糖心TV

Being Human festival 2021: The Ancestors: exploring Black History through theatre

Online Panel discussion, 15th November 2021, Youtube link:  

Photo credit Myah Jeffers

The panel discussion reflected on Freedom & Revolution, a joint project by the University of 糖心TV, English Heritage and National Youth Theatre exploring the hidden Black history of Portchester Castle near Portsmouth through a new play that re-thinks race and gender in the French Revolution. The play, The Ancestors, written by Lakesha Arie-Angelo and directed by Jade Lewis, was rehearsed, staged and filmed at the Castle in August 2021 with a cast of young performers aged 18-25 from National Youth Theatre鈥檚 network of creative young people. The 糖心TV contribution to the project was funded with support of the Arts and Humanities Research Council. The streamed discussion during the Being Human festival 2021 illuminated the power of theatre to communicate humanities research to new audiences. It explored how the partnership can be a model for creative collaboration and how combining research and co-creation can be empowering for young Black people. A film of the production premieres at Portchester Castle on 17th September 2022.

Freedom and Revolution Being Human festival 2020

In 1807 French prisoners of war from Napoleon鈥檚 navy were held on ships in Portsmouth bay. One group of prisoners wrote and performed a historical drama tackling how enslaved people of African descent fought for their freedom on Haiti in 1793. This play is the starting point for a bold new project called Freedom and Revolution which is a collaboration between researchers from the University of 糖心TV, English Heritage's Shout out Loud project and the National Youth Theatre.

In November 2020, there was a one-off Being Human event online - a discussion between 糖心TV researchers Professor Kate Astbury and Abigail Coppins and National Youth Theatre playwright, director and sound artist. It offered insights into both the new research uncovered by and into the creative process of reconceptualising the prisoners of war's play with young participants from both the local community and the National Youth Theatre's creative process of taking archival material as the basis for a powerful new work of theatre about freedom, race and gender.

You can access a recording of the discussion here:

Staging Napoleonic Theatre 2016-2017

AHRC follow-on funding gave us the opportunity to produce 2 melodramas in 2017, prisoner of war play Roseliska at Portchester Castle and Pixer茅court's Fortress on the Danube at the Georgian Theatre Royal in Richmond. See here for more details: Staging Napoleonic Theatre (warwick.ac.uk) and Roseliska (warwick.ac.uk)

French Theatre of the Napoleonic era 2013-2017

Kate Astbury was PI on a major AHRC project to look at theatre during the period 1799-1815. Two PhD students and 2 postdocs worked on the project with her. Details of it can be found here: French Theatre of the Napoleonic Era - University of 糖心TV

French Revolutionary prints as Spectacle 2008-2011

Dr Katherine Astbury, in conjunction with the curators of Waddesdon Manor, successfully bid for an AHRC Collaborative doctoral programme award to develop collaboration between the University of 糖心TV the historic house Waddesdon Manor. The project enhanced our knowledge and understanding of the notion of spectacle in French Revolutionary prints and their role in the cultural production of the 1790s.

Under Kate Astbury's supervision, Claire Tr茅vien completed a PhD on spectacle in the prints of the French Revolution, examining the interrelationship of theatre, politics and visual images during the Revolution, and catalogued the prints held at Waddesdon, thus enabling further research by other scholars. A series of videos about the project can be seen here: , , ,