MOVIE: A Journal of Film Criticism


Movie: A Journal of Film Criticism is the successor to Movie, the print journal that was edited, designed and published by the late Ian A. Cameron from 1962 to 2000.
All rights in the original Movie are the property of Cameron & Hollis. Please see for more information and for details of back issue availability.
Issue 12
Access whole issue as one file here.
Articles
A 鈥榃ounded Cinema鈥�: Failed Utopias, D茅cor Leitmotifs, and the Homo Minnellianus
Joana Jacob Ramalho
In search of a film鈥檚 character
Alex Clayton and Andrew Klevan
Characterising Rabid
Andrew Klevan
Encapsulating 尝鈥橝迟补濒补苍迟别
Alex Clayton
Audiovisual Essays
Moments of Integration: A Close Analysis of Odds Against Tomorrow
Henry Rownd (author's statement)
Teaching the Audiovisual Essay
Introduction
Tracy Cox-Stanton
Make it Real
L茅ho Galibert-La卯n茅
Finding Your Voice
Allison de Fren
Videographic Experimentation as Theme and Medium
Shane Denson
A Fully-fledged Essay
John Gibbs
Encoding a Visual Argument: 9 Film Frames
Steve F. Anderson
Audiovisual Approaches and the Archive
A Tale of Two Desktops: The First Czech Films in Parallel Worlds
Ji艡铆 Anger, Veronika Han谩kov谩, Ji艡铆 沤谩k (author's statement)
Making Fiction Flow
Melanie Bell & Catherine Grant (author's statement)
The Holes We Left Behind
Jacob Smith (author's statement)
The V. F. Perkins Dossier
Understanding and Judging (Horror) Movies
Pete Falconer (author's statement)
Student Essays
The poetics of auto-mobility in Ry奴suke Hamaguchi鈥檚 Drive My Car
Lydia Maria Makrides
This issue coordinated by Alex Clayton and Andrew Klevan and designed by Emma Woolldridge and Zaynab Farooque. "Teaching the Audiovisual Essay" was edited by Tracy Cox-Stanton; "Audiovisual Approaches and the Archive" is coordinated by John Gibbs.
ISSN 2047-1661
Email: movie.journal@gmail.com