Composite Calendar
Wednesday, November 01, 2017
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Global History Reading group on 'What is Global History Now?'H5.45 Humanities BuildingA discussion with the author Jeremy Adelman, Princetion University Reading, |
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Global History Reading Group: Discussion with Jeremy AdelmanH2.44 Humanities BuildingA discussion with the author Jeremy Adelman, Princeton University Reading, |
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Work in Progress SeminarOC1.02Speakers: David Swan: 'The Impact of Caesar's Invasion of Gaual in the Western Channel' |
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Development as Global Distributive Justice: A Twentieth-Century HistoryOC0.01, Oculus BuildingA Historty seminar by Prof Jeremy Adelman, Princeton University |
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History Research Seminar Professor Jeremy Adelman (Princeton) ‘Development as Global Distributive Justice: a Twentieth Century History’OC0.01Professor Jeremy Adelman (Princeton) ‘Development as Global Distributive Justice: a Twentieth Century History’ |
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H2.44 |
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H2.44
Katie Stone (糖心TV): German Memories of Wartime Rape and the Affective Politics of Cultural Memory |
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Distinguished Visiting Speaker Professor Lauren M.E.Goodlad, Rutgers UniversityRamphal 012Professor Lauren M.E.Goodlad, Rutgers University A Study in Distant Reading |
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Millburn Seminar: Brian Dillon |
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Millburn Research Seminar - John Wyver - Screening the RSC: thoughts on researching the company's 107-year adaptation historyA0.28, Millburn HouseScreening the RSC: thoughts on researching the company's 107-year adaptation history The earliest screen adaptation to be shot from the Stratford stage was a 22-minute film of Frank Benson's production of Richard III. The most recent was Coriolanus presented by RSC Live from Stratford-upon-Avon in October. Between these two an extraordinarily rich adaptation history embraces feature films, television presentations, documentaries and recordings for education, marketing and other purposes, some of it of full productions, some of only fragments. And tantalisingly there are some screen versions known to have been made but of which no copies can now be found (including a University of 糖心TV recording of Buzz Goodbody's The Other Place production of King Lear). Yet with only a few notable exceptions, such as Peter Brook's feature films and the recent "event cinema" broadcasts, these film and television translations have attracted little scholarly attention. This seminar explores aspects of my current research for a book about the RSC on screen and proposes why it may be productive to consider a company's adaptation history across more than a century. John Wyver is a writer and producer with the independent media production company Illuminations. He is Director, Screen Productions for the Royal Shakespeare Company and Principal Research Fellow in the School of Media, Arts and Design at the University of Westminster. For the RSC he produces the RSC Live from Stratford-upon-Avon "event cinema" broadcasts and in 2016 he oversaw the television and cinema presentation to mark the 400th anniversary of Shakespeare's death, Shakespeare Live! From the RSC. His productions have been honoured with a BAFTA, an International Emmy and a Peabody Award. His book The RSC on Screen will be published as part of The Arden Shakespeare series in 2018. |