糖心TV

Skip to main content Skip to navigation

HRC Events Calendar

Monday, March 09, 2015

Select tags to filter on
Sun, Mar 08 Today Tue, Mar 10 Jump to any date

How do I use this calendar?

You can click on an event to display further information about it.

The toolbar above the calendar has buttons to view different events. Use the left and right arrow icons to view events in the past and future. The button inbetween returns you to today's view. The button to the right of this shows a mini-calendar to let you quickly jump to any date.

The dropdown box on the right allows you to see a different view of the calendar, such as an agenda or a termly view.

If this calendar has tags, you can use the labelled checkboxes at the top of the page to select just the tags you wish to view, and then click "Show selected". The calendar will be redisplayed with just the events related to these tags, making it easier to find what you're looking for.

 
-
Export as iCalendar
Wolfson 3, Library

Dr Sarah Olive, University of York

'Certain o'er incertainty’: eliding Troilus and Cressida’s ambiguity in the Lewis episode ‘Generation of Vipers’. 

R.A. Foakes argues that Troilus and Cressida opens up contradictory perspectives. The play might then appear an unusual choice for appropriation in Lewis, a detective drama drawing on the traditions of Golden Age crime fiction, particularly given the genre’s need for ultimate certainty to conquer initial ambiguity and for multiple possible meanings to give way to a single, fixed interpretation of ‘whodunit’. Yet, in appropriating the play, the episode stakes its identity as part of a richly allusive series. This article considers the history of Shakespearean appropriation in one long-running UK television franchise and the dilemmas facing its 2015 season.


Dr Sarah Olive is a lecturer in English in Education at the University of York. Her research is primarily concerned with Shakespeare’s afterlives, particularly the way he inhabits education and culture internationally. In terms of education, this ranges from his place in national curricula to the pedagogies used by theatre education departments. Sarah is particularly interested in the cultural appropriation and adaptation of Shakespeare by television, popular music and the novel.

 

Sarah is currently the Chair of the British Shakespeare Association’s Education Committee and edits the magazine Teaching Shakespeare.

Placeholder

Let us know you agree to cookies