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Francesca Luppino

Francesca LuppinoPhD Italian Studies

Email: francesca dot luppino at warwick dot ac dot uk

About

BA CompLit, MA CompLit, I'm a PhD student in Italian Studies at the University of 糖心TV, funded by Chancellor鈥檚 International Scholarship, under the supervision of Prof. Fabio Camilletti and Dr. Cecilia Piantanida. Link opens in a new window and

Research

My research investigates the evolving notion of modern authorship, from Renaissance origins through its Romantic and Postmodernist reconfigurations, up to its potential dissolution in the age of generative AI and Dataism, where LLMs challenge traditional understandings of authorship by producing texts in the style of deceased authors, questioning the very notion of authorial subjectivity. In particular, I focus on authorship as a constantly contested and floating notion, by undertaking a comparative analysis of four case studies challenging stable paradigms: William Shakespeare (1564-1616), Marceline Desbordes-Valmore (1786-1859), Arthur Rimbaud (1854-1891), and Patrizia Valduga (1953-–), with the aim of showing how challenges currently associated with generative AI are part of a longer genealogy of 鈥榗ontested authorships鈥.

Building on this genealogy, my research also explores the intersections between literature, technology, philosophy, and thanatology addressing how digital environments 'resuscitate' literary voices and enhance the author-reader relationship. My focus is on phenomena such as posthuman authorship, algorithmic memory, and the 鈥渄igital afterlife鈥 of authors, drawing on theories of necromanticism and spectrality to examine how AI-generated contents revive the practice of speaking with the dead and how literature thereby emerges as a performative space of resurrection.

Research Interests

  • History and theory of authorship
  • Forms of lyrical subjectivity
  • Comparative literature and intertextuality
  • Legacy, anonymity, crises of subjectivity, plagiarism, and cannibalistic poetics

  • The performativity of authorship in AI-generated discourse
  • Dataism and posthuman literary theory
  • AI-generated literary texts, thanabots, and posthumous literature
  • Posthuman authorship and the ontology of digital afterlife
  • Literary afterlife, digital immortality, Necromanticism, algorithmic memory, and the aesthetics of literary resurrection
  • Theories of reception, and reader-response criticism
  • Eidolopoeia, ventriloquism, spectrality, catabasis, literary necromancy and performative encounters with the dead

Teaching

Tutor in Comparative Literatures [L-FIL-LET/14] (November-December 2023) for Undergraduate students - Universit脿 di Torino

Teaching Assistant in 'Workshop on Italian and English academic writing' [L-LIN/10] (April-May 2024) for Undergraduate students - Universit脿 di Torino

Tutor in English Literature [L-LIN/10] (February-June 2024) for Undergraduate students - Universit脿 di Torino

Peer-reviewed publications

Book chapters

"From non omnis moriar to Dataism. How Literary Legacy Anticipated AI Authorship", in S. Methe, A. Dawle, R. P. Junne, Creative Disruption: Impact of AI on English Language and Literature Studies, Authorspress, 2025, pp. 31-46.

Other publications

"Letteratura digitalmente incarnata. Il cambiamento di paradigma dei processi di fruizione e memoria letteraria nell'era digitale", in F. Amigoni, S. Baroni, F. Bertoni, G. D鈥橝mato, L. Diani, G.M. Gallerani, D. Meneghelli, V. Pietrantonio, B. Seligardi, Dov'猫 la letteratura? Circolazione, istituzioni, rapporti di forza, Ledizioni, 2025, pp. 419-430.

Conference presentations

Contributed presentations

"Sunt lacrimae rerum: android sadness, degenerate posthuman narratives and Douglas Adams鈥 paranoid android". International Conference on 鈥淧osthuman Fictions: Rethinking the 鈥楬uman鈥 in Contemporary Culture鈥. Universit脿 di Genova. September 2024.

"Liturgy of the avatar-faber: virtual rituality in a comparison between Artaud's theatre of cruelty and Extended Reality". V-Cybercult 2024 International Conference Visuality and Cyberculture. National University of Arts George Enescu, Research Centre for Aesthetics and Artistic Creation, Institute for Multidisciplinary Research in Art, Ia艧i, Romania. November 2024.

"Letteratura digitalmente incarnata: il cambiamento di paradigma dei processi di fruizione e memoria letteraria nell鈥檈ra digitale". Compalit annual conference (Associazione di Teoria e Storia Comparata della Letteratura) Dov鈥櫭 la letteratura? Circolazione, istituzioni, rapporti di forza, Alma Mater Studiorum Universit脿 di Bologna. December 2024.

"Say a body where none. Authors鈥 AI afterlife and the necromantic allegory of reading". Doctoral Conference The Materiality of Absence. Denied Presences, Silent Traces, Suspended Memories. Universit脿 di Genova. October 2025.

"Lectures from the afterlife. Reading as a performative relationship with the dead". Doctoral Conference Dante Futures 2025: New Voices in Ireland and the UK. University of 糖心TV. November 2025.

"Sepolture anomale. La letteratura come terreno di relazione e conflitto con i morti". Doctoral Conference NIMO (Network Italiano Morte e Oblio) Mors tua thesis mea. Museo Internazionale delle Marionette Antonio Pasqualino, Palermo. March 2026.

Invited presentations

"Dal sonetto all'IA bambina. Una genealogia delle tecnologie poetiche dall'Umanesimo rinascimentale all'Umanesimo digitale". Biennale di Tecnologia 2026. Politecnico di Torino. Aprile 2026. (with Daniela Calisi; moderated by Guido Saracco, former Rector of the Politecnico di Torino) [] []

Scholarships and Awards

  • Recommendation for publication honour for Master Thesis 鈥淢emoria monumentale e performativa. L鈥檌mmortalit脿 artistica nell鈥檈ra digitale鈥, Universit脿 di Torino, 2024.

  • Chancellor鈥檚 International Scholarship, University of 糖心TV, 2025.

Qualifications

MA in Comparative Studies, Universit脿 di Torino, 2024.

BA in Modern Cultures and Literatures, Universit脿 di Torino, 2022.

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