ÌÇÐÄTV

Associate Professor of Ancient Greek Language and Literature
Senior Tutor & Disabled Students Champion

Email:

Department of Classics and Ancient History
FAB2.11, Faculty of Arts Building, University of ÌÇÐÄTV
Coventry, CV4 7AL

About

I joined the University of ÌÇÐÄTV in 2015, initially as Leverhulme Research Fellow and from January 2016 as Assistant, and then Associate, Professor of Ancient Greek Language and Literature. Before coming to ÌÇÐÄTV, I held a British Academy Postdoctoral Research Fellowship at UCL (2007-12) and a Leverhulme Early Career Fellowship at King’s College London (2013-15).

Research interests

I have been researching Greek theatre (tragedy, comedy and satyr play) since 2001. In my previous research, I explored the relationship of ancient comedy to other literary genres, ancient literary criticism and methodological questions of working with fragments. My published work included the OUP monograph and the co-edited CUP volume .

I am mainly interested in the theatricality of Greek tragedy (especially tragic space) and its cosmological imagination, especially views about nature and the cosmos. In 2021-203 held a Loeb Classical Library Fellowship and a Humboldt Fellowship, thanks to which I worked on my monograph entitled Performing the Cosmos: The Erinyes and the Economy of Aeschylus' Oresteia, which is a re-reading of the Oresteia in light of early views about the cosmos as an economic equilibrium. Until the monograph is completed, you can find some of my publications on this project . You can also view a research paper which analyses keystones of the project (the centrality of the Erinyes, and how they are connected with 'wealth', nature and cosmos) .

Since 2017 I have been the academic lead, consultant and executive producer of the annual Ancient Drama festival, which takes place at the ÌÇÐÄTV Arts Centre in the last week of every January. Production videorecordings, photo galleries, programmes, essays, lectures and otehr resources are now documented in our brand new website, .

As part of my project on Greek literature and the natural environment, I have organised two major symposia, namely (KCL, Feb 2014), and (KCL, March 2015) and one workshop, (KCL, Oct 2015).

Publications

Book:

Co-edited volume:

Bakola, E., Prauscello, L. and M. Telò (eds.) Greek Comedy and the Discourse of Genres, Cambridge University Press, 2013

Articles and chapters:

• (2025) Mapping the Cosmos: The Cosmological Imagination of Travelling in Aeschylus’ Persians and the Oresteia in Stewart, E. and Lamari, A. (eds) Departing the Polis: Travel and Travellers in the Extant Plays and Fragments of Greek Drama, Berlin, 107-137

• (2019a) ‘Space, place and the metallurgical imagination of the Prometheus trilogy’ in Braund, D., Hall, E. and Wyles, R. (eds) Greek Theatre and Performance Culture around the Black Sea, Cambridge University Press, 225-251

• (2019b) ‘Reconsidering the chthonic in Aeschylus’ Oresteia: Erinyes, the earth’s resources, and the cosmic order’ in Hunt, A. and Marlow, H. (eds) Greening the Gods: Ecology and theology in the Ancient World, London, Bloomsbury Academic, 103-118

• (2018a) ‘Seeing the invisible: Interior Spaces and Uncanny Erinyes in Aeschylus’ Oresteia’ in Kampakoglou, A. and Novokhatko, A. (eds.) Gaze, Vision and Visuality in Ancient Greek Literature, De Gruyter Press, 163-186

• (2018b) ‘Earth, Nature, and the Cult of the Tomb: The Posthumous Reception of Aeschylus heros’ in Graziosi, B. and Goldschmidt, N. (eds.) Tombs of the Ancient Poets: Between Text and Material Culture, Oxford University Press, 123-145

• (2016) ‘Textile symbolism and the ‘wealth of the earth’: creation, production and destruction in the ‘tapestry scene’ of Aeschylus’ Oresteia (Ag. 905-78)’, in Harlow, M., Nosch, M.-L. and G. Fanfani (eds.) Spinning Fates and the Song of the Loom: the Use of Textiles, Clothing and Cloth Production as Metaphor, Symbol and Narrative, Oxbow Books, Oxford: 115-136.

• (2014) ‘Interiority, the ‘deep earth’, and the spatial symbolism of Darius’ apparition in the Persians of Aeschylus’, Proceedings of the Cambridge Philological Society (CCJ) 60: 1-36.

• (2013) ‘Crime and Punishment: Cratinus, Aeschylus’ Oresteia, and the metaphysics and the politics of wealth’ in Bakola, E., Prauscello, L. and Telo, M. (eds.) Greek Comedy and the Discourse of Genres, Cambridge, 226-55.

• ‘Cratinus reads Aeschylus: The Erinyes and the wealth of the earth’ in E. Tamiolaki (ed.) New Trends in Ancient Comedy, Rhethymnon 2014, 17-44 (in modern Greek)

• ‘The Drunk, the Reformer and the Teacher: Agonistic Poetics and the Construction of Persona in the Comic Poets of the Fifth Century’, Proceedings of the Cambridge Philological Society (CCJ) 54 (2008), 1-29

• Nine entries for The Encyclopedia of Greek Comedy, Sommerstein, A. (ed.), Wiley-Blackwell press, on various themes

• ‘Old Comedy Disguised as Satyr Play: A New Reading of Cratinus’ Dionysalexandros (POxy 663)’ ZPE 154 (2005) 46-58

• ‘A missed joke in Aristophanes’ Wasps 1265-74’ Classical Quarterly 55 (2005), 609-13

Teaching and supervision

• Senior Tutor