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Faculty of Arts

Composite Calendar

This is a composite calendar page template pulling in feeds from events calendars in department and research centre sites. It is purely used as a tool to collect the event details before filtering through to a publicly-visible calendar filter page template. To remove or add a feed to this composite calendar, please contact the IT Services Web Team (webteam at warwick dot ac dot uk).

Tuesday, February 28, 2017

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Global History Reading Group: Dynasties: A Global History of Power, 1300-1800
H2.03 Humanitites Building

A book by Jeroen Duindam

Reading chapters - Introduction ; Chapter 1

More information | Tags: reading group |
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Reading Group: Dynasties: A Global History of Power, 1300-1800
H2.03 Humanities Building

Dynasties: A Global History of Power, 1300-1800 (2015) by Jeroen Duindam

More information | Tags: Reading Group |
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WBS 1.005/1.006
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Eighteenth Century Centre/Early Modern Forum Seminar Series: Prof. Peter de Bolla (University of Cambridge)
Ramphal Building, R0.14, University of 糖心TV

'The History of Concepts'

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RO.14

Prof. Peter de Bolla

(University of Cambridge)

The History of Concepts

More information | Tags: EMECC |
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EM-18thC Seminar: Peter de Bolla (Cambridge) 'Testing the Structure and History of Concepts: the case of negative liberty'
R0.14 Ramphal building, University of 糖心TV

Refreshments served. All are welcome.

More information | Tags: Faculty of Arts Seminar |
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Centre for Research in Philosophy, Literature and the Arts Seminar
S0.11, Social Sciences Building

Eileen John (Philosophy, 糖心TV) will present a talk entitled Emotion and ethical relation in tormenting fiction.

Abstract:

"I will sketch, and pose some questions about, a mini-genre of 'tormenting fiction'. These are works that in various ways seem to trap readers in a miserable consciousness or possibility space, in which the appropriate emotional possibilities seem to shrink to revulsion, paranoia, contempt, despair and corrosively acidic humour. Some accounts of readers' relations to fiction find ethically redemptive potential in the novel, in particular, in its intimate address and extended focus on human experience and relationship. Does that kind of potential lurk in tormenting works? Can a novel be cruel to its readers? I will consider a few examples, taking Dostoevski's Notes from Underground as an influential classic and considering a few more contemporary works (e.g., Easton Ellis's American Psycho, Saramago's Seeing, McCarthy's Remainder), hoping to advance a kind of 'immoralist' reading of at least some of them."

More information | Tags: Postgraduate Undergraduate Philosophy Literature Arts |

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