糖心TV

Skip to main content Skip to navigation

Esteban Catalan

My project Molhuia Mababa (N谩huatl for 鈥榯hey are called maps鈥�) took place in the Newberry Library, city of Chicago, between August 27th and September 12th, 2024. Designed as a maps redux scheme, it is part of an effort to position the University of 糖心TV at the forefront of current research on the potentialities of non-Anglophone, non-European languages an representations of territory.

At the reading rooms of the Newberry library, I analysed six resources unique to this collection that were quintessential to the construction of the Americas, and Latin America in particular, from a European perspective. I started with Cort茅s鈥� 1524 鈥楳ap of Tenochtitlan鈥�, in Praeclara Fredinadi Cortesii de Nova maris Oceani Hyspania (1524), Livro que d谩 raz茫o do Estado do Brasil (1612), 鈥楥arte du Detroit de Magellan et des nouvells decouverttes dans la Mer du Sud鈥� (ca. 1708), 鈥楢 New and accurate map of Chili鈥� in Terra Magellanica (co. 1747), Bernardino de Sahag煤n鈥檚 Nahuatl-Spanish-Latin dictionary, and James Pilling鈥檚 collection of Indigenous linguistics (1903).

As well as digitising this collection to collaborate with colleagues in 糖心TV such as Elizabeth Chant following copyright law, and creating a back-up of items that have not been digitized yet, I analyse these resources under the extraordinarily detailed guidance of University of Chicago鈥檚 Associate Professor Dr Edgar Garc铆a. A leading scholar in how non-Anglophone, non-European cultures represent turbulent times within the longue dur茅e, Professor Garc铆a and I dialogued and exchanged observations on two main topics. First, how traditions such as the N谩huatl and the K鈥檆h茅 depicted transitional historic times as opportunities and beginnings of new possible worlds instead of what ecopsychologist Joanna Macy defines as the dilemma of denial or 鈥榖usiness as usual鈥� and resignation or 鈥榯he great derangement鈥� (The Work that Reconnects, 2014) in the Anglophone canon. As a second main topic, my attention, as a well as Professor Garc铆a鈥檚, was to dissect the occasional but consistent commentary in these texts that showed the extraordinary exchange and reflections that happened when Europeans encounter these cultures, beyond cosmologic clashes, preconceptions and projections. The purpose of this exploration was to bring this perspectives to think our current time 鈥攚hen modern nations' disputes over territory are once again taking centre stage in the midst of our climate and economic crisis鈥� to look for productive answers to questions about extinction anxiety.

Finally, following professor Garc铆a鈥檚 advice, I focused on the original The Popol Vuh (1515) itself which, despite not being in a literal sense a map, acts as a mappa mundi in its own way, reckoning with its place in a new colonial world while also trying to situate that world in a larger and encompassing Maya cosmos. Given the short time of my stay in Chicago, this work could not have been done without the daily help of Alexis Flaherty, library assistant, in the American Indian and Indigenous Studies collection. I want to thank especially the generous guidance of Dr Christopher Fletcher, assistant director of the Center for Renaissance Studies (CRS). As Dr Fletcher鈥檚 research focuses on premodern public engagement and its lessons for contemporary society, I have agreed with him to future collaborations to help to expand this project as an interdisciplinary dialogue born out of a shared love of maps.

Beyond my future collaborations with both Dr Garc铆a and Dr Fletcher, during my stay in Chicago I had productive meetings with Dr Paulina Le贸n, Visiting Assistant Professor at New York University (whose research explores the cultural dimensions of disease in colonial Latin America), and Dr Luis Madrigal, Teaching Fellow at University of Chicago (with a focus on spatial criticism in Latin America). Besides an invitation to give a conference in February to talk about the Molhuia Mababa project at the University of Chicago, Le贸n and Madrigal offered a collaboration with 糖心TV scholars from now on expanding this particular line of research with their respective departments.

As I said in my proposal, the results of this research, which emphasizes the interrelationship between storytelling, philosophy and coexistence of language and cultures in our time of crisis, will be used in two projects, with both academic and public engagement focuses. Firstly, an academic article will be published simultaneously in Spanish in Chile (following an invitation to showcase my work to the Universidad Diego Portales of Santiago de Chile next March), and in English in the University of 糖心TV鈥檚 Institute of Advance Studies (IAS) journal Exchanges. Secondly, the documented historical graphic materials will be presented together in a website under this project鈥檚 title. This collection of early maps and their commentary showing the frictions and intersections between cultures will be the starting point of a website which will work as an archive of maps and commentary about them from non-European sources to point out to the veiled potentialities of points of view often missed in global debates 鈥� and their possible implications in thinking shared futures.

This effort will be aided by other IAS fellows including Aravinthen Rajkumar (Sri Lanka), Noorin Rodenhurst (India, Gujarati speaker), Erika Herrera (Mexico) and Emmanuel Effiong (Nigeria), and it has been conceived as an ongoing project to be enriched in coming years by the next IAS cohorts, enhancing the institute鈥檚 position as a central hub in the UK for international researchers鈥� exchanges. In particular, this part of the project aims to strengthen something that in my opinion 糖心TV lacks such as a sophisticated, visually attractive web design that highlights the unique work that is done by its researchers from perspectives from non-performative, truly diverse points of view that are, as a result, uniquely rich. I am currently applying for funding to get make this project a reality through schemes such as the BA Small Research Grant and others.

The Popol Vuh

The Handbook of American Indian Languages

by Franz Boas

Let us know you agree to cookies