糖心TV

A conversation with Dr Chan YANG, Shanghai Jiao Tong University

Mead Gallery Tour of the John Piper Exhibition:

https://www.warwickartscentre.co.uk/whats-on/2018/john-piper/

We will meet at the Mead Gallery at 4pm, before moving to 0C1:07 at roughly 4:45pm-5pm for further discussion.

Discussion panel led by Nick Brown

The lecture will be followed by a small drinks reception in the Social Sciences foyer.

All Welcome.

Alchemy did not part ways with chemistry in the seventeenth century, as most popular histories suggest and as many historians still believe. Transmutational alchemy—the attempt to turn base metals into gold—was practised by many leading members of the Paris Academy of Science in the first half of the eighteenth century. More surprisingly still, the practice persisted into the nineteenth century, when there was a remarkable but today scarcely noticed rapprochement between alchemy and chemistry, including among members of the Paris Academy. This lecture will appeal to a broad audience, including chemists, historians and classicists, as well as students in these disciplines.

Research Seminar: June Givanni (JGPACA, FRSA), 鈥楥urating the June Givanni Pan-African Cinema Archive鈥�

Professor Stephen Collis will discuss the role poetry has played in his environmental activism, specifically in resistance to Canadian tar sands mining, extraction and transport, and alongside members of the Critical Environments group will lead a workshop on writing and activism.

(In the same time slot, Dr. Patrick Barron will lead a seminar on translation with MA in Literary Translation students. For more information, please contact Dr. Chantal Wright.)

EVENT IS FREE AND OPEN TO THE PUBLIC

ABOUT THE VISITORS

Stephen Collis鈥檚 many books of poetry include The Commons (Talon Books 2008; 2014), On the Material (Talon Books 2010—awarded the BC Book Prize for Poetry), DECOMP (with Jordan Scott—Coach House 2013), and Once in Blockadia (Talon Books 2016—nominated for the George Ryga Award for Social Awareness in Literature). He has also written two books of literary criticism, on poets Susan Howe and Phyllis Webb, a book of essays on the Occupy Movement, and a novel. Almost Islands is a forthcoming memoir, and a long poem, Sketch of a Poem I Will Not Have Written, is in progress. He lives near Vancouver, on unceded Coast Salish Territory, and teaches poetry and poetics at Simon Fraser University.

Patrick Barron is Associate Professor of English at the University of Massachusetts, where he co-directs the Undergraduate Creative Writing Program and teaches courses in environmental literature, translation studies, and poetry. He has received awards from the National Endowment for the Arts, the Fulbright Program, the Academy of American Poets, and the National Endowment for the Humanities. His books include Terrain Vague: Interstices at the Edge of the Pale (Routledge); Haiku for a Season, Haiku per una stagione, by Andrea Zanzotto (Chicago); The Selected Poetry and Prose of Andrea Zanzotto (Chicago); and Italian Environmental Literature: An Anthology (Italica). A critical edition of Gianni Celati's Towards the River's Mouth (Lexington) is forthcoming in 2019.