Dr. Elena Giusti

Associate Professor in Latin Literature and Language

Director of Graduate Studies, PG SSLC

Tel: 02476 5 28014
Email: E dot Giusti at warwick dot ac dot uk

FAB 2.06

Classics and Ancient History, Arts and Humanities Building, University Road
University of 糖心TV
Coventry CV4 7AL

About

Elena Giusti joined the Classics and Ancient History department at 糖心TV in 2017, where she is currently an Associate Professor in Latin Literature and Language. She was previously Research Fellow in Classics at St John's College Cambridge (2015-2017) and University Teacher in Classics at the University of Glasgow (2014-2015). She studied at the University of Rome La Sapienza (BA and MA) and at King's College Cambridge (PhD).

Research interests

I am broadly interested in Roman literature and thought, with a specialism in Augustan literature and Virgil in particular. I have published articles and book chapters at the junctures between traditional philology, cultural and intellectual history, and literary theory, with special interests in ideology critique, postcolonial studies and feminist theories. Many of my contributions develop from close readings of single passages; others analyse Latin texts to highlight various ancient approaches to literary criticism; others engage meaningfully with how modern and contemporary philosophers can help us understand aspects of the classical texts. As a common feature, my publications seek to emphasise how ancient literature is not epiphenomenal to historical and political contexts, but is in fact actively engaged in shaping them.

Some of my publications, especially my first monograph (, Cambridge 2018), map the oft-neglected influence of Carthage in Roman literature and thought, arguing for its significance in wider debates about the role of Greek literature and culture in the formation of Roman identity. The book in particular explores the ideological use of Carthage in Virgil鈥檚 Aeneid, investigating ways in which the poem constructs, exploits, and subverts notions of Romans and Barbarians, and hides memories of both Punic and Civil Wars behind a mythical but cautionary tale. The book led me to publish widely on various aspects of Virgil's poetry; among my current Virgilian projects, I am writing a commentary on Aeneid 5 for a new Lorenzo Valla commented edition of the Aeneid.

I have since expanded my scope to look at representations of Africa under Rome in a project, generously supported by a British Academy Mid-Career Fellowship (2022-2023), that includes, besides shorter publications, a second monograph (Rome鈥檚 Imagined Africa). The book examines Roman literary representations of Africa (both Africa in the Latin sense of the term, and Ethiopia) and autochthonous African people at the turn between the Republic and the early imperial period. One of my aims is to show that a significant shift in the conceptualisation of Africa and of the whole oikoumene took place in this specific timeframe, especially in the ages of Augustus and Nero, and that the texts produced in this period bear commonalities with later European proto-colonialist and colonialist literature that allow us to bridge the gap between antiquity and modernity on the history of Western constructions of subaltern identities in the African continent. Africa emerges as a unique case study for understanding how histories of race, xenophobia, formation of the 鈥極ther鈥� work in (dis-)continuity between pre- and early modernity.

Another major strand of my research, which sprang from my PhD鈥檚 focus on the (re)writing of history under Augustus, deals with strategies of textual absence and self-censorship under authoritarian regimes. In the pipeline, and as reflected in some of my publications (including a 2022 article on Horace in AJP), I am planning a monograph (Augustan Poetry and its Conspiracies) that will reflect upon 鈥榗onspiracy鈥� as a simultaneously historical and literary practice, theorising a novel approach to reading poetic ambiguity and faltering political allegiance in Augustan poetry. The project employs the lens of 鈥榗onspiracy鈥� both as a fundamental historical reality of the late Republic and early Augustan period that imbued these texts with a sense of political instability, and as a poetic strategy by which Augustan authors engage their readers, anticipating our own hermeneutic suspicions.

I love working with colleagues and I have been involved in many collaborative projects. Together with Rosa And煤jar and Jackie Murray, I am co-editing the new Cambridge Companion to Classics and Race; with Samuel Agbamu, I am both co-writing a book on Dido and her reception (Dido of Carthage: the Making and Unmaking of a Classical Tradition, Bloomsbury) and a collection of essays on Classics and Italian Colonialism (De Gruyter). With Tom Geue, I co-edited a volume (, Cambridge 2021) that treats textual absence as a fundamental generative force both for the hermeneutics and the ongoing literary aftermath of Latin literary texts. With my colleague Victoria Rimell, I have co-edited a collection of essays on feminist theory and Virgilian scholarship (special issue of Vergilius 2021); with Mathias Hanses and Giovanna Laterza, a special journal issue of Ramus on different interpretative readings of the Vitruvian man (forthcoming 2024).

I am happy to supervise students in Latin literature and its reception, especially on projects that relate Latin literary texts to political, historical and philosophical thought, and on projects that touch upon comparative literature or classical reception. I am also interested in comparisons between Western and Eastern Classics (I can read and speak Japanese and have some basics of Mandarin Chinese) and in the reception of Greco-Roman literature in Japanese literature and culture.

Teaching and supervision

In 2018-2019 I developed a new module, Africa and the Making of Classical Literature. The module, which has been the subject of an IATL Academic Fellowship, considers the import of north Africa in the shaping of Western Classical Literature in the Mediterranean, and investigates the simultaneous erasure of Africa from the Western Classical canon. It also explores and discusses the history of the equation of the Classical world with modern (and colonialist) Europe, and the more recent attempts to 'decolonise' the Western Classics, together with the reactions to them (such as the famous 'Black Athena Debate' of the 80s). Thanks to generous support of the IATL, the HRC and the IAS I was able to invite a number of national and international speakers to deliver Public Lectures in connection to it in 2018-2019. I was also able to interview some of them on their work. These lectures have been the first in a new seminar series entitled Classical Connections, dedicated to Classical Reception Studies, Comparative Classical Studies, Comparative Literature with Classics and Ancient Global Classics.

In 2021-2022 I have developed two new 15 CATS modules in Latin Literature: Horace, Authority and Authoritarianism and Metamorphosis in Latin Poetry.

PhD Supervision

Alex Tadel 鈥楾he Female Authorial Voice in the Venetian Quattrocento鈥� (2022- co-supervised)
Elena Claudi, 鈥楾he Representation of Otherness in the Imagines of Philostratus鈥� (2022- co-supervised)
Lucrezia Sperindio, 鈥楾ragedy and the Tragic in Horace鈥檚 Epodes and Odes鈥� (2019-2023 co-supervised)

Administrative roles

Director of Graduate Studies, PG SSLC

Publications

Monographs

(in preparation, under contract) with Samuel Agbamu. Dido of Carthage, London: Bloomsbury.
(2018) , Cambridge: Cambridge University Press.

Commentaries

(in preparation, under contract) Virgilio: Eneide Libro V, Milano: Fondazione Lorenzo Valla.

Edited Volumes

(forthcoming) ed. with S. Agbamu. Classics and Italian Colonialism, De Gruyter.
(forthcoming, 2025) ed. with R. And煤jar and J. Murray. The Cambridge Companion to Classics and Race, Cambridge University Press.
(2023) ed. with M. Hanses and G. Laterza. Homo bene figuratus inter disciplinas: Methodological Variations on a Single Passage (Vitruvius De Architectura III.1), special issue of Ramus 52.2.
(2021) ed. with V. Rimell. , special issue of Vergilius 67.
(2021) ed. with T. Geue. , Cambridge: Cambridge University Press.

Articles and Book Chapters

(forthcoming, 2024) 鈥楲ucan鈥檚 Magico-Medical Psylli鈥�, in C. Blanco, A. Hahn and S. Martorana (eds.) Body and Medicine in Latin Poetry, Supplementary volume of Trends in Classics, Berlin: De Gruyter.
(2024) 鈥楬aec de Africa: Rome鈥檚 Imagined Africa and the Limits of Fiction鈥�, in Blouin, K. and Akrigg, B. Handbook of Classics and Postcolonial Theory, London: Routledge, 301-15.
(2024) 鈥楲a Didone virgiliana e la poetica dell鈥�errare鈥�, in Migliore, E., Oliva, M. and Vergara, C. (eds.) Noster delectat error: l鈥檈rrore tra filologia e letteratura, Firenze: Societ脿 Editrice Fiorentina, 85-107.
(2023) with G. Laterza. 鈥槼站背侔鼙咕背懿踱€� Homo bene figuratus: Preliminary Remarks鈥� in E. Giusti, M. Hanses and G. Laterza (eds.) 痴颈迟谤耻惫颈耻蝉鈥� Homo bene figuratus: Methodological Variations on a Single Passage (De architectura 3.1), Ramus 52.2, 108-20.
(2023) 鈥楻ac(ializ)ing Dido鈥�, Proceedings of the Virgil Society 31, 53-85.
(2023) 鈥楾he Techne that Races: Phoenician-Punic 罢别肠丑苍辞蝉么尘补迟补 in Homer and Plautus鈥�, in G. M. Chesi and M. Gerolemou (eds.) Body Technologies in the Greco-Roman World: Technosoma, Gender, and Sex, Liverpool: Liverpool University Press, 197-215.
(2023) 鈥樷€�, Mnemosyne.
(2023) 鈥樷€�, in M. K. Okyere Asante, D. van Schoor and K. Ackah (eds.) Decolonizing Classics in Africa: History, Strategies, Challenges, and Prospects, Bulletin of the Institute of Classical Studies 65.1, 67-78.
(2022) 鈥樷€�, The American Journal of Philology 143.1, 75-107.
(2021, with V. Rimell) 鈥樷€�, in E. Giusti and V. Rimell (eds.) Vergil and the Feminine, Vergilius 67, 3-23.
(2021, with T. Geue) 'Unspoken Rome: Introduction', in Geue, T. and Giusti, E. (eds.) , Cambridge: Cambridge University Press, 1-16.
(2021) 鈥楥aesarism as Stasis from Gramsci to Lucan: an 鈥淓quilibrium with Catastrophic Prospects鈥�', in A. M. Cimino and E. Zucchetti (eds.) , London: Routledge, 239-54.
(2021) 鈥楾he End is the Beginning is the End: Apocalyptic Beginnings in Augustan Poetry,鈥� in H. Marlow, K. Pollmann and H. Van Noorden (eds.) , London: Routledge, 307-19.
(2020) '', , 163-206.
(2019) 鈥�Aeneid 12: A Cyborg Border War鈥� in G. M. Chesi and F. Spiegel (eds.) , London: Bloomsbury, 275-83.
(2019) 鈥極vid鈥檚 Ars Poetica: Metapoetic Didactic in the Ars Amatoria,鈥� in L.G. Canevaro and D. O鈥橰ourke (eds.) , Swansea: Classical Press of Wales, 151-77.
(2019) 鈥楤unte Barbaren Setting Up the Stage: Re-inventing the Barbarian on the Georgics鈥� Theatre-Temple,鈥� in B. Xinyue and N. Freer (eds.) (2019), , London: Bloomsbury, 105-14.
(2018) 鈥�,鈥� in Ramus 47.1, 1-31.
(2017) 鈥楾he Metapoetics of Liber-ty. Horace鈥檚 Bacchic Ship in Seneca鈥檚 De Tranquillitate Animi,鈥� in M. St枚ckinger, K. Winter and T. Zanker (eds.) , Berlin: De Gruyter, 239-63.
(2017) 鈥榁irgil鈥檚 Carthage: a Heterotopic Space of Empire,鈥� in M. Asper and V. Rimell (eds.), Heidelberg, 133-50.
(2016) 鈥�,鈥� in Dictynna 13.
(2016) 鈥楳y Enemy鈥檚 Enemy is My Enemy: Virgil鈥檚 Illogical Use of Metus Hostilis,鈥� in P. Hardie (ed.) , Oxford, 37-55.
(2016) 鈥楧ithyrambic Iambics: Epode 9 and its General(s鈥�) Confusion,鈥� in P. Bather and C. Stocks (eds.) , Oxford, 131-51.
(2015) 鈥�,鈥� in The Classical Quarterly n.s. 65, 892-4.
(2014) 鈥極nce More Unto the Breach: Virgil鈥檚 Arae and the Treaty of Philinus,鈥� in Studi Italiani di Filologia Classica 107.1, 61-79.
(2014) 鈥�,鈥� in The Cambridge Classical Journal 60, 37-58.

Reviews

(2024) , Bryn Mawr Classical Review 2024.04.10
(2023) Dyson Hejduk, The God of Rome. Jupiter in Augustan Poetry (New York: Oxford UP 2020), Gnomon 95.7, 605-8.
(2022) (Berlin and Boston 2021), in Bryn Mawr Classical Review 2022.07.10.
(2020) Review of Lee M. Fratantuono and R. Alden Smith, Aeneid 8: Text, Translation, and Commentary, Mnemosyne Supplementum 416 (Leiden; Boston 2018), in The Journal of Roman Studies.
(2018) Review of L. Bocciolini Palagi, La musa e la furia. Interpretazione del secondo proemio dell鈥橢neide (Testi e Manuali per l鈥檌nsegnamento universitario del latino 135) (Bologna 2016), in Classical Review 68.2.
(2018) Review of S. J. Heyworth and J. H. W. Morwood, A Commentary on Vergil, Aeneid 3 (Oxford 2017), in Classical Review 68.2.
(2018) Review of H.-P. Stahl, Poetry Underpinning Power. Vergil鈥檚 Aeneid: the Epic for Emperor Augustus. A Recovery Study (Swansea 2016), in Classical Review 68.1.
(2016) Review of A. Ziosi, Didone Regina di Cartagine di Chistopher Marlowe: Metafore virgiliane nel Cinquecento (Roma 2015), in Lexis 34, 481-3.
(2016) Review of H. Baltussen and P. J. Davis (eds.) The Art of Veiled Speech: Self-Censorship from Aristophanes to Hobbes (Philadelphia 2015), in Bryn Mawr Classical Review 2016.06.24: http://bmcr.brynmawr.edu/2016/2016-06-24.html
(2015) Review of N. Horsfall, Virgil Aeneid 6, A Commentary (Berlin 2013), in The Journal of Roman Studies 105: 432-34.
(2014) Review of J. Godwin, Ovid Metamorphoses III An Extract: 511-733 (London and New York 2014), in Bryn Mawr Classical Review 2014.08.06: http://bmcr.brynmawr.edu/2014/2014-08-06.html

Conferences and Seminars Organised

(2023) Classics and Race, CAAS 2023 Annual Meeting in Philadelphia, 7^thOctober 2023, with J. Murray.
(2023) Classics and Italian Colonialism, Museo delle Civilt脿, Roma, 22-24 June 2023, with Samuel Agbamu.
(2023) Classics and Race Seminar, AIA/SCS Annual Meeting in New Orleans, 8^th January 2023, with R. And煤jar and J. Murray.
(2019) Virgil and the Feminine, Symposium Cumanum at the Villa Virgiliana in Cuma, 19-22 June 2019, with Victoria Rimell.
(2019) Racing the Classics II, University of 糖心TV, 3rd May 2019, with Rosa And煤jar, Sasha-Mae Eccleston and Dan-el Padilla Peralta.
(2018) Homo bene figuratus inter disciplinas: Methodological Variations on a Single Passage (Vitruvius De Architectura III.1), Penn State University, 7-8 September 2018, with Mathias Hanses and Giovanna Laterza.
(2017) Unspeaking Volumes: Absence in Latin Texts, University of St Andrews, 29 June-1 July 2017, with Tom Geue.
(2016) The Fixed Handout Workshop: Exercises and Variations in Reading Latin Texts, University of Cambridge, 16-17 April 2016; with Siobhan Chomse and William Fitzgerald.

Podcasts and Public-Facing Publications

(2024) 鈥樷€�, Review of S. Brillante, Anche l脿猫 Roma: Antico e antichisti nel colonialismo italiano (Bologna 2023), in AliasD, supplemento culturale de Il Manifesto, 7th January 2024.
(2023) 鈥�, Review of M. Bettini, Chi ha paura dei Greci e dei Romani? Dialogo e cancel culture (Torino, 2023), in AliasD, supplemento culturale de Il Manifesto, 29^th October 2023.
(2023) 鈥樷€�, AliasD, supplemento culturale de Il Manifesto, 23^rd July 2022.
with Ingleheart J, Kearey, T. and Leonard, V. (2022)
(2022) 鈥楺uando l鈥橝tena nera scardin貌 la Grecia 鈥渋nfanzia dell鈥橢uropa鈥�, AliasD, supplemento culturale de Il Manifesto, 28th August 2022:
(2021) 鈥樷€� (Recorded as part of the 糖心TV Classics and A.G. Leventis Ancient Worlds Day 2021, 16^th June 2021)
(2021) #AskAnAcademic videos on Virgil鈥檚 Aeneid and Dido, for the 糖心TV Classics Network.
(2020) '' (Recorded as part of the University of 糖心TV Dept. of Classics and Ancient History Classical Civilisation Teachers Day 2020 for the A-level 'World of the Hero' module)
(2020) '鈥� (Cambridge School Classics Project Blog)
(2020) '' (Cambridge School Classics Project Blog)
(Highlights from Talking History, Irish Radio)
(2019) Guest Speakers interviews for the Module 'Africa and the Making of Classical Literature':
(2017) Hughes, S. 鈥樷€� in Research Horizons: Pioneering Research from the University of Cambridge 33, 10-11.
(2017) 鈥�,鈥� in Eidolon.

Qualifications

BA; MA (Universit脿 degli studi di Roma La Sapienza)
PhD (King's College Cambridge)

Office hours

Tuesday 11-12

Wednesday 11-12

Teaching (2023-2024 Term 3)

Encounters with Latin Texts

Horace: Authority and Authoritarianism