ࡱ> .0- MbjbjVV 4<<M \\\\\pppp p*0Z8\\\uuu\\uuuuEpO u0*u4Y4u4\uDuu*4 ": Metamorphosis Roundtable Wednesday 18th May 2011 In the Middle Ages metamorphosis was used widely to consider connections between man and his natural environment; to describe mans relationship to God; to represent the vagaries of the soul and changes to mans destiny; and to figure changes in nature and identity. This interdisciplinary roundtable, conceived of as a closing event for the HRC funded Medieval Seminar Series, brought together international scholars and TV medievalists and students to discuss the variety of forms and uses of metamorphosis in medieval culture. The roundtable was opened by Amanda Hopkins (TV) who spoke about the troubling category of the werewolf in Marie de Frances Bisclavret and the Old French lays of Melion and Biclarel; Philippe Frieden (Genve and Kings College London) then focused on a series of illuminations from the Roman de la Rose used to represent the Ovidian myths of Narcisuss and Pygmalion and the endless reshaping of the figure of Fortune; Emma Campbell (TV) analysed the Vie de sainte Marie lEgyptienne in its Middle and Old French versions, underling the different elements used to portray her spiritual conversion and the interplay between its textual and pictorial rendering; Giuseppe Ledda (Bologna) detailed the richness of Dantes use of the concept metamorphosis in the Divine Comedy, not only as a creative reworking of textual traditions and a narrative device but also as a radical attempt to transform the poetry itself and ultimately the reader. The presentations stimulated a lively debate that produced wide-ranging comparison of different cultural traditions, as well as consideration of the methods used for approaching and thinking metamorphosis in different contexts. One fruitful area of discussion was the difficulty of representing and conceptualizing metamorphosis in the medieval period and the ways this was dealt with differently in visual and textual material. Something to emerge strongly from many of the papers and that was pursued in general discussion was the paradoxical nature of medieval metamorphosis, which relied upon while also resisting both visualisation and verbalisation. The handouts from the roundtable are available for download from the Medieval Seminar website: HYPERLINK "http://www2.warwick.ac.uk/fac/arts/hrc/events/mss/mm/"http://www2.warwick.ac.uk/fac/arts/hrc/events/mss/mm/ Following the success of this event, it is hoped that another roundtable on a different theme will take place next year. Emma Campbell, Victoria Turner (Department of French), Gabriella Addivinola (Department of Italian) %'2W[< = I W   # * 2 m }  6 蹣uuuuuc#hv h=L6CJOJQJ^JaJ.hv h=L6CJOJQJ\^JaJmH sH +hv h9CJOJQJ\^JaJmH sH +hv h-@CJOJQJ\^JaJmH sH +hv h=LCJOJQJ\^JaJmH sH 1hv h=L5CJH*OJQJ\^JaJmH sH .hv h=L5CJOJQJ\^JaJmH sH !2I nLM$a$gd9$a$gd=L$a$gd=L 6 7 \ ^ 2';<_ҿҧyhyRyR6666666666666666666666666666666666666666666666666hH6666666666666666666666666666666666666666666666666666666666666666662 0@P`p2( 0@P`p 0@P`p 0@P`p 0@P`p 0@P`p 0@P`p8XV~ OJPJQJ_HmH nH sH tH J`J =LNormal dCJ_HaJmH sH tH DA`D Default Paragraph FontRiR 0 Table Normal4 l4a (k ( 0No List O =Lst.X@. =L@Emphasis6]6U@6 =L0 Hyperlink >*B*phPK![Content_Types].xmlj0Eжr(΢Iw},-j4 wP-t#bΙ{UTU^hd}㨫)*1P' ^W0)T9<l#$yi};~@(Hu* Dנz/0ǰ $ X3aZ,D0j~3߶b~i>3\`?/[G\!-Rk.sԻ..a濭?PK!֧6 _rels/.relsj0 }Q%v/C/}(h"O = C?hv=Ʌ%[xp{۵_Pѣ<1H0ORBdJE4b$q_6LR7`0̞O,En7Lib/SeеPK!kytheme/theme/themeManager.xml M @}w7c(EbˮCAǠҟ7՛K Y, e.|,H,lxɴIsQ}#Ր ֵ+!,^$j=GW)E+& 8PK!HRtheme/theme/theme1.xmlYMoE#F{oc'vGuرHF[xw;jf7q7J\ʯ AxgfwIFPA}H1^3tH6r=2%@3'M 5BNe tYI?C K/^|Kx=#bjmo>]F,"BFVzn^3`ե̳_wr%:ϻ[k.eNVi2],S_sjcs7f W+Ն7`g ȘJj|l(KD-ʵ dXiJ؇kZov[fDNc@M!͐,a'4Y_wp >*D8i&X\,Wxҕ=6.^ۄ Z *lJ~auԙՍj9 !bM@-U8kp0vbp!H#m|&HyȝC)^+Ikio ,A*k,GMg,JnO#KtZ妇|1ikBԥ0 jW¦l|Vn[u~3j ȦyK$rzQL -V 5-nhxL|UviE>fO(8B#6¯S ܣioWnsΊ|{epv4Y%W:.t0O%Jݍq7ŔRN)z?@G\׶Dž8t4~_`zd kH*N69mYiHE=hK&NaV.˒eLFԕU{D vEꦛdmNU(CNޜR콶3a3/TU-!޲!ljUJ[A++T[Xs/7s b1p߃eBoC  d%;x 'hIF'|I{Z.3WSÎBWCdO(, Q݃@o)i ~SFρ(~+ѐnPK! ѐ'theme/theme/_rels/themeManager.xml.relsM 0wooӺ&݈Э5 6?$Q ,.aic21h:qm@RN;d`o7gK(M&$R(.1r'JЊT8V"AȻHu}|$b{P8g/]QAsم(#L[PK-![Content_Types].xmlPK-!֧6 +_rels/.relsPK-!kytheme/theme/themeManager.xmlPK-!HRtheme/theme/theme1.xmlPK-! ѐ' theme/theme/_rels/themeManager.xml.relsPK] M 6 _M M 6 l M Xd0# AA@0(  B S  ? #*6<H  O O   L O  +%.CN6-@=L94%Bv rpM O @M X@UnknownG* Times New Roman5Symbol3. * Arial7.{ @CalibriA BCambria Math"qh;F;Fr0H H 2HX  $P=L2!xxHPehsacOh+'0d   , 8DLT\HPNormalehsac2Microsoft Office Word@G@ȷE@ȷE՜.+,D՜.+,, hp|  H   Title 8@ _PID_HLINKSAI6http://www2.warwick.ac.uk/fac/arts/hrc/events/mss/mm/  !"#$&'()*+,/Root Entry FIE11Table4WordDocument4SummaryInformation(DocumentSummaryInformation8%CompObjy  F'Microsoft Office Word 97-2003 Document MSWordDocWord.Document.89q