragicevic Sesic) 鈥楿niversity as Public and Autonomous Sphere: Between Enlightenment Ideas and Market Demands鈥� International Performance Research Pedagogy: Towards an Unconditional Discipline? S.Bala et al. Palgrave (2017) 69-83
鈥淭heatricality vs. Bare Life鈥�, The Grammar of Politics and Performance. Eds. Shirin Rai and Janelle Reinelt. Routledge (2015)
鈥淧erforming Belgrade: Itineraries of Non-Belonging鈥�, Performing Cities. Ed. Nicolas Whybrow. Basingstoke and New York: Palgrave (2014) 199-218
鈥淏orn in YU:Performing, Negotiating, and Transforming an Abject Identity鈥�, Theatre and National Identity: Re-imagining Concepts of Nation, Ed. Nadine Holdsworth. Routledge, (2014) 129-45
鈥淪patial Concepts鈥�, Performance Studies: Key Words, Concepts and Theories. Ed: Bryan Reynolds. Basingstoke and New York: Palgrave (2014) 156-64
鈥淪arajevo: The World City Under Siege鈥�, Performance and the Global City. Eds. K. Solga and D.J. Hopkins. Palgrave (2013) 202-223
"How to Defamiliarise Things With Words: Semiotics of Trans-sense Language," Futurist Dramaturgy and Performance. ed. Paul Stoesser. Ottawa: Legas, 2011 pp 67-79
鈥淓xiles and the City: Krzysztof Wodiczko鈥檚 New York Interventions of Making the Familiar Strange鈥�, Performance, Exile, and 鈥楢merica鈥� Palgrave Macmillan, 2009 pp 244-64
鈥淎nthropomorphic City Horizon: Structuralist鈥檚 Foregrounding in Antony Gormley鈥檚 Sculptures鈥�, Structuralism(s) Today, ed. V. Ambros. New York, Ottawa: Legas, 2009 pp191-203
Guest co-editor
Studies in Theatre and Performance: Performing Worksites of the Left. Vol 39, issue 3 2019
Modern Drama: Special issue on Theatre and Exile. 46:1 (Spring 2003)
Refereed articles
鈥�Seeing Better: Modernist Estrangement and its Transformations鈥�, Social Research,Vol 85, no 2, Summer 2018
鈥楻eading into Soundscapes: Between Ma and Concretization,鈥� special issue of Recherches Semiotiques/Semiotic Inquiry, Vol. 36, (2017) 351-67
鈥淭he Maid Vanishes鈥�, Lateral: special issue Leveraging Justice. (November 2016) http://csalateral.org/wp/archive/issue/5-2/
"Seeing Better: The Modernist Legacy and its Transformations", ALT Theatre: Culture and Diversity on Stage. Vol 8, no.3, March 2011 pp 18-23
鈥淣omadksi jezik鈥� [Nomadic Language], Sarajevske Sveske, June, 2009
鈥淧erforming Like an Asylum Seeker: Paradoxes of Hyper-Authenticity, 鈥� Research in Drama Education. Vol 13. Jun 2008. 159-70
鈥淭he Semiotics of Nonsemiotic Theatre鈥�, Semiotica, Vol 168. January 2008, 93-109
鈥淭he Theatrical Memory of Space: from Brecht and Piscator to Belgrade,鈥� New Theatre Quarterly. Vol. XXI, no. 4 (November 2005): 358-367
"Body and Machine: Extending the Codes in Theatre of Laurie Anderson and Robert Wilson", Contemporary Drama in English. Dresden : American Studies, Technische Universit盲t, vol. 11 (Spring 2004): 99-117
鈥淟aurie Anderson: From the Ice-Cube Stage to Virtual Performance,鈥� Contemporary Theatre Review: an International Journal. London: Routledge, vol. 14 no.1 (Winter 2004): 25-39
鈥淓xilic Perspectives: Introduction鈥�, Modern Drama. University of Toronto Press, 46:1 (Spring 2003): 1-4
鈥淯ncle Vanya After Theatre of the Absurd,鈥� Toronto Slavic Quarterly. No. 4 (Spring 2003) Available: http://www.utoronto.ca/tsq/04/jestrovic04.shtml
鈥淭heatricality as Estrangement of Art and Life in the Russian Avant-garde,鈥� SubStance: A Review of Theory and Literary Criticism. University of Wisconsin Press, vol. 31 no.2&3 (2002): 42-57
"Playwright Between Languages,鈥� Toronto Slavic Quarterly. (Summer 2002) Available: http://www.utoronto.ca/slavic/tsq/012002/playwright.html
鈥淧erforming the Symbiosis of Intertextulity and Distancing,鈥� Balagan: Slavisches Drama, Theater und Kino [Balagan: Slavic Drama, Theatre and Film]. University of Potsdam and Regensburg Press, Heft1/01 Band 7 (2001): 52-76
鈥淭heatricalizing Politics/ Politicizing Theatre,鈥� Canadian Theatre Review no.103. University of Toronto Press (Summer 2000): 42-47
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