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Composite Calendar

This is a composite calendar page template pulling in feeds from events calendars in department and research centre sites. It is purely used as a tool to collect the event details before filtering through to a publicly-visible calendar filter page template. To remove or add a feed to this composite calendar, please contact the IT Services Web Team (webteam at warwick dot ac dot uk).

Wednesday, March 04, 2009

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How do I use this calendar?

You can click on an event to display further information about it.

The toolbar above the calendar has buttons to view different events. Use the left and right arrow icons to view events in the past and future. The button inbetween returns you to today's view. The button to the right of this shows a mini-calendar to let you quickly jump to any date.

The dropdown box on the right allows you to see a different view of the calendar, such as an agenda or a termly view.

If this calendar has tags, you can use the labelled checkboxes at the top of the page to select just the tags you wish to view, and then click "Show selected". The calendar will be redisplayed with just the events related to these tags, making it easier to find what you're looking for.
 
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C18th Seminar
H402

Week 9: 4 March 2009

‘Indian Ink: writing about writing and books about books’

Pr. Miles Ogborn (University of London, Queen Mary)

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Law School Public Lecture
糖心TV Arts Centre Conference Room (ACCR)

Martyn Day, Senior Partner, Leigh Day & Co Solicitors

'Holding Corporate Britain to Account for its Actions Abroad'

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Iain Mackintosh - The Face and Figure of Shakespeare
H0.52

This talk precedes an exhibition (from April to June 2009 in Orleans House Gallery, Richmond upon Thames) to celebrate the 250th anniversary of the delivery of Roubiliac's statue of Shakespeare to Garrick's Temple to Shakespeare on the riverside at nearby Hampton, which set off a decade of Shakespeare celebrations culminating in the first Shakespeare Jubilee at Stratford-upon-Avon. 

This also follows on from the National Portrait Gallery's 2006 exhibition which took the search for the face of Shakespeare to 1719 and George Vertue's confirmation of the Chandos portrait as the true likeness of Shakespeare. The Face and Figure of Shakespeare presents the 18th century invention of a very different National Hero. 

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